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Women's Writing and Reading in Canada from 1950
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- Entire collection -
The Circle Game
'What a Pathetic Old Tart': Alice Munro's Older Women
A Novel's Journey into Film
When Foreigness and Familiarity Become One: Defamiliarization in Some Canadian Stories
Song and Dance
Subject-Position as Victim-Position in The Handmaid's Tale
`How Do You Go Back To Where You've Never Been?'
'A Life Has Only One Author': Twice-Told Aboriginal Life Narratives
The Fiction of Agelessness: Work, Leisure, and Aging in Alice Munro's 'Picture's of the Ice'
The Cambridge Companion to Canadian Literature
Rethinking the Relevance of Magic Realism for English-Canadian Literature: Reading Ann-Marie MacDonald's Fall on Your Knees
Falling into Canadian Wilderness: Physical and Inner Spaces in Margaret Atwood
The Female Liminal Place, or Survival between the Rock and the Hard Place: A Reading of Anne Hebert's L'Ile de la Demoiselle
Despair as Empowerment: Melodrama and Counter-Cinema in Anne Claire Poirier's Mourir à tue-tête
'Aussi canadienne que possible dans ces circonstances': Comment les jeunes filles sont élevée en Canadiennes dans La Voleuse d'hommes de Margaret Atwood/'As Canadian as Possible under the Circumstances': How Girls Grow Up Canadian in Margaret Atwoo
doucet la vie
'Voice Is Everything': Reading Mavis Gallant's 'The Pegnitz Junction'
The Black Female Body in Dionne Brand's Fiction
Writing Paintings and Thinking Physics: Anne Simpson's Poetry
Tracing a Terrestrial Vision in the Early Work of P. K. Page
Figuring Grief: Gallant, Munro, and the Poetics of Elegy
Heart of a Traveller: Margaret Laurence's Life Journey
Every Now and Then: Voice & Language in Laurence's The Stone Angel
Internalized Racism: Physiology and Abjection in Kerri Sakamoto's The Electrical Field
Copies conformes: La Réécriture québécoise d'un polar américain
Constance Ledbelly's Birthday: Construction of the Feminist Archetype of the Self in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
Setting Words Free: Feminist Writing in Quebec
Elizabeth Smart's Novel-Journal
Lill in Review: A Working Bibliography
Where Do You Think You Are? Alice Munro's Open Houses
Unveiling the Ghost: Denise Chong's Feminist Negotiations of Confucian Autobiography in The Concubine's Children
Out of the Water: The Presence of Virginia Woolf in Alice Munro's Lives of Girls and Women
Ecological Aurality and Silence in Margaret Atwood
Greenwor(l)ds: Ecocritical Readings of Canadian Women's Poetry
'In the Middle of Becoming': Dionne Brand's Historical Vision
Dorothy Livesay: Patterns in a Poetic Life
Re-Reading beyond Third World Difference: The Case of Bharati Mukherjee's Jasmine
Structure and Detail in Lives of Girls and Women
Jackpine Roots: Autobiography, Tradition, and Resistance in the Stories of Three Elders
Quelques réflexions sur l'adaptation cinématographique du roman de Monique Proulx, Le Sexe des étoiles
Caribbean Warriors in Canada: Dionne Brand as a Representative
'And Now Another Story Surfaced': Re-Emerging Voices, Stories and Secrets in Alice Munro's 'Family Furnishings'
Creating Fictionality: Re-Living Reality in Alice Munro's Fiction
Jane Rule's Sexual Politics
Demons, Doubles, and Dinosaurs: Life before Man, The Origin of Consciousness, and 'The Icicle'
The Genius of Alice Munro
'The Ice Is Its Own Argument': A Canadian Critic Takes a Second Look at Bad Boy and Her Own Modest Ambitions
Deux visions de l'Amérique
The Aesthetics of Deception: Marie-Claire Blais' A Season in the Life of Emmanuel
Speaking In And Of Each Other: An Interview with Daphne Marlatt and Betsy Warland
Mother as Transformer: Strategic Symbols of Matrilineage Recuperation in Princess Pocahontas and the Blue Spots
'The Ensign of the Mop and the Dustbin': The Maternal and the Material in Autobiographical Writings by Laura Goodman Salverson and Nellie McClung
The Canadian Mosaic: Functional Ethnicity in Margaret Atwood's Life before Man
'A Single Brushstroke': Writing through Translation: Anne Carson
Sameness and Difference: Border Crossings in The Stone Diaries and Larry's Party
To Seek a Single Symmetry
'But How Do You Write a Chagall?' Ekphrasis and the Brazilian Poetry of P. K. Page and Elizabeth Bishop
The Editor as Gap-Filler: The Letters of Margaret Laurence and Adele Wiseman
The Medium is the Monster? Global Aftermathematics in Canadian Articulations of Frankenstein
The Elliptical Subject: Citation and Reciprocity in Critical Readings of Ana Historic
When Editing Goes Write: The Correspondence of Erin Mouré and Bronwen Wallace
Dionne Brand on Struggle and Community, Possibility and Poetry
An Interview with Paulette Bourgeois
Disappointing Expectations: Native Canadian Theatre and the Politics of Authenticity
Catachresis in Antonine Maillet's La Sagouine and the Luis de Céspedes Translation
Recovering History: The Poems of Dionne Brand
The Possibilities of Home: Negotiating City Spaces in Dionne Brand's What We All Long For
Exploring the Other Side of the Dark: Judith Thompson's Magic Realism
The Return Journey in Italian-Canadian Literature
Ecrire comme vivre: Dans l'hybridité: Entretien avec Anne-Marie Alonzo
Affect and the Body in Melville's 'Bartleby' and Jillian Tamaki and Mariko Tamaki's Skim
Language Strategies
Représentation féminine et auto-représentation dans l'oeuvre romanesque d'Antonine Maillet: Une Figure d'identité
In the Beginning Was the Question: The Poems of Phyllis Webb
Journies to the Interior: The African Stories of Audrey Thomas
Five Fairly Short Talks on Anne Carson
Religion and (Mimetic) Violence in Canadian Native Literature
'Against the Source': Daphne Marlatt's Revision of Charles Olson
Engel, Wiseman, Laurence: Women Writers, Women's Lives
Values Are Descriptions; Or, from Literature to Linguistics and Back Again by Way of Keywords
Margaret Laurence's A Jest of God as a Work of Simultaneous Narration
'Sortir de l'auberge': Strategies of (False) Narration in Atwood and Triolet
Mothers and Other Clowns: The Stories of Alice Munro
The Paradise Alms House: Siting Literary Thirdspace in Shani Mootoo's Cereus Blooms at Night
Neopaganism, Feminism, and Children's Literature
Gabrielle Roy, 1909-1983: Hier et demain
Living on Masculine Standard Time: Alice Munro's Conflicted Women
Until You Crashed into My Geography: Nationness, Symptoms and the Peculiar Performativity of Two Canadian Fictions
Une Douloureuse Eclipse amoureuse dans le paysage québécois: Analyse du dernier récit d'Anne Hébert
Sheila Watson's 'Antigone': Anguished Rituals and Public Disturbances
Les Enfants du sabbat et la problématique de la libération chez Anne Hébert
La Fugue, la fuite et l'espace franchi dans Le Premier jardin d'Anne Hébert
Rewriting Les Lettres chinoises: The Poetics of Erasure
The African and Canadian Heroines: From Bondage to Grace
Contemporary Canadian Women's Fiction: Refiguring Identities
Cultural Construct and the Female Identity: Bharati Mukherjee's Wife
Sexual/Textual Politics: Feminist Literary Theory
'God Keeps Disappearing': Anne Michaels's Fugitive Pieces: The Imperatives of Love and Beauty after the Holocaust
Devouring Eyes in 'The Permanent Tourists' and Cry Ararat!
'I Still Need the Revolution': Cultivating Ecofeminist Readers
'Heirs of the Living Body': Alice Munro and the Question of a Female Aesthetic
'Meat Like You Like It': The Production of Identity in Atwood's Cat's Eye
Elizabeth Cleaver Memorial Lecture
Hell is Other Girls: Joan MacLeod's The Shape of a Girl
The Local and the Transnational in Badami's The Hero's Walk
The Guises of Canadian Diversity: New European Perspectives
Exploring the Immigrant Experience Through Theatre: Uma Parameswaran's Rootless but Green are the Boulevard Trees
Inside a Good House
Kanehsatake: 270 Years of Resistance, Alanis Obomsawin, 1993
The Margin Speaks: A Study of Margaret Laurence and Robert Kroetsch from a Post-Colonial Point of View
Self-Alienation of the Elderly in Margaret Laurence's Fiction
Death and the Maidens: A Century of Necrophilia in Female-Authored Textual Production
Claiming Positive Semantic Space for Women: The Poetry of Dorothy Livesay
Re-Visioning Documentary Readings of Anne Marriott's The Wind Our Enemy
Sexual Citizenship and Caribbean-Canadian Fiction: Dionne Brand's In Another Place, Not Here and Shani Mootoo's Cereus Blooms at Night
Acadia Transplanted: The Importance of Evangeline Deusse in the Work of Antonine Maillet
Detour Canada: Rerouting the Black Atlantic, Reconfiguring the Postcolonial
'Je suis la charnière': Entretien avec Antonine Maillet
Managing Diversity: The Economies of Community in Denise Chong's The Concubine's Children
Funny Girl: An Interview with Mariko Tamaki
Echange avec Alanis Obomsawin et André Dudemaine suite à la projection du film Kanehsatake 250 ans de résistance
Shakespeare's 'Sisters': Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet)
Interview with Carol Shields
Human/Nature: Ecological Philosophy in Margaret Atwood's Oryx and Crake
'Shameless, Marvellous, Shattering Absurdity': The Humour of Paradox in Alice Munro
L'Ecriture et l'ambivalence: Entrevue avec Anne Hébert
The Baby or the Violin? Ethics and Femininity in the Fiction of Alice Munro
The Royal Family
A Conversation with Sarah Ellis: On Fairies, Fiction, and Writing for Teenagers in Back of Beyond
Une Ecriture dialectale en évolution: Le Franco-acadien d'Antonine Maillet, de Pointe-aux-coques à Pélagie-la-charrette
The Logo as Fetish: Marxist Themes in Naomi Klein's No Logo
Hébert's 'Le Tombeau des rois' (1953): A Modernist Manifesto
Questions of Identity and Subjectivity: Audrey Thomas's Intertidal Life
All Over the Canvas: An Interview with Lisa Moore
Ethel Wilson: Innocent Traveller
Féminin singulier: Les Desseins du moi. Julie Doucet, Dominique Goblet
'The Good Sentences of Sleep': Parasomnia and 'Pataplay in the Poetry of Angela Rawlings and Sylvia Legris
Dramas of Desire in Margaret Laurence's A Jest of God, The Fire-Dwellers, and The Diviners
Alice Munro: The Stories of Runaway
The Poetry of Margaret Atwood
Diaspora, Citizenship and Gender: Challenging the Myth of the Nation in African Canadian Women's Literature
The Letter and Its Gloss: A Reading of Mavis Gallant's A Fairly Good Time
Listening to Silences in Ruby Slipperjack's Silent Words
Rough Play: Reading Black Masculinity in Austin Clarke's 'Sometimes, a Motherless Child' and Dionne Brand's What We All Long For
Quelques aspects de la traduction de Philip Stratford du roman d'Antonine Maillet, Pélagie-la-Charrette
Heirs of Wigs, Chalky Masks and Straight Hairs: The Bequest of Slavery and Colonialism
'I Am Stateless Anyway': The Poetry of Dionne Brand
'Ikiru shirushi': Margaret Atwood, Oryx and Crake
Garielle Roy's Vision of Childhood
Pillar, Speaker, Mother: The Character of Calla in A Jest of God
'I'm Stuck': The Secret Sharers in The Edible Woman
Regenerations: Canadian Women Poets in Conversation
At the Membrane of Language and Silence: Metaphor and Memory in Fugitive Pieces
Refusing the Sweet Surrender: Margaret Avison's 'Dispersed Titles'
Histiography of War and Suffering in Pollock's Walsh
Afterword
L'Ethique de la deference: Des recits de vie interstitiels dans Journal de la creation de Nancy Huston
The Trees in Emily Carr's Forest: The Book of Small as Aesthetic and Environmental Text
Sufi Mysticism in Margaret Atwood's The Handmaid's Tale
Ethel Wilson's Characters
'Our Own Little Rollicking Orb': Divinity, Ecology, and Otherness in Avison
Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul's Case by Lynn Crosbie
The Conflicting Inner Voices of Rachel Cameron
The Most Terrific Place in the World: Lowry, Laurence, and the Redemptive Landscape of B. C.
