Skip to main content
View sitemap
Collaboratory
Projects
News
About
Terms of Use
Login/Join
EN
EN
FR
Help and Bug Reporting
Help Documentation
Report a Bug
Search
Search terms
Search scope
This project
Collaboratory
Website content
Advanced search
You are here
CWRC
»
Collaboratory
»
Women's Writing and Reading in Canada from 1950
Critical Studies
Home
Collection
Genres
Primary tabs
View
(active tab)
Default view
PlotIt
PlotIt 2.0
Voyant
DToC
History
Share
Facebook
Twitter
Google Plus
Collapse sidebar
Grid view
List view
Sort
Sort by
Title
Modified
Unforgetting Trauma: Dionne Brand's Haunted Histories
Unfulfilled Promises: Idealism and Reality in Alice Munro's 'Miles City, Montana'
Unhomely States: Theorizing English-Canadian Postcolonialism
2004
Unless: La Construction d'une identité dans un monde post-no-future
Unravelling the Mystery of Reality: Typical Canadian Elements in the Short Stories of Alice Munro
Unreading the World of Aritha Van Herk: An Interview
Unreliable Views of the Feminine in Anne Hébert's Les Fous de Bassan
Unsettling the Wilderness: The Interloping Pioneer in Atwood and Grove
Until You Crashed into My Geography: Nationness, Symptoms and the Peculiar Performativity of Two Canadian Fictions
Unveiling the Ghost: Denise Chong's Feminist Negotiations of Confucian Autobiography in The Concubine's Children
Upsetting Fake Ideas: Jeannette Armstrong's Slash and Beatrice Culleton's In Search of April Raintree
Upsetting an Already Unquiet Bed: Contextualizing Dorothy Livesay's 'Zambia'
Upward Mobility in the Postcolonial Era: Kincaid, Mukherjee, and the Cosmopolitan Au Pair
Urban Space and Barstool Flânerie in Gail Scott's Main Brides
Urban Undressing: Walter Benjamin's 'Thinking-in-Images' and Anne Michaels' Erotic Archaeology of Memory
Use of Language in Bonheur d'occasion: A Case in Point
Uses of Mythology in Aritha Van Herk's No Fixed Address
Values Are Descriptions; Or, from Literature to Linguistics and Back Again by Way of Keywords
Various Atwoods: Essays on the Later Poems, Short Fiction and Novels
1995
Violent Duality: A Study of Margaret Atwood
1980
Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul's Case by Lynn Crosbie
Visions of the Stars and Earth: The Images of Jean Coulthard
Vous! Vous êtes quoi vous au juste? Méditations autobiographiques autour de la judéité
Voyage towards an Ending: Alice Munro's 'Goodness and Mercy'
Vulnerability in Margart Atwood's 'Rape Fantasies': A Game of Cards About Life
Wading in with Isabel Huggan
Waltzing Again: New and Selected Conversations with Margaret Atwood
2006
We Need to See This
We'll Just Edit That Right out of Here: A Chat with Roo Borson
Webb's Water and Light
What Do We Really Want to Teach in Alice Munro's 'Walker Brothers Cowboy'?
What I Really Think about Margaret Laurence, Michael Ondaatje, Margaret Atwood, Timothy Findley, and the Rest of the CanLit Crowd: A Critic Unburdens Himself
What If? Writing The Handmaid's Tale
What Is Time Made Of? The Poetry of Anne Carson
What Is Time Made Of? The Poetry of Anne Carson
What Nation? Whose Story? History, Myth, and Collaboration in the Making of Jessica
What We All Long For: Dionne Brand's Transatlantic Metamorphoses
What's Difficult, and What Isn't: Two Books Published in the 1960's
What's so Troubling about the Woman behind the Mask? Est-ce que je te dérange? by Anne Hébert
What's the Matter? Authors in Carol Shields' Short Fiction
Pages
« first
‹ previous
…
44
45
46
47
48
49
50
51
52
53
next ›
last »
Metadata
Metadata to display
Indexed (Solr) Metadata
Basic (Dublin Core) Metadata
Details
mods_titleInfo_title_ms
Critical Studies
Details
Title
Critical Studies
Creator
Subject
Description
Publisher
Contributor
Date
Type
Format
Identifier
cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
Source
Language
eng
Relation
Coverage
Rights
