Skip to main content
View sitemap
Collaboratory
Projects
News
About
Terms of Use
Login/Join
EN
EN
FR
Help and Bug Reporting
Help Documentation
Report a Bug
Search
Search terms
Search scope
This project
Collaboratory
Website content
Advanced search
You are here
CWRC
»
Collaboratory
»
Women's Writing and Reading in Canada from 1950
Critical Studies
Home
Collection
Genres
Primary tabs
View
(active tab)
Default view
PlotIt
PlotIt 2.0
Voyant
DToC
History
Share
Facebook
Twitter
Google Plus
Collapse sidebar
Grid view
List view
Sort
Sort by
Title
Modified
The Visual Artist and the Creative Process in Picture Books
The Voyage That Never Ends: The Poetry of Paulette Jiles
The Wilderness Plot, the Deep Map, and Sharon Butala's Changing Prairie
The Woman out Back: Alice Munro's 'Meneseteung'
The Woman's Voice: The Post-Realist Fiction of Margaret Atwood, Mavis Gallant and Alice Munro
The Word as Remnant: Margaret Atwood and Janet Frame
The Writing of Future Revolt in Blais's Une Saison dans la vie d'Emmanuel and Aquin's Prochain Episode
Themes in Women's Music: Consciously Feminine?
Theorising about New Modes of Representation and Ideology in the Postmodern Age: The Practice of Margaret Atwood and Li Ang
There's Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro's 'Fits'
Thiefing Sugar: Eroticism between Women in Caribbean Literature
2010
Thomas Hardy, Alice Munro, and the Question of Influence
Thomas and Her Rag-Bag
Through the 'Wall': Crone Journeys of Enlightenment and Creativity in the Works of Doris Lessing, Margaret Atwood, Keri Hulme, and Other Women Writers
Through the Son: An Explication of Margaret Avison's 'Person'
Time as the Fifth Element in Margaret Laurence's Manawaka Cycle
Time in Ethel Wilson's The Innocent Traveller and Swamp Angel
Time in Ethel Wilson's The Innocent Traveller and Swamp Angel
To 'Heal the Word Wounded': Agency and the Materiality of Language and Form in M. Nourbese Philip's She Tries Her Tongue, Her Silence Softly Breaks
To Close or Not To Close: Alice Munro's The Love of a Good Woman
To Live in Abundance of Life: Time in Canadian Literature
To Seek a Single Symmetry
Toronto in the Global City: Flows and Places in Dionne Brand's What We All Long For
Toronto, Capital of Ukraine: The Ends of Desire and the Beginning of History in Janice Kulyk Keefer's The Green Library
Toward a Photography of Love: The Tain of the Photograph in Anne Carson's Autobiography of Red
Toward a Poetics of Dislocation: Elizabeth Bishop and P. K. Page Writing 'Brazil'
Toward an Anthropology of Place in Migrant Writing: Place, Non-Place, and 'Other Spaces' in Fiction by Régine Robin
Towards Freedom: The Work of Margaret Laurence and Northrop Frye
Towards a Feminist Comedy
Towards the Greening of Literary Studies
Tracing a Terrestrial Vision in the Early Work of P. K. Page
Tracing the Travesty: Constructing the Female Subject in Susan Swan's The Biggest Modern Woman of the World
Traditions and Transformations in Anne Hébert's L'Enfant chargé de songes
Traduction littéraire et polyphonie dans 'Mrs. Turner Cutting the Grass' de Carol Shields
TransLata/Latus
Transatlantic Communities: The Joycean Influence in Alice Munro's Lives of Girls and Women
Transcribing Nomadism: The Use of Collage and the Internet in the Autofictional Writing of Régine Robin
Transformation and Puppetry in the Illustrations of Elizabeth Cleaver
Transgression tous azimuts dans 'Waiting for the Rodeo' d'Aritha Van Herk
Transgressive Bodies in the Work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: Towards a Theory of the 'AutobioBD'
Pages
« first
‹ previous
…
44
45
46
47
48
49
50
51
52
53
next ›
last »
Metadata
Metadata to display
Indexed (Solr) Metadata
Basic (Dublin Core) Metadata
Details
mods_titleInfo_title_ms
Critical Studies
Details
Title
Critical Studies
Creator
Subject
Description
Publisher
Contributor
Date
Type
Format
Identifier
cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
Source
Language
eng
Relation
Coverage
Rights