Germaine Guèvremont 1900-1968 (preface)
Domestic Science in the Poetry of Alice Major
'Splendid Disciplines': American Indian Women's Ethnographic Literature
Into My Green World: The Poetry of Miriam Waddington
Necessary Illusions: Foucault's Author Function in Carol Shields's Swann
New Forms of Subjectivity: Théoret's Entre raison et déraison
Monstrous History: Judith Thompson's Sled
'N'être rien qu'un instant/de l'univers': L'Expérience du temps et de l'espace chez Hélène Dorion
Silent Canons: Places for Music By Women
'My Books Are My Children': An Interview with Welwyn Wilton Katz
La Réflexion féministe dans quelques romans féminins à l'heure de la Révolution tranquille
Journeys and Transformations
'Designed Anarchy' in Mavis Gallant's The Moslem Wife and Other Stories
Les Figures féminines de l'adolescence dans l'oeuvre romanesque d'Anne Hébert: Entre le mythe du prince charmant et l'agentivité
Technics and the Human at Zero-Hour: Margaret Atwood's Oryx and Crake
Beginnings and Endings: Adele Wiseman's Crackpot
Une Héritière rebelle: Heroine de Gail Scott et la représentation des francophones
Scant Articulations of Time
The Grandmother Language: Writing Community Process in Jeannette Armstrong's Whispering in Shadows
Espaces urbains, contraintes scopiques, et narration: Représenter le sujet vieillissant dans les nouvelles de Claire Martin
Spatial Metaphor in the Plays of Judith Thompson
The Invention of Canada: Literary Text and the Immigrant Imaginary
Phyllis Webb and Her Works
Ethel Wilson's Novels
'A Subtle Mourning': P. K. Page's 'The Permanent Tourists'
Emily Carr: Painting and Her Twin, Writing
Troll Turning: Poetic Voice in the Poetry of Kristjana Gunnars
Whitey in the Woodpile: The Problem of European Ancestry in Métis Literature
The Technological Hybrid as Post-American: Cross-Cultural Genetics in Jasmine
L'Inversion mythique dans La Belle Bête de Marie-Claire Blais
Gwendolyn MacEwen and Female Spiritual Desire
Une Ecriture sous influence: L'Ethique du travail et de l'effort chez France Théoret et Marie-Célie Agnant
Challenging Territory: The Writings of Margaret Laurence
Subversion or Sub/Version: The Judith Myth in the Apocrypha and in Van Herk's Novel
Irony, Métis Style: Reading the Poetry of Marilyn Dumont and Gregory Scofield
From The Rising Fire to Afterworlds: The Visionary Circle in the Poetry of Gwendolyn MacEwen
Rewriting the Frontier: Wilderness and Social Code in the Fiction of Alice Munro
Composing in the Scent of Wood and Roses: Nicole Brossard's Intertextual Encounters with Djuna Barnes and Gertrude Stein
Alice Munro and Charlotte Brontë
The Fissure Queen: Issues of Gender and Post-Colonialism in Crackpot
Selves in Letters: Laurence, Purdy, and Laurence-Purdy
Feminism and Metadrama: Role-Playing in Blood Relations
Le Continent noir des corps: Représentation du corps féminin chez Marie-Célie Agnant et Gisèle Pineau
Women in Motion/Femmes en mouvement
African Canadian Writing and the Narration(s) of Slavery
Ethel Wilson
Exorcising the Cruel Patriarchy: A Comparative Study of Autobiographies by Claire Martin and Sharan-Jeet Shan
The Shape of a Life: Constructing 'Self' and 'Other' in Joan MacLeod's The Shape of a Girl and Guillermo Verdacchia and Marcus Youssef's A Line in the Sand
'No Moon to Speak Of': Identity and Place in Dionne Brand's In Another Place, Not Here
Le Règne de l'eau dans Les Fous de Bassan d'Anne Hébert
'What Is the Proper Word for People Like You?': The Question of Métis Identity in The Search of April Raintree
Margaret Atwood and the Female Bildungsroman
Embodiment as a Healing Process: Native American Women and Perfomance
Double-Read: On Margaret Atwood's Bodily Harm
A Past Which Refuses to Become History: Nazism, Niagara Falls, and a New National Identity in Suzette Mayr's The Widows
The Outraged Citizen-Poet Speaks Out
'This Is the World as We Have Made It': Gwendolyn MacEwen's Poetics of History
Historical Figures and Paradoxical Pattern: The Quilting Metaphor in Margaret Atwood's Alias Grace
Interview with Margaret Atwood, Hay-on-Wye, 27 May 2001
Displacing the 'Home Place': Madeline Coopsammy's 'Post-Prairie' Poetry
History Is Relatives: Educational Affordances of the Graphic Novel in The Magical Life of Long Tack Sam
From Ethel Wilson to Carol Shields: Images of Canada
Margaret Atwood's Lady Oracle: The Artist as Escapist and Seer
Re-Surfacing the Chinese-Canadian Body in Performance: Elyne Quan's Surface Tension and What?: Resisting Commodified Images of the Chinese-Canadian Body
Surviving the Paraphrase
Monique Bosco 'en abyme'
Miscellanies, Metamorphosis, & Myth
Strategic Abjection: Windigo Psychosis and the 'Postindian' Subject in Eden Robinson's 'Dogs in Winter'
The Luxury of Excellence: Alice Munro in the New Yorker
Staging the Act of Writing: Postmodern Theater in Quebec
Subversion Is the Order of the Day
Laurence's Fiction: A Revisioning of Feminine Archetypes
Lady Oracle's Secret: Atwood's Comic Novels
Moments of Being: Carol Shields' Short Fiction
Anne Hébert et la Bible
The Politics of Location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona
An Over-Riding Metaphor: Images of Exile, Imprisonment and Home in Modern Canadian Poetry
Margaret Atwood and the Fairy Tale: Postmodern Revisioning in Recent Texts
Ethel Wilson
BC Oddities: Interpellation and/in Joan MacLeod's The Hope Slide
Margaret Atwood in German/y: A Case Study
Alice Munro: Writing Her Lives: A Biography
Margaret Atwood, Lucien Goldmann's Pascal, and the Meaning of 'Canada'
Female Excalibur as Literary Legacy: Ethel Wilson's Swamp Angel and Margaret Laurence's The Fire-Dwellers
Interview with Catherine Bush
Articulating a World of Difference: Ecocriticism, Postcolonialism and Globalization
Yorick, Don't Be A Hero: Productive Motion in Y: The Last Man
A Talk with Anne Carson
Margaret Atwood's Hands
The Handmaid's Detail: Notes on the Novel and Opera
A Bibliography of English Canadian Drama Written by Women
'We Murder Who We Were': Jasmine and the Violence of Identity
Leaving the Brick House behind Margaret Laurence and the Loop of Memory
A Case of Negative Mise en Abyme: Margaret Atwood and the Grimm Brothers
La Sagouine d'Antonine Maillet et l'ouvrier québécois d'Yvon Deschamps: Deux rhétoriques de la dénonciation sociale, deux systèmes de mise en représentation de la classe populaire
Between Continuity and Difference: An Interview with Daphne Marlatt
Making Stories, Making Selves: 'Alternate Versions' in The Stone Diaries
'Struggle Work': Global and Urban Citizenship in Dionne Brand's What We All Long For
Food and the Generation Gap in Gabrielle Roy's Bonheur d'occasion
La Poésie au Féminin / The Female Reality in Poetry
I Am Telling This to No One But You: Private Voice, Passing, and the Private Sphere in Margaret Atwood's Alias Grace
On Looking into Rifts and Crannies: Alice Munro's Friend of My Youth
Sexe, pouvoir et dialogue
Other Words, Other Worlds: Of Ruby Slipperjack
The Portrait of the Artist in Old Age: Gwen Pharis Ringwood's The Lodge
Lesbian Self-Naming in Daphne Marlatt's Ana Historic
How to Do Things with History: Researching Lives in Carol Shields' Swann and Margaret Atwood's Alias Grace
Collective Memory and Personal Identity in the Prairie Town of Manawaka: Margaret Laurence, 'The Loons' (1966)
Carol Shields and Pierre Bourdieu: Reading Swann
From Discomfort to Enlightenment: An Interview with Lee Maracle
'It's a howling wilderness': Forests and Mazes in Margaret Atwood's The Tent
La Mecanique des corps terrestres dans La Vie passe comme une etoile filante de Diane-Monique Daviau
Out of the Silence and Across the Distance: The Poetry of Dorothy Livesay.
Alice Munro: 'Wild Swans' and Things
Alice Munro: The Art of Fiction
Ghostly Foundations: Multicultural Space and Vancouver's Chinatown in Sky Lee's Disappearing Moon Cafe
Héloïse d'Anne Hébert: Une Nouvelle Eurydice?
Raven's Plague: Pollution and Disease in Lee Maracle's Ravensong
Crossing Borders: Sharon Pollock's Revisitation of Canadian Frontiers
Borderline Crossings in Sharon Pollock's Out-Law Genres: Blood Relations and Doc
May I Laugh about Women's Lib? or: The Difficult Relationship of Humour and Feminism in Margaret Atwood, Caryl Churchill, and Helen Fielding
Noisy Brides, Suspicious Kisses: Revising Ravishment in Experimental Ekphrasis by Women
Edna Staebler Finds Her Voice: Fragments from a Life in Writing
Alice Munro's Willa Cather
Into Africa with Margaret Laurence
Les Fous de Bassan d'Anne Hébert ou l'apocalypse du griffon
Postcolonial Gothic: Ghosts, Iron and Salt in Dionne Brand's At the Full and Change of the Moon
Creating to Dissect: Strategies of Character Portrayal and Evaluation in Short Stories by Margaret Laurence, Alice Munro and Mavis Gallant
La Question du temps dans Cantique des plaines de Nancy Huston
Special Issue on Marian Engel
Typologie des narrataires dans les romans de Margaret Laurence
Reading and Discussing Alice Munro's 'Dulse'
Working-Class Intruders: Female Domestics in Kamouraska and Alias Grace
In the Name of Drama
The Death of Illusion in Caterina Edwards' The Lion's Mouth
Questioning the Triple Goddess: Myth and Meaning in Margaret Atwood's The Robber Bride
'It's Only by Our Lack of Ghosts We're Haunted': Margaret Laurence and the Spectral Process
An Interview with Joan Barfoot
Transgression tous azimuts dans 'Waiting for the Rodeo' d'Aritha Van Herk
'Dreaming Each Other's Dreams': An Introduction to the Work of Anne Simpson
From Rouyn to Lerwick: The Vernacular Journey of Jeanne-Mance Delisle's The Reel of the Hanged Man
Ethnicity and Linguistic Etiquette in Margaret Atwood's Novel Alias Grace and Its Lithuanian Translation
Margaret (Atwood) the Magician
'Comment être dans un monde postmoderne?': Une Québécoise en Amérique dans Copies conformes
Woman/Body/Landscape: Imaginary Geographies in the Writing of Karen Connelly
'Her Words Are Like Fire': The Storytelling Magic of Dionne Brand
Reading Margaret Atwood in Theory and Practice: Active Reading, Witnessing, and Community
'Painting the Background': Metadrama and the Fabric of History in Sharon Pollock's Blood Relations
Sharon Pollock's Portraits of the Artist
Adieu: Testimony and Mourning in Anne-Claire Poirier's Tu as crié Let Me Go
Tricks with 'a Sad Ring': The Endings of Alice Munro's 'The Ottawa Valley'
Nothing Sacred: Nicole Brossard's Baroque at Dawn at the Limits of Lesbian Feminist Discourses of Sexuality
'Here I Am': Atwood, Paper Houses, and a Parodic Tradition
Body, Text and Subjectivity in Margaret Atwood's The Handmaid's Tale and Nicole Brossard's Mauve Desert
Theorising about New Modes of Representation and Ideology in the Postmodern Age: The Practice of Margaret Atwood and Li Ang
A Newfoundland Diaspora?: Moving through Ethnicity and Whiteness
Margaret Atwood, Carol Shields, and 'That Moodie Bitch'
A Love Story Told by Small Objects
