Critical Studies

Trier

'... to Give ... Death a Place': Rejecting the 'Ineffability' of the Holocaust: The Work of Gillian Rose and Anne Michaels
'A Different Kind of the Same Thing': Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood Relations
'A Double Assault': The Victimization of Aboriginal Women and Children in In Search of April Raintree
'A Field of Potentialities': Reading Erin Mouré
'A Landmark in Familiar Country': Alcohol in Bronwen Wallace's People You'd Trust Your Life To
'A Last Time for This Also': Margaret Atwood's Texts of Mourning
'A Life Has Only One Author': Twice-Told Aboriginal Life Narratives
'A Man's Journey': Masculinity, Maze, and Biography in Carol Shields's Larry's Party
'A Mystery at the Core of Life': Margaret Laurence and Women's Spirituality
'A Place on the Map of the World': Locating Hope in Shani Mootoo's He Drown She in the Sea and Dionne Brand's What We All Long For
'A Singing Spirit': Female Rites of Passage, in Klee Wyck, Surfacing, and The Diviners
'A Single Brushstroke': Writing through Translation: Anne Carson
'A Subtle Mourning': P. K. Page's 'The Permanent Tourists'
'A Tangle of Vegetation': Suffering in Margaret Avison's 'Jo Poems'
'A Thankful Music': Dorothy Livesay's Experiments with Feeling and Poetic Form
'A l'abri des vivants': L'Euphémisation dans Héloïse d'Anne Hébert
'Acts of Self-Exposure': Closeted Desire in Margaret Atwood's Cat's Eye
'Afterbirth of Earth': Messianic Materialism in Anne Michaels' Fugitive Pieces
'Against the Source': Daphne Marlatt's Revision of Charles Olson
'Among the Word Animals': A Conversation with Marilyn Dumont
'And Now Another Story Surfaced': Re-Emerging Voices, Stories and Secrets in Alice Munro's 'Family Furnishings'
'And Then-': Narrative Identity and Uncanny Aging in The Stone Angel
'And They Went to Bury Her': Margaret Atwood's The Blind Assassin and The Robber Bride
'And Use the Words That Were Hers': Constructions of Subjectivity in Beverly Hungry Wolf's The Ways of My Grandmothers
'And We Are Homesick Still': Home, the Unhomely, and the Everyday in Anne Wilkinson
'At Least Part Legend': The Fiction of Alice Munro
'Aussi canadienne que possible dans ces circonstances': Comment les jeunes filles sont élevée en Canadiennes dans La Voleuse d'hommes de Margaret Atwood/'As Canadian as Possible under the Circumstances': How Girls Grow Up Canadian in Margaret Atwoo
'Aux difformes et aux légèrement dérangés': La Figure du grotesque comme moyen d'accès au désordre du refoulé dans trois nouvelles d'Alice Munro
'Banished to This Other Place': Atwood's Lady Oracle
'Being a Half-Breed': Discourses of Race and Cultural Syncreticity in the Works of Three Metis Women Writers
'Being in a Memory but Present in Time': Re-Inscription of Multiple Memories in Marie Clements' The Unnatural and Accidental Women
'Between One Cliche and Another': Language in The Double Hook
'Blood Gashed and Running Like Rain': A Diasporic Poetics in Dionne Brand's In Another Place, Not Here and Simone Lazaroo's The Australian Fiancé
'Bones Made of Light': Nature in the Poetry of Lorna Crozier
'Brightly, Aggressively Golden': Verbal Agency in Budge Wilson's The Leaving
'But How Do You Write a Chagall?' Ekphrasis and the Brazilian Poetry of P. K. Page and Elizabeth Bishop
'Canada Via Africa': The Stone Angel as the Missing Link Between Margaret Laurence's African and Canadian Writing
'Cause you're the only one I want': The Anatomy of Love in the Plays of Judith Thompson
'Certain Vague Hopes of Disaster': A Psychosemiotic Reading of Alice Munro's 'The Found Boat' as the Flooding Text
'Changer la vie' ou 'changer le monde'?

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mods_titleInfo_title_ms: Critical Studies

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Title: Critical Studies
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Identifier: cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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Language: eng
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