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Women's Writing and Reading in Canada from 1950
Critical Studies
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Women's Response to the Great Plains: Landscape as Spiritual Domain in Kathleen Norris and Sharon Butala
Women's Writing and the Literary Institution / L'Ecriture au féminin et l'institution littéraire
1992
Wondering into Country: Dionne Brand's A Map to the Door of No Return
Word and Action in Margaret Avison's Not Yet But Still
Word and Fact: Laurence and the Problem of Language
Words & the World: The Diviners as an Exploration of the Book of Life
Working in Women's Archives: Researching Women's Private Literature and Archival Documents
2001
Working-Class Intruders: Female Domestics in Kamouraska and Alias Grace
Writing 'in Sparkler Script': Incest and the Construction of Subjectivity in Contemporary Canadian Women's Autobiographical Texts
Writing About Others: The African Stories
Writing Africa, Writing Canada: Anti-Imperialism and Feminism in the Work of Margaret Laurence
Writing Closure
Writing Historiographic Autoethnography: Denise Chong's The Concubine's Children
Writing It: Dionne Brand
Writing Lovers: Reading Canadian Love Poetry by Women
2005
Writing Paintings and Thinking Physics: Anne Simpson's Poetry
Writing Whiteness: Linda Griffiths's Raced Subjectivity in The Book of Jessica
Writing a Home for Prairie Blackness: Addena Sumter Freitag's Stay Black and Die and Cheryl Foggo's Pourin' Down Rain
Writing a Politics of Perception: Memory, Holography, and Women Writers in Canada
2000
Writing a Woman's Life: Celebration, Sorrow, and Pathos in Margaret Laurence's Memoir Dance on the Earth
Writing and Painting under the Gaze: Emily Carr's Growing Pains
Writing and Telling Hybridity: Autobiographical and Testimonial Narratives in Maria Campbell's Halfbreed
Writing in Our Time: Canada's Radical Poetries in English (1957-2003)
2005
Writing in the Feminine in French and English Canada
2002
Writing of/from the Fourth World: Gabrielle Roy and Ungava
Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand's Toronto and Mairuth Sarsfield's Montreal
Writing the Reader, Writing the Self in Aritha van Herk's Places Far from Ellesmere
Writing-Translating (from) the In-Between: An Interview with Gail Scott
Written in the Scars: History, Genre, and Materiality in Dionne Brand's In Another Place, Not Here
Yorick, Don't Be A Hero: Productive Motion in Y: The Last Man
You May Think This, But: An Interview with Maggie de Vries
Young, Troubled, and Queer: Gay and Lesbian Representation in Edward Roy's The Other Side of the Closet and Sara Graefe's Yellow on Thursdays
Yves Simoneau's Rewriting of the Troubled Manhood Script in Anne Hébert's Les Fous de Bassan
Yvette Nolan's Job's Wife: The Center's Reaction
`How Do You Go Back To Where You've Never Been?'
doucet la vie
i, a mother/i am other: L'Amèr and the Matter of Mater
An Albatross of Words: An Interview with Judith Fitzgerald.
Father, Mother and Mennonite Me: Di Brandt and the Overthrow of the Mother
Mennonites and Metis in the Never Never of Agassiz: Sandra Birdsell's Waste Land Territory
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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eng
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