Ethel Wilson's English Schooling and Its Echoes in Her Fiction
Offred's Complicity and Dystopian Tradition in Margaret Atwood's The Handmaid's Tale
Literary Culture and Female Authorship in Canada 1760-2000
Audrey Thomas: Her Life and Work
Body-Vibes: (S)pacing the Performance in Lillian Allen's Dub Poetry
Murder in the Dark: Margaret Atwood's Inverse Poetics of Intertextual Minuteness
Atwood's The Robber Bride: The Vampire as Intersubjective Catalyst
'Redescribing a World': Towards a Theory of Shakespearean Adaptation in Canada
The Latitudes of Romance: Representations of Chinese Canada in Bowering's To All Appearances A Lady and Lee's Disappearing Moon Café
Claire Martin et Marie-Claire Blais: vers la parole et la liberation
The Land, History, and the Self in Fiction by Margaret Laurence and Frederick Manfred
Keynote Address: The Rolling Head's 'Grave' Yard
The Re/Membering of the Female Power in Lady Oracle
Canadian Women Poets and the Syndrome of the Female Man: A Note on the Poetry of Audrey Alexandra Brown and Anne Wilkinson
Dionne Brand's Global Intimacies: Practising Affective Citizenship
Discovering the Sizes of the Heart: The Poems of Mary di Michele
A Change of Heart: Neo-Protestant Conversion Experience in the Manawaka Novels of Margaret Laurence
A Conversation with Sandra Birdsell
Politicizing the Private: Sylvia Fraser's Pandora
The Novels of Ethel Wilson
Haunted by (a Lack of) Postcolonial Ghosts: Settler Nationalism in Jane Urquhart's Away
Mapping the Door of No Return: Deterritorialization and the Work of Dionne Brand
Canadian Writers Since 1960: Second Series
MacEwen's Muse
American/Indian: Metaphors of the Self in Bharati Mukherjee's The Holder of the World
Atwood: Conversations
'Service Is Joy': Margaret Avison's Sonnet Sequence in Winter Sun
Delusion and Dream in Thomas' Blown Figures
Alanis Obomsawin
Fairy Tales, Myths, and Magic Photographs in Atwood's The Blind Assassin
Robert Kroetsch and Aritha van Herk on Writing & Reading Gender and Genres
Political Animals and the Body of History
La Rhétorique de l'idiot
Psychic Violence: The Stone Angel and Modern Family Life
Alanis Obomsawin: Kanehsatake-270 ans de résistance
'I Don't Want to Be Split. I Want to Be Together': Intercultural Dialogue in The Diviners, by Margaret Laurence
Language, Time and Introspection: Margaret Atwood and Jia Pingwa
Dialogue: Caterina Edwards in Conversation with Jacqueline Dumas
Private and Fictional Words: Canadian Women Novelists of the 1970s and 1980s
Banuta Rubess: New Languages for Performance
Margaret Laurence: Novelist-as-Poet
Women's Writing and the Literary Institution / L'Ecriture au féminin et l'institution littéraire
Manifeste d'écrivaines pour le 21e siècle
Chenilles et papillons: La Métamorphose dans Lady Oracle (1976) de Margaret Atwood
Alice Munro's 'Hold Me Fast, Don't Let Me Pass' and 'Tam Lin'
Staging 'North' in BC: Two Cariboo Gold Rush Plays
Response: Venturing into Undiscoverable Countries: Reading Ondaatje, Malouf, Atwood and Jia in an Asia-Pacific Context
Anne Hébert entre Québec et France: L'Exil dans Le Premier Jardin
A Cat Among the Falcons: Reflections on the Writer's Craft
Spirits and Transformation in Dionne Brand's Sans Souci and Other Stories
Getting Loose: Women and Narration in Alice Munro's Friend of My Youth
Finders Keepers: Munro's 'Day of the Butterfly' in the Classroom
Exile as a Way of Life: Strategies among Immigrants and Writers on Exile
Dès le début, la violence: Le Torrent d'Anne Hébert
Alice Munro's Agency: The Virginia Barber Correspondence, 1976-83
Charlotte Gingras: Lauréate du Prix du Gouverneur général du Canada 1999
Alexandre Chenevert: Gabrielle Roy's Crucified Canadian
'Afterbirth of Earth': Messianic Materialism in Anne Michaels' Fugitive Pieces
Searching for a Place in Between: The Autobiographies of Three Canadian Metis Women
Strange Terrain: Reproducing and Resisting Place-Myths in Two Contemporary Fictions of Newfoundland
Fairy-Tale Morphology in Margaret Atwood's Surfacing
Economies of Scale: Madeleine Ferron's 'Le Peuplement de la terre'
Sharon Pollock: Transfiguring the Maternal
Alice in Toronto: The Carrollian Intertext in The Edible Woman
Mythe, intertextualité et fonctionnement de la parole chez la vieille femme dans La Sagouine et Evangéline Deusse d'Antonine Maillet
Stealing the Language: An Interview with Mary di Michele
Love for Sale
Margaret Avison: Power, Knowledge and the Language of Poetry
Monique Mojica's Princess Pocohontas and the Blue Spots and Thomas King's Green Grass, Running Water: Countering Misrepresentations of 'Indianness' in Recent Native North American Writing
Le Rire carnavalesque dans Les Crasseux d'Antonine Maillet
Dionne Brand's Winter Epigrams
The Question of Lesbian Identity in Marie-Claire Blais's Work
Random Illuminations: Conversations with Carol Shields
'It Was about Vanishing': A Glimpse of Alice Munro's Stories
'Conversation with the Star Messenger': An Enquiry into Margaret Avison's Winter Sun
Lettre de Gabrielle Roy a ses amis de l'Aleq
Exiles in Time: Gallant's My Heart Is Broken
The Strange and Familiar in Alice Munro
Writing the Reader, Writing the Self in Aritha van Herk's Places Far from Ellesmere
After Modernism: Alternative Voices in the Writings of Dionne Brand, Claire Harris, and M. Nourbese Philip
Father, Mother and Mennonite Me: Di Brandt and the Overthrow of the Mother
Glace Bay to Hollywood: A Political Journey
Movement and Vision in The Sacrifice
The Cambridge Companion to Margaret Atwood
Defining Marginal Spaces: Three Plays by Anne-Marie Alonso, Abla Farhoud and Pol Pelletier
'Writing Home': Claire Harris's 'Drawing Down a Daughter'
ABCs of ABCs: Two Canadian Exemplars
'A Double Assault': The Victimization of Aboriginal Women and Children in In Search of April Raintree
Under Coyote's Eye: Indian Tales in Sheila Watson's The Double Hook
The Other Country: Patterns in the Writing of Alice Munro
The Accidental But Fortuitous Career: Cora Taylor, Children's Writer
Ethel Wilson (1888-1980)
Faustian Dreams and Apocalypse in Margaret Atwood's Oryx and Crake
Anne Michaels' Fugitive Pieces, Object Relations, Internalization, and the Development of Discourse
Le Theatre au feminin: La Saga des poules mouillees et Dernier recours de Baptiste a Catherine
The Jordans: Remembered and Invented Past in Christa Wolf's Kindheitsmuster and Alice Munro's Lives of Girls and Women
Popular Culture and Political Consciousness in Mavis Gallant's 'My Heart Is Broken'
Phyllis Webb: The Voice that Breaks
After Obasan: Kogawa Criticism and Its Futures
The Canadian Short Story: Interpretations
'A Tangle of Vegetation': Suffering in Margaret Avison's 'Jo Poems'
Messages and Messengers in The Double Hook
Ecrire l'incontournable
La Quête de l'identité et l'inachevé du devenir dans Un Joualonais sa joualonie de Marie-Claire Blais
Othello, Darwin, and the Evolution of Race in Ann-Marie MacDonald's Work
Cross-Mediality and Narrative Textual Form: A Semiotic Analysis of the Lexical and Visual Signs and Codes in the Picture Book
Unreading the World of Aritha Van Herk: An Interview
Private Life and Collective Experience in Quebec: The Autobiographical Project of France Théoret
Apocalyptic Imaginations: Notes on Atwood's The Handmaid's Tale and Findley's Not Wanted on the Voyage
Feminism and a Female Trinity in Denise Boucher's Les Fees ont soif
'Space' Invasion: Jewish Canadian Women Writers and the Reshaping of Canadian Literature
Dire ce que l'on sait: La 'Docte Ignorance' dans le theatre de Marie Laberge
Mourning in the Burned House: Margaret Atwood and the Modern Elegy
Re-Creating Cassandra and Anna Karenina: Unheard Voices in Christa Wolf's Cassandra and Aritha van Herk's Places Far from Ellesmere
Fusing the Nuclear Community: Intercultural Memory, Hiroshima 1945 and the Chronotopic Dramaturgy of Marie Clement's Burning Vision
Upward Mobility in the Postcolonial Era: Kincaid, Mukherjee, and the Cosmopolitan Au Pair
Violent Duality: A Study of Margaret Atwood
'Uncertain Flowering': An Overlooked Short Story by Margaret Laurence
Elsie Park Gowan: 'Distinctively Canadian'
Don and Carol and Bev and John
The Multiple Self in the Poetry of P. K. Page
Loops of Memory and Territorial Expansion in Myrna Kostash's Work
'Each in His Prison/Thinking of the Key': Images of Confinement and Liberation in Margaret Avison
Portraits d'autochtones: (Auto)Biographies rapportees
'The Business of Invoking Humanity': Barbara Gowdy and the Fiction Gone (A)stray
Consumperialism: American Consumer Imperialism, the Rhetoric of Freedom, and Female Embodiment
The Understanding of Metaphor in Lives of Girls and Women
One Proud Summer: Reading Politics to Marie-Nicole
Jesting Within: Voices of Irony and Parody as Expressions of Feminisms
'To Be and Not to Be': The Politics of Parody in Toni Morrison, Margaret Atwood, and Doris Lessing
Fragmenting the Feminine: Aesthetic Memory in Anne Claire Poirier's Cinema
Antonine Maillet: The Search for a Narrative Voice
Rummaging in the Sewing Basket of the Gods: Sheila Watson's 'Antigone'
The Habits of Language: Uniform(ity), Transgression and Margaret Atwood
Away from Her
Writing About Others: The African Stories
Shakespeare's Canadian Sister: The Emergence of a Female Playwright in Ann-Marie MacDonald's Comedy Goodnight Desdemona (Good Morning Juliet)
A Defense of Anthropomorphism: Comparing Coetzee and Gowdy
Stolen Life? Reading through Two I's in Postcolonial Collaborative Autobiography
Catherine Bush and the Other Talent in the Room
Women Dramatists: Sharon Pollock and Judy Thompson
La Ville, la campagne, le monde: Univers référentiels et récit
Selfhood and the Art of the Found Object: Self-Creation in Three Novels by Margaret Atwood, Colette, and Monique Wittig
Immigration, Assimilation and Acculturation Reflected by Modern Canadian Dramatists
To Live in Abundance of Life: Time in Canadian Literature
Fictional Violations in Alice Munro's Narratives
Fictionnalisation de l'histoire: Le Premier Jardin d'Anne Hébert
(Re)Appropriation as Translation
Let Us Revise Mythologies: The Poetry of Lorna Crozier
Temporality and Margaret Atwood
Themes in Women's Music: Consciously Feminine?
Identity Crisis in The Nowhere Man and Wife
Phyllis Webb and the Priestess of Motion
Margaret Laurence and the Ancestral Tradition
The Silence of the Mermaid: Lady Oracle and Anne of Green Gables
Re(a)ding and Ignorance: Poetic Constraints of Lyric
'Language Seemed to Split in Two': National Ambivalence(s) and Dionne Brand's No Language Is Neutral
'The Missionary Position': Feminism and Nationalism in Margaret Atwood's The Handmaid's Tale
Beyond the Balloon: Sound Effects and Background Text in Lynn Johnston's For Better or For Worse
The Trace of the Translator in The Prowler and Zero Hour
No Honey, I'm Home: Place over Love in Alice Munro's Short Story Cycle, Who Do You Think You Are?
Writing It: Dionne Brand
Remodeling An Old-Fashioned Girl: Troubling Girlhood in Ann-Marie MacDonald's Fall on Your Knees
Anne Hébert: Les Invites au proces
Contemporary Native Women's Voices in Literature
Wind in August: Les Fous de Bassan's Reply to Faulkner
'The World Is Our Classroom': Developing Global Awareness in Adolescents by Teaching Deborah Ellis's Breadwinner Trilogy
Les Enigmes des Les Fous de Bassan: Féminisme, narration et clôture
Sweetness and Darkness
Conversations with Readers: An Interview with Daphne Marlatt
Afterword
TransLata/Latus
Cartoonist's ordinary Native people celebrated
What's the Matter? Authors in Carol Shields' Short Fiction
Structure in Ethel Wilson's The Innocent Traveller
For The Extended Family and the Universe: Judith Merril and Science Fiction Autobiography
Machine-Age Discourse: Mechanical Ballet, and Popular Song as Alternative Document in Dorothy Livesay's Day and Night
'Taking Them to the Moon in a Station Wagon': An Interview with Ann-Marie MacDonald
Ulysses in Vancouver: A Critical Approach to Ethel Wilson's 'Tuesday and Wednesday'
The Rival Editions of Ethel Wilson's Swamp Angel
Angèle Delaunois: Lauréate du Prix du Gouverneur général du Canada
Réponses plurielles: La Nouvelle québécoise au féminin (1980-2000)
'Sister Friend': The Correspondence of Margaret Laurence and Adele Wiseman
The Search for Irony: A Textual Analysis of the Lyrics of 'Ironic' by Alanis Morissette
Reading Indigenity from a Migrant Perspective: Ruby Slipperjack's Novel Silent Words - 'Log Book' or Bildungsroman
Public Images, Private Images: Photographic Illustrations in the Booky Trilogy
A Feminist Reading of The Stone Angel
Mother Nations and the Persistence of 'Not Here'
The Art and Architecture of the Double Ending
Waltzing Again: New and Selected Conversations with Margaret Atwood
Not Remembering to Forget
Names, Faces and Signatures in Margaret Atwood's Cat's Eye and The Handmaid's Tale
An Interview with Margaret Atwood
Edmonton imaginaire chez Jacques Ferron, Nancy Huston, et Paulette Blanchette-Dubé
Reflections on Mirror Images: Doubles and Identity in the Novels of Margaret Atwood
'Redressing the Balance': Female and Male in the Early Poetry of P. K. Page
'A l'abri des vivants': L'Euphémisation dans Héloïse d'Anne Hébert
Afterword
From Cohen to Carson: The Poet's Novel in Canada
Within the Realm of Plausibility: An Interview with Margaret Atwood
From Metaphor to Metamorphosis
Speaking of Mirrors: Imagery and Narration in Two Novellas by Mavis Gallant
Margaret Laurence: A Celebration (Special Issue)
The Novels of Margaret Laurence
Sorcières, sorciers et le personnage féminin dans l'oeuvre d'Anne Hébert
The Act of Being Read: Fictional Process in Places Far from Ellesmere
Japanese-Canadian Girl Meets Laura Ingalls: Re-Imagining the Canadian and American West(s) in Hiromi Goto's The Kappa Child
An Unprejudiced View of Two Africadian Poets
In the Spirit of Process: A Braiding Together of New Utopianism, Gilles Deleuze, and Anne Carson
Generations of Canadian Women Alone Together in Margaret Atwood's The Blind Assassin
The Riddle of Concentric Worlds in Obasan
Surviving the Colonialist Legacy of the Klondike Gold Rush: A Native Woman Elder's Liberatory and Integrative Storytelling Turn
'Lizzie Borden Took an Ax': Enacting Blood Relations
Pedagogy of the Apocalypse
Feminist Afterwards: Revisiting Copper Woman
Songwriter Connie Kaldor Thriving on Independence
The Muse of Indifference
Reading Paul Celan with Anne Carson: What Kind of Withness Would That Be?'
Iconicity, Space, and the Place of Sharon Butala's 'The Prize'
Reading Dionne Brand's 'Blues Spiritual for Mammy Prater'
Loi du nom, loi du genre dans Kamouraska
Calling Back the Ghost of the Old-Time Heroine: Duncan, Montgomery, Atwood, Laurence, and Munro
'Who Wants Pale, Thin, Pink Flesh?': Bharati Mukherjee, Whiteness, and South Asian American Writing
We'll Just Edit That Right out of Here: A Chat with Roo Borson
Alice Munro's Heritage Narratives
The Confessional Revisited: Laura Salverson's Canadian Work
Miriam Waddington: A Checklist 1936-1975
Resisting Oppression: Maria Campbell's Halfbreed
How Should I Read These? Native Women Writers in Canada
An Interview with Isabel Huggan
La Problématique interculturelle dans Alexandre Chenevert de Gabrielle Roy
Descartes' Doubting Daughters: The Care of the Self in the Fiction of Atwood, Laurence, and Munro
You May Think This, But: An Interview with Maggie de Vries
Among Masses: Dorothy Livesay and English Canadian Leftist Magazine Culture of the Early 1930s
Women on Stage in the 1990s: Foregrounding the Body and Performance in Plays by Gina Moxley, Emma Donoghue and Marina Carr
In the Whale's Belly: Jay Macpherson's Poetry
Passion in Elizabeth Smart's By Grand Central Station I Sat Down and Wept: The Sacred and the Profane
Quebec Fiction in English during the 1980s: A Case Study in Marginality
Environment Affinities: Naturalism and the Porous Body
Regarding the Male Body: Rhapsodic Contradiction in Lorna Crozier's 'Penis Poems'
'Standing in the Middle of the World Cracking': Class, Cultural Memory, and Collectivity in Dionne Brand's At the Full and Change of the Moon
Traditions and Transformations in Anne Hébert's L'Enfant chargé de songes
The Stone Angel as a Feminine Confessional Novel
'Half War/Half Peace': Margaret Laurence and the Publishing of A Bird in the House
Margaret Avison and Her Works
(Mis)Speaking: Laurence Writes Africa
Claire Harris's She: The MPD Metaphor and the Post-Colonial Caribbean Woman
Technologies of Identity: The Language of the Incontinent Body in Margaret Laurence's The Stone Angel
He from Elsewhere Speaks: Avison's Spiritualized Syntax
Margaret Atwood and Julia Kristeva: Space-Time, the Dissident Woman Artist, and the Pursuit of Female Solidarity in Cat's Eye
Swimming with the Words: Narrative Drift in Daphne Marlatt's Taken
De l'image au texte: Le Devenir-nouvelle de The Beggar Maid d'Alice Munro
Montréal: Lieu d'exil dans le théâtre d'Antonine Maillet
What If? Writing The Handmaid's Tale
Speaking the Silence: Joy Kogawa's Obasan
The Power to Bend Spoons: Interviews with Canadian Novelists
Gender Roles and Defining Love in Alice Munro's 'How I Met My Husband'
Chop Suey Writing: Sui Sin Far, Wayson Choy, and Judy Fong Bates
Gabrielle Roy and Translator Harry Lorin Binsse: How Their Disputes Shaped the Texts
Nationalism and Gender: The Reception of Margaret Laurence's The Diviners
Le Paratexte chez Anne-Marie Alonzo: Invitation à une lecture de la complicité
Carol Shields, Narrative Hunger, and the Possibilities of Fiction
Canadian Theatre and Monuments: Memorializing and Countermemorializing in The Death of General Wolfe, Angélique, and Sled
Peripheral Visions: Postcolonial Images of Africa in the Fiction of Margaret Laurence, Audrey Thomas, and Dave Godfrey
Anne Hébert: Kamouraska and Les Fous de Bassan
The Tumble of Reason: Alice Munro's Discourse of Absence
Fractures: Written Displacements in Canadian/U. S. Literary Relations
Confessions of a Dispassionate Witness - Jane Urquhart's The Underpainter
Locating Family: Asian-Canadian Historical Revisioning in Linda Ohama's Obaachan's Garden and Ann Marie Fleming's The Magical Life of Long Tack Sam
Transgressive Bodies in the Work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: Towards a Theory of the 'AutobioBD'
Feminism, Motherhood, Jane Urquhart, Carol Shields, Margaret Laurence, and Me
Beyond the 'Talking Cure': The Practical Joke as Testimony for Intergenerational Trauma in Eden Robinson's 'Queen of the North'
Two Women Novelists of Canada's West
Telling and Re-Telling Kenya: Another Look at Women's Autobiography
Gendered Tree-Scapes in the Art of Emily Carr and Judith Wright
'The Ground on Which I Stand': Rewriting History, African Canadian Style
Codes as Identity: The Bilingual Representation of a Fragmented Literary Subject
The Artist as Picaro: The Revelation of Margaret Atwood's Lady Oracle
La Cabale mailletienne
Appropriated Voice in Sharon Pollock's Angel's Trumpet
Re-Writing Their Stories, Renaming Themselves: Post-Colonialism and Feminism in the Fictions of Keri Hulme and Audrey Thomas
Anne Carson: Addressing the Wound
Talk Talk; Buffy Saint-Marie: Educating the Mainstream
A Reconsideration of Margaret Avison's 'Dispersed Titles'
Doing Gender: Franco-Canadian Women Writers of the 1990s
Strategies du vertige, Trois poetes: Nicole Brossard, Madeleine Gagnon, France Theoret
'A Different Kind of the Same Thing': Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood Relations
Le Discours dramatique de la femme: Langage et identite chez Jovette Marchessault et Denise Boucher
Connie Kaldor
'What's the Story Here?': Narrative, Voice and Gender in Sara Barker's Penelope, The Impostor
The Hieroglypics of Mrs. Blood
'The Battle Done': Reading the Military Father in the Poems of P. K. Page
Redefining the Subject: Sites of Play in Canadian Women's Writing
'Certain Vague Hopes of Disaster': A Psychosemiotic Reading of Alice Munro's 'The Found Boat' as the Flooding Text
Alice Munro: A Life in Writing
Pour une nouvelle lecture des Fous de Bassan d'Anne Hébert: L'Amérique et ses parcours discursifs
Challenging Canada: Dialogism and Narrative Techniques in Canadian Novels
Time in Ethel Wilson's The Innocent Traveller and Swamp Angel
Lady Killers: Feminism and Murder in Sharon Pollock's Blood Relations and Wendy Kesselman's My Sister in This House
Marie-Josephte Becomes Ludivine: The Family Reformed in Anne Hebert's La Cage
Soccer and the City: The Unwieldy Nation in Dionne Brand's What We All Long For
'Writ in Rememberance': Willa Cather, Margaret Laurence, and the Prairie Past
Finding North: Noteworthy Canadian Women Composers' Contributions to Vocal Compositions for Mezzo, Contralto or Unspecified Voice
'Acts of Self-Exposure': Closeted Desire in Margaret Atwood's Cat's Eye
'Restless Western Women': Aritha van Herk Interviewed by Cherry Clayton
Staging Penelope: Margaret Atwood's Changing Audience
Reading Mavis Gallant's 1940s in the 1990s: 'The Fenton Child'
Character in a Post-National World: Neomedievalism in Atwood's Oryx and Crake
Margaret Atwood: Alias Grace
Finding Your Place in the Story: An Interview with Jane Urquhart
Quest for the Peaceable Kingdom: Urban/Rural Codes in Roy, Laurence, and Atwood
Keeping Secrets, Telling Lies: Fictions of the Artist and Author in the Novels of Margaret Atwood
Carol Shields' `Native Genre' and the Figure of the Canadian Author
Margaret Laurence's African Lesson: 'Follow Your Heart, and You Perish'
Our Feeling Exactly: The Writing of Alice Munro
Margaret Atwood and Music
Picture Theory: On Photographic Intimacy in Nicole Brossard and Anne Carson
Spaces of Translation: Bharati Mukherjee's 'The Management of Grief'
'Banished to This Other Place': Atwood's Lady Oracle
Margaret Atwood's The Journals of Susanna Moodie
Anne Marriott: Frontier Poet
'L'Ange de Dominique' ou l'art poétique d'Anne Hébert
Lamia: The Allegorical Nature of Hetty Dorval
Exploring the Impenetrability of Narrative: A Study of Linguistic Modality in Alice Munro's Early Fiction
Seeing and Being Blind through Narrative: The Use of Visual in Two Historical Fictions by Margaret Atwood
Politics, Gender, and New Provinces: Dorothy Livesay and F. R. Scott
La Sagouine: Langage et servitude
'Towards the Uncanny Edge of Language': Gail Scott's Liminal Trajectories
What Is Time Made Of? The Poetry of Anne Carson
Not Fading into Another Landscape: Specters of American Empire in Margaret Atwood's Fiction
Mad Voices: The Mothers of Welwyn Wilton Katz
Literary Versions of Emily Carr
Hear, Overhear, Observe, Remember: A Dialogue with Frances Itani
Who Shall Inherit the Earth? Ethel Wilson's Kinship with Wharton, Glasgow, Cather, and Ostenso
African Interests: White Liberalism and Resistance in Margaret Laurence's 'Pure Diamond Man'
Margaret Laurence: The Diviners and Audrey Thomas: Latakia
Between Two 'Darknesses': The Adoptive Condition in Ceremony and Jasmine
A Size Larger than Seeing: The Poetry of P.K. Page
Filling In What Was Left Out: Voices and Silences of Biblical Women
Alice Munro as Historian and Geographer: A Reading of Meneseteung
Speeding towards Strange Destinations: A Conversation with Elizabeth Brewster
An Interview with Bernice Morgan
The Penelopiad and Weight: Contemporary Parodic and Burlesque Transformations of Classical Myths
Quelle verite? Dans un gant de fer, sa reception et la question de la referentialite
Alice Munro and the Anxiety of American Influence
A Selection of New Plays from Playwrights Canada Press: Silent, Hygenic, and Done Repeatedly: The Act of 'Humanity' in the Work of Genevieve Billette
The Individual Is International: Discourses of the Personal in Catherine Bush's The Rules of Engagement and Canada's International Policy Statement
'Now That I Am Dead': P. K. Page and the Self-Elegy
What We All Long For: Dionne Brand's Transatlantic Metamorphoses
Domestic Space and the Idea of Home in Auto/Biographical Practices
L'Histoire et son double dans Pélagie-la-Charrette
Practical Magic: Empathy and Alienation in Harlem Duet
Reinterpretations of Susanna Moodie by Margaret Atwood as an Example of Creative Recycling of the Past
Snow Angels and Monarch Butterflies: Margaret Laurence's Children's Fiction
Anne Hébert et Hector de Saint-Denys Garneau
'If One Green Bottle ...': Audrey Thomas Looks Back on the Cauldron of History
Canadian women composers in modernist terrain: Violet Archer, Jean Coulthard and Barbara Pentland
'Working through' and 'Awkward Poetics' in Second Generation Poetry: Lily Brett, Anne Michaels, Raymond Federman
The Theatre of the Body: Extreme States in Elisabeth Harvor's Poetry
'Rose and Janet': Alice Munro's Metafiction
Storytelling in Alice Munro's Lives of Girls and Women and Patricia Grace's Potiki
A Conversation with Marian Engel
All Roads Pass Through Jubilee: Gabrielle Roy's La Route d'Altamont and Alice Munro's Lives of Girls and Women
The Taming of Externals: A Linguistic Study of Character Transformation in Margaret Atwood's The Edible Woman
'I Am Blackening in My Way': Identity and Place in Dionne Brand's No Language Is Neutral
Ethel Wilson's Absent City: A Personal View of Vancouver
Piety, Propriety, and the Shaping of the Writer
The Bible and Myth in Antonine Maillet's Pélagie-la-charrette
Representing Chinatown: Dr. Fu-Manchu at the Disappearing Moon Cafe
Metis Autobiography: The Emergence of a Genre amid Alienation, Resistance and Healing in the Context of Maria Campbell's Halfbreed (1973)
'This Place Is Some Kind of a Garden': Clearings in the Bush in the Works of Susanna Moodie, Catharine Parr Traill, Margaret Atwood and Margaret Laurence
'What the Map Cuts Up, the Story Cuts Across': Translating Oral Traditions and Aboriginal Land Title
Sisterhood and Secrecy in 'Its Image on the Mirror'
Chava Rosenfarb: The Yiddish Woman Writer in the Post-Holocaust World
How Does Our Garden Grow?
Assembly Line Stories: Pastiche in Sylvia Fraser's The Candy Factory
The Feminist Playwright as Critic: Paula Vogel, Ann-Marie MacDonald, and Djanet Sears Interpet Othello
Margaret Atwood's Historical Lives in Context: Notes on a Postcolonial Pedagogy for Historical Fiction
Postcolonial Literatures: Expanding the Canon
1837 On Stage: Three Rebellions
Hyphen and Hiatus: Women Cross-Dressing in Aritha Van Herk's The Tent-Peg (1981) and Audrey Thomas's Isobel Gunn (1999)
The Divided Self
Feminizing Feminism: Constance Beresford-Howe and the Quest for Female Freedom
Foreigner: The Immigrant Voice in The Sacrifice and Under the Ribs of Death
Marie Laberge's Feminist Existentialism
The Immigrant and the City in Dionne Brand's Thirsty
Diasporic Cross-Currents in Michael Ondaatje's Anil's Ghost and Anita Rau Badami's The Hero's Walk
The Shadow of Death: Margaret Avison's 'Just Left or The Night Margaret Laurence Died'
'It's the Do-Gooders Burn My Ass': Modern Canadian Drama and the Crisis of Liberalism
A New Language of Aging: 'Deep Play' in Carol Shields' The Stone Diaries and Alison Lurie's The Last Resort
Lost in Translation: The English Version of Gabrielle Roy's Early Novels
An Erotics of Collaboration: Daphne Marlatt and Betsy Warland's Double Negative
Margaret Atwood and Quebec: A Footnote on Surfacing
Catherine Bush and the Media: An Interview
The Disloyalty of Elizabeth Hay: Reading the Autobiographies
Auto/Biography and Re/Vision: Betty Lambert's Under the Skin
Various Atwoods: Essays on the Later Poems, Short Fiction and Novels
Teaching Alice Munro's 'How I Met My Husband' in Composition II
Nightmare Vision: Anne Szumigalski
Intellectual Passions, Feminist Commitments, and Divine Comedies: A Dialogue with Ann-Marie MacDonald
Green Water, Green Sky: Gallant's Discourse of Dislocation
Putting up Fences in the Garden: Audrey Thomas Talks to Eleanor Wachtel
Margaret Laurence and the Feminine Identity in the Canadian Context
Who Is the Stranger? The Role of the Monstrous in Judith Thompson's Capture Me
Margaret Laurence: The Long Journey Home
Common Concerns in Marian Engel's Children's Stories and Her Adult Fiction
Anne Hebert et la 'solitude rompue': Tentative de demythification d'un des lieux communs de notre litterature
Dorothy Livesay's Poetic Re/Vision: Reading Binaries, Lesbian Love, and Androgyny in The Self-Completing Tree
Death of the Tragic Female Writer: A Conversation with Karen Connelly
Sociological and Feminist Approaches to Teaching Alice Munro's 'Five Points'
Sharing Quebec: Lorena Gale's Je me souviens and George Elliott Clarke's Québecité
Words & the World: The Diviners as an Exploration of the Book of Life
The Geography of the Imagination: The Fantastic Frontier of Catherine Anthony Clark
'Ecrire pour vivre': Marie Laberge, dramaturge
Margaret Atwood's The Blind Assassin as Spiritual Adventure
Jeunes femmes cherchent père désespérément: Les Quatre Morts de Marie de Carole Fréchette et Le Défilé des canards dorés d'Hélène Mercier
Mother of Manawaka: Margaret Laurence as Author of Children's Stories
Gendered Landscapes: Synergism of Place and Person in Canadian Prairie Drama
'First I Must Tell about Seeing': (De)Monstrations of Visuality and the Dynamics of Metaphor in Anne Carson's Autobiography of Red
The Bat Had Blue Eyes: An Interview with Betsy Warland
A Selection of New Plays from Playwrights Canada Press: Susan Coyne Manages Her Time with Kingfisher Days, A Memory Play
Spiritual Longing in Laurence's Manawaka Women
Wondering into Country: Dionne Brand's A Map to the Door of No Return
Canadian Scene: Connie Kaldor's Dream Project
Souvenirs of Some: P. K. Page Responding to a Questionnaire
Othello in Three Times
Giants and Fat Ladies: Carnival Themes in Contemporary Quebec Theatre
Jane Urquhart: Confessions of a Historical Geographer
The Brighter Side of Acculturation: Hollingsworth's Ever Loving and Mother Country
Muse Maker: Sappho, Simone Weil, Monica Vitti, and Virginia Woolf Inspire Anne Carson's Latest Collection
The Voyage That Never Ends: The Poetry of Paulette Jiles
Writing Africa, Writing Canada: Anti-Imperialism and Feminism in the Work of Margaret Laurence
'That Is What I Told Dr. Jordan ... ': Public Constructions and Private Disruptions in Margaret Atwood's Alias Grace
Urban Space and Barstool Flânerie in Gail Scott's Main Brides
A Complicated Contract: Young Rebels of Literature and Dance
The Carol Shields Issue
The 'Problematic' Fictions of Historical Narrative in Alice Munro's 'A Wilderness Station'
Plotting History: The Function of History in Native North American Literature
Psychologism and the Philosophy of Progress: The Recent Fiction of MacLennan, Davies and Atwood
A Sense of Ending in Lives of Girls and Women
Paraboles de la communauté
What's so Troubling about the Woman behind the Mask? Est-ce que je te dérange? by Anne Hébert
The Art of Alice Munro: Memory, Identity, and the Aesthetics of Connection
Co-Editing Atwood Juvenilia: The Student Experience
The Tale of a Story
Postcolonial Romance, Ghostly Love Stories, and The Heart Does Not Bend
Home on the Prairie? A Feminist and Postcolonial Reading of Sharon Butala, Di Brandt, and Joy Kogawa
Griffin Creek: The English World of Anne Hébert
Narrative Strategies of Liberation in Alice Munro
'This Is Not Where We Live': The Production of National Citizenship and Borderlines in Sharon Pollock's The Komagata Maru Incident
The Joyless Republic of Gilead: Reflections of a Political Scientist on the Operatic Production of Margaret Atwood's The Handmaid's Tale
When They Were Young: Adolescent Representations in Les Fous de Bassan
A Comparative Study of the French and Italian Translations of Anne Michaels' Fugitive Pieces
Producing Visibility for Lesbians: Nicole Brossard's Quantum Poetics
Teaching Women's Story Books: Genre and Gender Politics in Lives of Girls and Women
Returning to Come Forward: Dionne Brand Confronts Derek Walcott
All Nature into Motion
Irony in Avison's Winter Sun
In Camera: The Developed Photographs of Margaret Laurence and Alice Munro
Writing Historiographic Autoethnography: Denise Chong's The Concubine's Children
The Ordinary and the Epiphanic/Death and Eros: Religious and Spiritual Questing in the Fiction of Alice Munro
Alice Munro as Small-Town Historian: 'Spaceships Have Landed'
Translators, Traitors, Mistresses, and Whores: Monique Mojica and the Mothers of the Métis Nations
L'Enfermement et le bref chez Gabrielle Roy, Anne Hébert et Adrienne Choquette
Reviewing Past and Future: Postcolonial Canadian Autobiography and Lee Maracle's Bobbi Lee: Indian Rebel
Mourning Becomes Margaret: Laurence's Farewell to Fiction
Judith Thompson's Ghosts: The Revenants That Haunt the Plays of One of Canada's Leading Playwrights
Toward an Anthropology of Place in Migrant Writing: Place, Non-Place, and 'Other Spaces' in Fiction by Régine Robin
Contested Memories: Canadian Women Writers In and Out of the Archive
The Casual Measure of All Things: Age and Ageing in Alice Munro
Margaret Laurence of Hargeisa: A Discussion of A Tree for Poverty
Rewriting Travel: Ahdaf Soueif's The Map of Love and Bharati Mukherjee's The Holder of the World
Urban Undressing: Walter Benjamin's 'Thinking-in-Images' and Anne Michaels' Erotic Archaeology of Memory
The Technological Pastoralist: A Conversation with Monica Hughes
Marian Engel's Bear
Sewing Up Questions of Cultural Identity: Lorna Goodison's From Harvey River
Claire Martin Issue
Des chemins de (l'En)Fer
Alice Munro and a Maze of Time
'At Least Part Legend': The Fiction of Alice Munro
Marian Engel's Family Fictions: Lunatic Villas
Family Relations in Alice Munro's Fiction
Of Renaissance and Solitude in Québec: A Recollection of the Sixties
Vulnerability in Margart Atwood's 'Rape Fantasies': A Game of Cards About Life
Searching Bluebeard's Chambers: Grimm, Gothic, and Bible Mysteries in Alice Munro's The Love of a Good Woman
Narrative Desconstructions of Gender in Works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich
Alienation and Identity: The Plays of Margaret Hollingsworth
'Nothing but the Truth' Discursive Transparecy in Beatrice Culleton
Teaching Believability with Students' Writing Assignments: Alice Munro's 'A Wilderness Station'
'And They Went to Bury Her': Margaret Atwood's The Blind Assassin and The Robber Bride
La mémoire vivante. L'inscription de la réalité culturelle polonaise dans la littérature québécoise chez Régine Robin et Ann Charney
Fickle Contracts: The Poetry of Anne Carson
Fathers in Alice Munro's 'Fathers'
'The Way the Stars Really Do Come Out at Night': The Trick of Representation in Alice Munro's The Moons of Jupiter
The Unconvincing Truth: The Dialogical Politics of Identity Creation in the Novels of Atwood, Munro, and Gilchrist
George, Leda, and a Poured Concrete Balcony: A Study of Three Aspects of the Evolution of Lady Oracle
Poignant Pleasures: Feminist Ethics as Aesthetics in Jhumpa Lahiri and Anita Rau Badami
Subversive Texts: Québec Women Writers
Atwood's Gorgon Touch
Illustrations, Fiction, and the Autobiographical: A Writerly Reading of That Scatterbrain Booky
Le Pouvoir masculin contrarié: La Confrontation entre la femme et l'histoire dans La Cage et L'Ile de la Demoiselle d'Anne Hébert
Kamouraska ou l'Ange et la Bete.
Teaching P. K. Page's 'The Permanent Tourists'
Sad Stories: The Ethics of Epiphany in Munrovian Elegy
'No Short Cuts': The Evolution of The Double Hook
L'Errance identitaire dans les textes migrants du Québec et du Canada anglais
Writing a Woman's Life: Celebration, Sorrow, and Pathos in Margaret Laurence's Memoir Dance on the Earth
'That Rubbish about Love': Alice Munro's The Love of a Good Woman and Indeterminacy
Margaret Atwood's Americans and Canadians
Trauma Remembered and Forgotten: The Figure of the Hysteric in Kerri Sakamoto's The Electrical Field
'Either Way, I Stand Condemned': A Woman's Place in Margaret Atwood's The Edible Woman and Margaret Drabble's The Waterfall
Anne Carson and the Solway Hoaxes
Poetry, Photography, Painting: Stephanie Bolster's World
Multimodality in Canadian Black Feminist Writing: Orality and the Body in the Work of Harris, Philip, Allen, and Brand
Les Fous de Bassan/In the Shadow of the Wind
The Masculine Image in Lives of Girls and Women
Canadian Women Composers: The double hurdle
Letting Go with the Mind: Dionysus and Medusa in Alice Munro's 'Meneseteung'
Holders of the Word: An Interview with Bharati Mukherjee
Identity Crisis
Autobiography as Collaboration: The Book of Jessica
La Traduction du théâtre en Acadie-Parcours et tendances actuelles
Technologies of Ethnicity
'Who Do You Think You Are?': Alice Munro and the Place of Origin
Barbara Gowdy
Late Modern Works of Mourning: The Elegiac Fiction of Mavis Gallant and Alice Munro
Naming Female Multiplicity: An Interview with Bharati Mukherjee
Painters' Words: Personal Narratives of Emily Carr and William Kurelek
Divining Margaret Laurence: A Study of Her Complete Writings
Windows and Words: A Look at Canadian Children's Literature in English
Towards the Greening of Literary Studies
Storytelling and Resistance: The Documentary Practice of Alanis Obomsawin
La Mer, la vie, 'la perpétuelle re-mort recommencée' dans Pélagie la Charrette
An Interview with Jean Little
Eros in the Age of Anxiety: Elizabeth Smart and Louise Maheux-Forcier
Autobiographical Story Cycles as a Vehicle for Enlightenment: Fredelle Bruser Maynard's Raisins and Almonds and The Tree of Life
Interview with Dorothy Livesay
Margaret Atwood's Lady Oracle: A Modern Parable
'Greening' Postcolonialism: Ecocritical Perspectives
Form in Atwood's Surfacing: Toward a Synthesis of Critical Opinion
Undressing the Text: The Function of Clothing in Gabrielle Roy's Bonheur d'occasion
The Artist and the Witness: Jane Urquhart's The Underpainter and The Stone Carvers
From Complicity to Subversion: The Female Subject in Adele Wiseman's Novels
Recovering the Fictions of Emily Carr
Gabrielle Roy as Feminist: Re-Reading the Critical Myths
Le Noroît: Vingt ans de souffle
Fugitive Places: Anne Carson and the Unlost
Poetic Structures in the Prose Fiction of Sheila Watson
'What There Is Teasing beyond the Edges': Claire Harris's Liminal Autobiography
Swarming of Poets
'Le Madonne Feministe': Italian Canadian Women Playwrights
Community and Class in Margaret Laurence's A Bird in the House
'The Hand of a Murderer, Hero, Artist, the Hand of a Man': Rereading Adele Wiseman's The Sacrifice
Earth-Quaking the Kingdom of the Male Virgin: A Deleuzian Analysis of Aritha van Herk's No Fixed Address and Places Far from Ellesmere
Subverting Normal: The Anti-Fairy Tale in Linda Holeman's 'Toxic Love' and Wendy A. Lewis's 'You Never Know'
Sympathetic Understanding in Tu as crié Let Me Go
The Incurable Beauty of the Earth: An Interview with Roo Borson
A Note on Bear
Anne Hébert: De l'exil au voyaume
As Agents and as Perspective: Female Characters in Disappearing Moon Café
The Poetics of Vulnerability: Diaspora, Race, and Global Citizenship in A. M. Klein's The Second Scroll and Dionne Brand's Thirsty
Empathic Identification in Anne Michaels's Fugitive Pieces: Masculinity and Poetry after Auschwitz
Margaret Avison on Natural History: Ecological and Biblical Meditations
An Interview with Barbara Reid
'Excuse me while I turn this upside-down': three Canadian adaptations of Shakespeare
The Maze of Life: The Work of Margaret Laurence
When X Equals Zero: The Politics of Voice in First Peoples Poetry by Women
Le Monde de Lise Tremblay: Montréal, île maudite, refuge ou no woman's land?
Where are the Voices Coming From?: Canadian Culture and the Legacies of History
Alice Munro: 'Unforgettable, Indigestible Messages'
Writing in the Feminine in French and English Canada
'Bones Made of Light': Nature in the Poetry of Lorna Crozier
Feminist Ecocritique as Forensic Archaeology: Digging in Critical Graveyards and Phyllis Webb's Gardens
La Terre ferme de Christiane Frenette: 'Du fleuve à la terre ferme, du désert à la vie pleine'
Unearthing the Past: The Archaeology of Bog Bodies in Glob, Atwood, Hébert and Drabble
'Woman's Truth' and the Native Tradition: Anne Cameron's Daughters of Copper Woman
L'Entendu et l'autrement: Aspects du métissage dans Rouge, mère et fils de Suzanne Jacob
Witness to the Body Count: Planetary Ethics in Dionne Brand's Inventory
Mother and Daughter Relationships in the Manawaka Works of Margaret Laurence
Lowther, Neruda, and the Secret Wisdom of Food
Double-Talking Devils: Alice Munro's 'A Wilderness Station'
Refashioning the Self: Immigrant Women in Bharati Mukherjee's New World
Québec Women's Theater and the New Generation
La Régénération du cosmos dans un poème d'Anne Hébert
Early Influences: Laurence's Newspaper Career
The Myths We Live By in Alice Munro's 'Comfort'
Politics, Poetry and Patriarchy: An Interview with Bronwen Wallace
Bible, mythes et Les Fous de Bassan
Phallicism and Ambivalence in Alice Munro's 'Bardon Bus'
As for Me and Me Arse: Strategic Regionalism and the Home Place in Lynn Coady's Strange Heaven
Femme métonymique, femme métaphorique: La Poésie d'Anne Hébert et de Renée Vivien
Margaret Atwood in her Canadian Context
Florence McNeil and Pat Lowther
Living with the Cultural Legacy of La Corriveau: La Cage
The Silent Cry: Empathy and Elegy in Mavis Gallant's Novels
Law Stories as Life Stories: Jeannette Lavell, Yvonne Bedard, and Halfbreed
Unfulfilled Promises: Idealism and Reality in Alice Munro's 'Miles City, Montana'
Seeking Symbolic Immortality: Visualizing Trauma in Cat's Eye
Secret Gardens
'Restons traditionnels et progressifs,' disait Onésime Gagnon
The Accommodating I
Use of Language in Bonheur d'occasion: A Case in Point
Roy's West
Spiritual Ecology: Adele Wiseman's The Sacrifice
Le Personnage féminin en cavale dans No Fixed Address: An Amorous Journey d'Aritha van Herk
Structure-in-Process: Identity as Fabrication in Bharati Mukherjee's Jasmine
Quatre lettres inédites de Gabrielle Roy
We Need to See This
Atwood and Laurence: Poet and Novelist
Canadian Fantasy: Thoughts on The Golden Pine Cone
Next Time from a Different Country
Double Landscape
Towards Freedom: The Work of Margaret Laurence and Northrop Frye
Le Premier Jardin: Mémoire collective et mémoire individuelle dans le roman d'Anne Hébert
An Extension of Feeling: Margaret Laurence's Letters to Canadian Writers
Making Fun of Canadian History
High Anxiety in the Bush Garden: Some Common Prejudices in Mainstream Canadian Criticism
The Erotic Poetics of Anne Carson
Mapping Postcolonial Spaces in Catherine Bush's Minus Time
Place and Displacement in Djanet Sears's Harlem Duet and The Adventures of a Black Girl in Search of God
Fictional Fossils: Life and Death Writing in Carol Shields' The Stone Diaries
The Perquisites of Love
Fresh Canons: The Native Canadian Example
Familiar Ghosts: Feminist Postcolonial Gothic in Canada
Who Were the Whiteoaks and Where Was Jalna?
Picking the Deadlock of Legitimacy: Dionne Brand's 'Noise Like the World Cracking'
Nancy Bauer Interviews Helen Weinzweig
The Cambridge Introduction to Margaret Atwood
Alice Munro and the Evolving Construction of the Female Self
Can We Believe What the Newspapers Tell Us? Missing Links in Alias Grace
Authorizing Her Text: Margaret Laurence's Shift to Third-Person Narration
In Pursuit of the Faceless Stranger: Depths and Surfaces in Margaret Atwood's Bodily Harm
La Figure de Gabrielle Roy chez Jacques Poulin et Michel Tremblay
Kate and Anna McGarrigle on Their Own Terms
An Interview with Barbara Gowdy
Portraits littéraires à l'écran: Anne Hébert et Marie-Claire Blais
De la mémoire vive au dire atténué: L'Ecriture d'Aki Shimazaki
Julie Johnston: An Exciting New Voice
'Time present and time past': Life before Man
Antonine Maillet's Evangeline Deusse: Historical, Popular and Literary Elements
An Inner Bell that Rings: The Craft of Alice Munro
Doux-amer de Claire Martin: L'Espace de l'écriture
Ethel Wilson's Lost Lady: Hetty Dorval and Willa Cather
All My Sisters: Essays on the Work of Canadian Women Writers
Haunting Physicality: Corpses, Cannibalism, and Carnality in Margaret Atwood's Alias Grace
Phyllis Webb as a Post-Duncan Poet
'Swallowing the Lie' in Betty Lambert's Jennie's Story
Klee Wyck: The Eye of the Other
Out of Canada: Images of Africa in Contemporary Canadian Culture
L'Eloge posthumain des humanités: Oryx and Crake de Margaret Atwood et les fictions de l'homme fabriqué depuis
(Grand)Mothering 'Children of the Apocalypse': A Post-Postmodern Ecopoetic Reading of Margaret Laurence's The Diviners
New Wave in Canadian Poetry
'The Profound Poverty of Knowledge': Sandra Birdsell's Narrative of Concealment
Going North on Judith Thompson's Sled
Carol Shields's Magic Wand: Turning the Ordinary into the Extraordinary
Harris, Philip, Brand: Three Authors in Search of Literate Criticism
Reconfiguring Home: Geopathology and Heterotopia in Margaret Hollingsworth's The House That Jack Built and It's Only Hot for Two Months in Kapuskasing
Emily Carr and the Landscapes of Autobiography
Mary di Michele: On the Integrity of Speech and Silence
'And Use the Words That Were Hers': Constructions of Subjectivity in Beverly Hungry Wolf's The Ways of My Grandmothers
The Rare Space of the Female Artist: Impressionism in Audrey Thomas's Latakia
Approaching P.K. Page's 'Arras'
Keynote Address: The Aesthetic Qualities of Aboriginal Writing
The Codification of Uncertainty: Modality in English-Canadian Fiction
Caprice and No Fixed Address: Playing with Gender and Genre
Sober Colouring: The Ontology of Super-Realism
The Dissolving Jail-Break in Avison
The Trick of Divining a Postcolonial Canadian Identity: Margaret Laurence between Race and Nation
The Art of Margaret Atwood: Essays in Criticism
Caterina Edwards: Essays on Her Works
L'unite organique de Bonheur d'occasion
The Ethel Wilson Symposium
Iconic Mythopoeia in MacEwen's The T. E. Lawrence Poems
Archaeologies of an Uncertain Future: Recent Generations of Canadian Women Writing
Colonial Metaphors: The Honeyman Festival and Lunatic Villas
A Feminist Reading of Soucouyants in Nalo Hopkinson's Brown Girl in the Ring and Skin Folk
'Being a Half-Breed': Discourses of Race and Cultural Syncreticity in the Works of Three Metis Women Writers
Margaret Atwood, Oryx and Crake (2003)
Canadian Women Writing Fiction
Polyphonic Form and Effective Aesthetic in Obasan
The Republic of Childhood: A Critical Guide to Canadian Children's Literature in English
The Word as Remnant: Margaret Atwood and Janet Frame
A Broken Dialogue: History and Memory in Mavis Gallant's Short Fiction
'Just a Backlash': Margaret Atwood, Feminism, and The Handmaid's Tale
Dual Pathways to Expression and Understanding: Canadian Coming-of-Age Graphic Novels
Trois nouvellistes
Souveraineté et détournement du regard dans les nouvelles de Marguerite Andersen
Rethinking Women's Collaborative Writing
Women Playing Women in Sharon Pollock's Blood Relations
'Les Folles du Québec': The Theme of Madness in Québec Women's Theater
Resisting Reduction: Closure in Richard Ford's Rock Springs and Alice Munro's Friend of My Youth
'Proceeding before the Amorous Invisible': Phyllis Webb and the Ghazal
SP/ELLE: Spelling Out the Reasons
Maternal Vitality in Gallant's Fiction
Munro Country
Le Huitième Jour
Woman-Centered Myth in Anne Cameron's Daughters of Copper Woman and Dzelarhons
'The Spirit in the Ascent': The African Writings of Margaret Laurence
'How Did I Get So Anal?': Queer Self-Authorization at the Margins
Maps of Difference: Canada, Women, and Travel
'Thinking Back Through Our Mothers': Reading the Autobiography of Margaret Laurence
The Third Eye: Jay MacPherson's The Boatman
Alice Munro: A Short-Story Master
An Interview with Miriam Waddington
Carole Fréchette et le théâtre au féminin
A Joint Look at Linda Hutcheon's Splitting Images
Dominant Impressions: Essays on the Canadian Short Story
The Hidden Rooms of Isabella Valancy Crawford and P.K. Page
'The Messiness of Rebirth as an Immigrant': Bharati Mukherjee's Changing Language of Migration
Deep Map Country: Proposing a Dinnseanchas Cycle of the Northern Plains
The Nature of Modernism in Deep Hollow Creek
A Commentary on the Poetry of Dionne Brand
Atwood's Surfacing
Rina Lasnier et la connivence des signes
Whose Rhythm? Textualized Riddim in Lillian Allen's Women Do This Every Day
Le Belle Bête de Marie-Claire Blais: Du conte éponyme à l'histoire familiale
The Short Story as Miniature: Barry Callaghan's 'The Black Queen' and Gloria Sawai's 'The Day I Sat with Jesus on the Sundeck and a Wind Came Up and Blew My Kimono Open and He Saw My Breasts'
The Ex Factor
Margaret Atwood: Bringing Back the Treasure
Economies of experience in The Book of Jessica
Alien Heart: The Life and Work of Margaret Laurence
Word and Action in Margaret Avison's Not Yet But Still
Dionne Brand: No Language Is Neutral
Region/Body: In? Of? And? Or? (Alter/Native) Separatism in the Politics of Nicole Brossard
Dionne Brand
Gothic Forms of Feminine Fictions
Canadian Border Crossings: Evelyn Lau and Larissa Lai
Paradigms of Canadian Literary Biography: Who Will Write Our History?
'The Translation of the World into Words' and the Female Tradition: Margaret Atwood, 'Significant Moments in the Life of My Mother' (1983)
Self Beyond Self: Ethel Wilson and Indian Pholosophical Tought
(Un)Covering the Mirror: Performative Reflections in Linda Griffiths's Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill's The Occupation of Heather Rose
Success Well-Earned: Adele Wiseman's The Sacrifice
Children's Literature in Canada
From Physical to Personal Frontiers: Catharine Parr Traill's 'Pioneer Woman' Redefined in Margaret Laurence's The Diviners
Between the Self and the Others: Subjective and Social Consciousness in Toni Morrison's Jazz and Dionne Brand's In Another Place, Not Here
A Humiliation Day
The Poetry of P.K. Page
Crimson Silks and New Potatoes: The Heteroglossic Power of the Object in Atwood's Alias Grace
'Whatever That Is': Hiromi Goto's Body Politic/s
Interview with Alice Munro
Myrna Kostash: Ukrainian Canadian Non-Fiction Prairie New Leftist Feminist Canadian Nationalist
Stranger in a Strange Land: The Grotesque in the Fiction of Margaret Laurence
Dorothy Livesay's Political Poetry
Jewish American and Jewish Canadian Autobiographies
Escaping the Frame: Circumscribing the Narrative in The Whirlpool
Livesay's Two Seasons of Love
An Annotated Bibliography of Works by and about Mavis Gallant
'Please Eunice, Don't Be Ignorant': The White Reader as Trickster in Lee Maracle's Fiction
Anne Hébert's 'La Fille Maigre': Gendering Poetics
'A Man's Journey': Masculinity, Maze, and Biography in Carol Shields's Larry's Party
Memory Organized: The Novels of Audrey Thomas
Carol Shields and the Poetics of the Quotidian
Sexual Revolutions: Desire as Redemption in the Twentieth-Century Dystopian Novel
Tryptique lesbien: Allegory as Auto-da-fe
La Réécriture des mythes bibliques au féminin dans Les Enfants du Sabbat d'Anne Hébert
Claire Martin: Une Interview
Forgetting Loss in Madeleine Thien's Certainty
River of Now and Then: Margaret Laurence's Narratives
The Glace Bay Miners' Museum by Wendy Lill
Et in Ontario Ego: The Pastoral Ideal and the Blazon Tradition in Alice Munro's 'Lichen'
Writing in Our Time: Canada's Radical Poetries in English (1957-2003)
An Interview with Diana Brebner
Liminal Space of the Aboiteaux: Pilgrimage in Maillet's Pélagie
The Sacrifice and Crackpot: What a Woman Can Learn by Rewriting a Fairy Tale and Clarifying Its Meaning
Pedagogy and Resistance in the Context of Commonwealth/Post-Colonial Literatures
'Go, Be Brave': Changing Subjectivities in Bharati Mukherjee's Fiction
A Map to the Middle Passage as Heterotopia: Cultural Memory in Dionne Brand's At the Full and Change of the Moon
Writing of/from the Fourth World: Gabrielle Roy and Ungava
'A Mystery at the Core of Life': Margaret Laurence and Women's Spirituality
'The Opposite of History Is Forgetfulness': Myth, History, and the New Dominion in Jane Urquhart's Away
Sharon Pollock's Doc and the Biographer's Dilemma
Rewriting the Odyssey in the Twenty-First Century: Mary Zimmerman's Odyssey and Margaret Atwood's Penelopiad
Lynn Johnston's 'Theratoons': Extending the Limits of the Comic Strip
No Princes Here: Male Characters in Margaret Atwood's Fiction
Alice in Disneyland: Criticism as Commodity in The Handmaid's Tale
Companion in a Difficult Country
Affective Coordination and Avenging Grace: Dionne Brand's In Another Place, Not Here
'Streets Are the Dwelling Place of the Collective': Public Space and Cosmopolitan Citizenship in Dionne Brand's What We All Long For.
The Woman's Voice: The Post-Realist Fiction of Margaret Atwood, Mavis Gallant and Alice Munro
Traveller, Conjuror, Journeyman
'True Stories' in the Course of Time in Margaret Atwood's The Blind Assassin
Kiss of the Spider-Lady: An Interview with Aritha van Herk
Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon
Stories and Stlalakums: Christie Harris and the Supernatural World
Return to Griffin Creek: Communal Trauma in Les fous de Bassan
A Conversation with P. K. Page
'Tales in the Telling': The Diviners as Fiction about Fiction
Genre and Gender: Autobiography and Self-Representation in The Diviners
Engendering Genre: The Works of Margaret Atwood
An Interview with Joan Fern Shaw
Margaret Atwood: The Shape-Shifter
Budge Wilson: A Profile of the Author and Her Work
Housebreaking the Human Animal: Humanism and the Problem of Sustainability in Margaret Atwood's Oryx and Crake and The Year of the Flood
'The Subjunctive Mode of One's Self': Carol Shield's Biography of Jane Austen
Elizete and Verlia Go to Toronto: Caribbean Immigrant Sensibilities at 'Home' and Overseas in Dionne Brand's In Another Place, Not Here
Subjective as Objective: The Lyric Poetry of Sharon Thesen
Munro's Wonderland
Multicultural Critics-at-Large: Dis-Identification in Beatrice Culleton's In Search of April Raintree
'Canada Via Africa': The Stone Angel as the Missing Link Between Margaret Laurence's African and Canadian Writing
The Biggest Modern Woman of the World: Canada as the Absent Spouse
Diane Schoemperlen: 'The Splendid Terrors of Daily Life'
Margaret Laurence and Chinua Achebe: Commonwealth Storytellers
La Lampe dans la fenêtre: The Visualization of Quebec Fiction
'Transport Me ... into the Hearts of Men': Bharati Mukherjee's Darkness
Africa Solo and The Book of Jessica
Fighting with Blunt Swords: Laura Goodman Salverson and the Canadian Literary Canon
Love Which Is Insight
Contemporary Epic Novels: Walcott, Merwin, Carson and the Birth of a 'New' Genre
The Self-Completing Tree: Livesay's African Poetry
'A Singing Spirit': Female Rites of Passage, in Klee Wyck, Surfacing, and The Diviners
Profile: Franklin: Ideal Children's Literary Idol or Flavourless Turtle of Privelege?
The Doors to Home and History: Post-Colonial Identities in Meena Alexander and Bharati Mukherjee
Thomas Hardy, Alice Munro, and the Question of Influence
Elizabeth Smart: Recognition
The Second Journey to Ukraine: Janice Kulyk Keefer's Honey and Ashes: A Story of Family
'It Seems So Much the Truth It Is the Truth': Persuasive Testimony in Alice Munro's 'A Wilderness Station'
Tracing the Travesty: Constructing the Female Subject in Susan Swan's The Biggest Modern Woman of the World
Unsettling the Wilderness: The Interloping Pioneer in Atwood and Grove
Genre Strategies
Remembered Innocence: Goddess Ritual in Anne Hébert'sKamouraska
Gender Relations: Alice Munro's 'Differently' and 'Carried Away'
Blind Faith Remembers This Ain't No Masque: Princess Pocahontas and the Blue Spots as Transformative Ritual for the Grandmothers, the Ones Who Remain, and for the Ones Who Are Yet to Come
Boundaries, Borders, and Barriers: Marie-Claire Blais and the Archival Adventure.
'Deeper into the Forest': Ecriture et peinture dans Klee Wyck
Regarding the Other: Postcolonial Violations and Ethical Resistance in Margaret Atwood's Bodily Harm
Monica Hughes: An Overview
Itineraires spatio-temporels: Exil, nomadisme, diaspora chez Nancy Huston, Regine Robin et Emile Ollivier
The Life of Margaret Laurence
Special Issue on Ann-Marie MacDonald
Redrawing the Boundaries of Poetic Realism in Margaret Hollingsworth's Drama
Marie-Claire Blais' La Belle Bete
Remembering Adele
Singing the Bones: Ishbel Kargar Interviews Caitlin Hicks about her New Film
Rita Mae Brown's Six of One and Anne Cameron's The Journey: Fictional Contributions to the Ethics of Feminist Nonviolence
Embattled Canons: The Place of Diasporic Writing in Indian English Literatures
Marie Clements's Monstrous Visions
After Modernism: Alternative Voices in the Writings of Dionne Brand, Claire Brand, Claire Harris, and Marlene Philip
Une Littérature en devenir: La Réécriture textuelle et le dynamisme du champ littéraire: Les Ecrivaines québécoises au Canada anglais
Woman and Nation: Epic Motifs in Margaret Laurence's The Diviners and Antonine Maillet's Pélagie-la-Charrette
An Interview with Deirdre Kessler
'Meat and Bones Don't Matter': Mythology in The Tent Peg
Space and Time in the Plays of Antonine Maillet
'What Happened to Marion?' Art and Reality in Lives of Girls and Women
Phoenix from the Ashes: Lorna Crozier and Margaret Avison in Contemporary Mourning
It's About Time: Temporal Dimensions in Margaret Atwood's Life before Man
History and Place: An Interview with Daphne Marlatt
Houses, Clothes, and Pregnant Women: Reconstruction of Memory and Identity in Margaret Atwood's Alias Grace
'A Place on the Map of the World': Locating Hope in Shani Mootoo's He Drown She in the Sea and Dionne Brand's What We All Long For
Diane Schoemperlen's Fiction: The Clean, Well-Lit Worlds of Dirty Realism
Feminism...What Are We Supposed to Do Now?
Elsie Park Gowan's (Re)-Building of Canada (1937-1938): Revisioning the Historical Radio Series through Feminist Eyes
Archiving Self: Effacement, Erasure, Disappearance
Creative Displacement and Corporeal Defiance: Feminist Canadian Modernism in Margaret Laurence's Manawaka Novels
Goodnight William Shakespeare (Good Morning Ann-Marie MacDonald)
Les Premières Mères, Le Premier Jardin
Deferrals of Domain: Contemporary Women Novelists and the State
Speaking-Out in Tu faisais comme un appel by Marthe Mercure
Ethel Wilson: A Critical Biography
Nancy Huston: Identité et dédoublement dans le texte
Fictional Violations in Alice Munro's Narratives
'I Was Unable to Identify with Topsy': Carrie M. Best's Struggle against Racial Segregation in Nova Scotia, 1942
Heritage, Pseudo-Heritage and Survival in a Spurious Wor(l)d: Oryx and Crake by Margaret Atwood
Representing the Other Body: Frame Narratives in Margaret Atwood's 'Giving Birth' and Alice Munro's 'Meneseteung'
Innocence and Solitude: The Fictions of Ethel Wilson
Black Atlantic, Queer Atlantic: Queer Imaginings of the Middle Passage
'The Border as Fiction': Frontières, marges et identité chez Clark Blaise et Bharati Mukherjee
Something Sadistic, Something Complicit: Text and Violence in Execution Poems and Thirsty
Daphne Marlatt's Poetry
How They Write Us: Accepting and Excepting 'the Jew' in Canadian Fiction
Reading the Gospel of Bakes: Daughters' Representations of Mothers in the Poetry of Claire Harris and Lorna Goodison
Jay Macpherson's Welcoming Disaster: A Reconsideration
Space for Strangeness: Carol Shields' Short Stories
Young, Troubled, and Queer: Gay and Lesbian Representation in Edward Roy's The Other Side of the Closet and Sara Graefe's Yellow on Thursdays
Narrative Community in Edna Alford's A Sleep Full of Dreams
Dreamed Truths and Necessary Work: An Interview with Carrie Snyder
Jane Rule & Rick Bébout, Private Letters/Public Lives: A Queer Love Story
Yvette Nolan's Job's Wife: The Center's Reaction
Elements of Transdifference in Canadian Women Writers' Fiction
Adapting Emotions: Notes on the Transformation of Affect and Ideology from 'We So Seldom Look on Love' to Kissed
The Verse Novel as a Hybrid Genre: Monstrous Bodies in Anne Carson's Autobiography of Red and Les Murray's Fredy Neptune
Special Issue on Anne Hébert
Restoring the Temples: The Fiction of Aritha van Herk
Wholehearted Poetry; Halfhearted Criticism
Telling Trauma
Mapping the Mind's 'I': Vision, Perception, and Complicity in the Early Poems of P. K. Page
Toronto in the Global City: Flows and Places in Dionne Brand's What We All Long For
Helen Weinzweig: Her Life and Work. An Interview.
Staging a Woman Painter's Life: Six Versions of Emily Carr
My (m)Other, My Self: Strategies for Subversion in Atwood and Hébert
To 'Heal the Word Wounded': Agency and the Materiality of Language and Form in M. Nourbese Philip's She Tries Her Tongue, Her Silence Softly Breaks
Power Politics in Bluebeard's Castle
Closed Circle
Lillian Allen: The Reigning Queen of Dub Poetry
Mavis Gallant's 'Overhead in a Balloon': Politics and Religion, Language and Art
Ambiguity and Paradox: A Conversation with Helen Weinzweig
Language and Racism: Wendy Lill's The Occupation of Heather Rose and the Anatomy of Racism
Rhetorical Strategies in The Handmaid's Tale: Dystopia and the Paradoxes of Power
Anpassung und Widerstand bei Doris Lessing, Margaret Atwood und Christa Wolf
'They Are Out of Reach Now': The Family Motif in Margaret Atwood's Surfacing
Search and Discovery: Margaret Avison's Poetry
The Poet as Translator: Margaret Avison's 'Hungarian Snap'
(Un-)Doing Gender: Alice Munro, 'Boys and Girls' (1964)
Between Repetition and Rehearsal: Conditions of (Women's) Theatre in Canada in a Space of Reproduction
Myths of Distinction; Myths of Extinction in Margaret Atwood's Oryx and Crake
Sharon Pollock at Play/Sharon Pollock sur scène (Special Issue)
Through the 'Wall': Crone Journeys of Enlightenment and Creativity in the Works of Doris Lessing, Margaret Atwood, Keri Hulme, and Other Women Writers
Cartoonist Lynn Johnston Talks to Anne Kingston about the New 'For Better or For Worse' and Her Own Domestic Drama
Kristjana Gunnars: Essays on Her Works
'When You Admit You're a Thief, then You Can Be Honourable': Native/Non-Native Collaboration in The Book of Jessica
Reconstructing the Wilderness: Margaret Atwood's Reading of Susanna Moodie
Collaboration in the Feminine: Writings on Women and Culture from Tessera
The Art and Genius of Anne Hébert: Essays on Her Works
Margaret Atwood and History
Gabrielle Roy, journaliste: Au fil de ses reportages (1939-1945)
Mavis Gallant and the Fascism of Everyday Life
At Odds in the World: Essays on Jewish Canadian Women Writers
Orality and the Body in the Poetry of Lillian Allen and Dionne Brand: Towards an Embodied Social Semiotics
Alice Munro's Lives of Girls and Women: A Case Study of Literary Influence
Tales from the Canadian Crypt: Canadian Ghosts, the Cultural Uncanny, and the Necessity of Haunting in Ann-Marie MacDonald's Fall on Your Knees
Spectres of Poujade: Naomi Klein and the New International
Maillet & the Prix Goncourt
There's Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro's 'Fits'
Interview with Adele Wiseman
Ethel Wilson: An Annotated Bibliography
Point Counterpoint in Ethel Wilson's Swamp Angel
Rewriting Paradigms of Social and Cultural Identity: The New Indian Immigrant in Bharati Mukherjee's Fiction
Linguistic Hybridity in Gloria Anzaldúa's Borderlands, Antonia D'Alfonso's Avril ou l'anti-passion, and Hiromi Goto's Chorus of Mushrooms
Gabrielle Roy on Gabrielle Roy: Ces enfants de ma vie
Kulturelle Identitat im zeitgenossischen anglokanadischen Drama
Image, Music, Text: An Interview with Jeannette Armstrong
'Some of My Best Friends ... ': Befriending the Racialized Fiction of Hiromi Goto
The Hidden Mines in Ethel Wilson's Landscape (or, An American Cat among Canadian Falcons)
Liminal Ecologies in Margaret Atwood's Oryx and Crake
Science as Deconstruction of Natural Identity: Arthur Conan Doyle's 'When the World Screamed' and Margaret Atwood's Oryx and Crake
Moral Vision in The Stone Angel
Image, Text, and Spirit: Kate Braid and the Paintings of Emily Carr
Poetique et/ou politique: Le Theatre de Jovette Marchessault
For Sure the Kittiwake: Naming, Nature, and P. K. Page
Mothering Her Self: Mothers and Daughters in Ethel Wilson`s Work
Woman/Body/Landscape: Imaginary Geographies in the Writing of Karen Connelly
Guilt: The Prison of This World
Twin Misunderstandings: The Structure of Patricia Blondal's A Candle to Light the Sun
Wilderness Stations: Peregrination and Homesickness in Alice Munro's Open Secrets
In the Kitchen: Cooking Up Diaspora Possibilities: Bailey and Lewis' Sistahs
No-Man's Land: Mythic Crisis in Gwendolyn MacEwen's The T. E. Lawrence Poems
Claire Harris's 'Where the Sky Is a Pitiful Tent': How Two Women Respond after Witnessing Political Torture
Gifts and Questions: An Interview with Anne Carson
Two Cultures, One Consciousness: A Comparative Study of Canadian Women's Literature in French and in English
The Love Poetry of Dorothy Livesay
An Interview with Ruth Nichols
La Rhétorique de la folie: Métaphore et allégorie dans Les Fous de Bassan
Alice Munro: Hard-Luck Stories or There Is No Sexual Relation
'True Lies': Photographs in the Short Stories of Alice Munro
La Prose métisse du poème: Sur Anne-Marie Alonzo
Ethel Wilson: West Coast Novelist
Influential Circles: Carol Shields and the Canadian Literary Canon
Denise Desautels: La Pensée du jour
Relire Gabrielle Roy, ecrivaine
Regionalism, Nationalism, and Internationalism in Margaret Laurence
Smart's Proverbs of Hell
The Irish Female Presence in Jane Urquhart's Fiction
Learning to Talk with Ghosts: Canadian Gothic and the Poetics of Haunting in Eden Robinson's Monkey Beach
Surfacing and Deliverance
Transnational Canadas: Anglo-Canadian Literature and Globalization
Wading in with Isabel Huggan
The Pilgrim and the Riddle: Father-Daughter Kinship in Anne Carson's 'The Anthropology of Water'
Skinned: Taxidermy and Pedophilia in Alice Munro's 'Vandals'
Dionne Brand in Conversation
'Dazzling Hybrids': The Poetry of Anne Carson
'Dull, Simple, Amazing and Unfathomable': Paradox and Double Vision in Alice Munro's Fiction
Folklore, Popular Culture and Individuation in Surfacing and The Diviners
Mirror Images in Margaret Atwood's Lady Oracle
'Brightly, Aggressively Golden': Verbal Agency in Budge Wilson's The Leaving
Recent Plays on Women's Playwriting
Testing the Limits of the Transcultural: Travel, Intertextuality and Tourism in Bharati Mukherjee's The Holder of the World and Anita Desai's The Zigzag Way
The Ordinary as Subterfuge: Alice Munro's 'Pictures Of The Ice'
Writing a Politics of Perception: Memory, Holography, and Women Writers in Canada
The Audrey Thomas Issue
Dates and Details in Mavis Gallant's 'Its Image in the Mirror'
'Inventory Is Useless Now but Just to Say': The Politics of Ambivalence in Dionne Brand's Land to Light On
Real Mothers: Femininity, Motherhood and Fiction: The Short Stories of Audrey Thomas
Debunking a Postmodern Conception of History: A Defence of Humanist Values in the Novels of Joy Kogawa
Clothes Reading: Sartorial Consciousness in Postmodern Fiction by Women
Anne Hébert's Kamouraska and Margaret Atwood's Alias Grace: Individuals in History
Relire le théâtre-femmes. Encore cinq minutes de Françoise Loranger
Revisions and Recontextualizations of Alice Munro's Short Fiction
Margaret Atwood's Modest Proposal: The Handmaid's Tale
'If the Bard Were Still Jung': Reading for One('s)Self in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
Miss Charlie by Suzanne Paradis: Subversion in Women's Writing
'Mon cher grand fou...': Dialogue et/ou monologue amoureux dans les lettres de Gabrielle Roy à Marcel Carbotte (1947-1950)
The 'Invisible' Woman: Narrative Strategies in The Stone Diaries
Land of the Postscript: Canada and the Post-Holocaust Fiction of Chava Rosenfarb
'Where I Have Never Been': Diasporic Narratives of Return by World Citizens of Chinese Descent
Hagar in Hell: Margaret Laurence's Fallen Angel
Ghosts and Saints: Notes on Mavis Gallant's From the Fifteenth District
Trauma, Mourning and Resistant Melancholia in Dionne Brand's At the Full and Change of the Moon
Margaret Laurence's Epic Imagination
Why Montreal? Régine Robin's Rewriting of the City in L'immense fatigue des pierres
Uses of Mythology in Aritha Van Herk's No Fixed Address
L'Art pictural dans les derniers romans de Marie-Claire Blais
An Interview with Marianne Brandis
Byrna Barclay's 'Out-Wandering Women' in The Livelong Quartet: New Directions in Canadian Ethnic Fiction
Go Ask Alice: The Progress of Munro Criticism
The Lurianic Background: Myths of Fragmentation and Wholeness in Adele Wiseman's Crackpot
Passing through the Jungle: Emily Carr and Theories of Women's Autobiography
Claire Martin romanciere
De l'assujettissement à la révolte: Figures de l'espace dans le théâtre hébertien
Holding onto the Core: An Interview with Althea Prince
Identity, Community, and Nation in Black Canadian Women's Autobiography
The Journey toward Individuation: Canadian Men and Boys in A Bird in the House by Margaret Laurence and Le Torrent by Anne Hébert
Writing Closure
Looting American Culture: Bharati Mukherjee's Immigrant Narratives
Exis-Tensions: Surviving the Red Shoes Syndrome in Margaret Atwood's Lady Oracle
Some Highly Subversive Activities: A Brief Polemic and a Checklist of Works on Alice Munro
That Fool of a Fear: Notes on A Jest of God
Estratégias de Resistência em Lives of Girls and Women de Alice Munro
Carole Corbeil: A Voice of Her Own
Contrary Rememberings: The Creating Self and Feminism in Cat's Eye
The Irony of Order: Ethel Wilson's The Innocent Traveller
Liminal Spaces: The Double Art of Carol Shields
Margaret Laurence, Carl Jung and the Manawaka Women
Daddy on Trial: Sharon Pollock's New Brunswick Plays
Visions of the Stars and Earth: The Images of Jean Coulthard
The Africa of Two Western Women Writers: Barbara Kingsolver and Margaret Laurence
Time as the Fifth Element in Margaret Laurence's Manawaka Cycle
Crossing Borders: Eastern European Experience in Canada
Ideology and Poetry: An Examination of Some Recent Trends in Canadian Criticism
An Ethical Critique of Men in Laurence and Atwood
An Exploration of Canadian Identity in Recent Literary Narratives of the Franklin Expeditions
Snapshots: A Conversation with Mary Borsky
Entretien avec Antonine Maillet
Adele Wiseman: Essays on Her Works
Audrey Thomas and Lewis Carroll: Two Sides of the Looking Glass
'Raising the Heart': The Politics of the Popular and the Poetics of Performance in the Work of Maxine Tynes
Run through the Borders: Feminism, Postmodernism, and Runaway Subjectivity
Antonine Maillet et la naissance de l'Acadie moderne: De La Sagouine à Pélagie-la-Charrette
Detailed Record Title: Putting the Mother back in the Language: Maria Campbell's Revisionary Biogeographies & Margaret Laurence's The Diviners
Cultural Citizenship and Writing Post-Colonial Vancouver: Daphne Marlatt's Ana Historic and Wayde Compton's Bluesprint
Susan Musgrave: The Self and the Other
Trauma, Healing, and Collaborative Writing: Yvonne Johnson's Stolen Life: The Journey of a Cree Woman
Fantasy and Transformation in Shadow Puppetry
In Tune with Tomorrow
Scenes from a (Boston) Marriage: The Prosaics of Collaboration and Correspondence in A Celibate Season
Language Private and Public: A Study of Wiseman's Crackpot
'The Place She Miss': Exile, Memory, and Resistance In Dionne Brand's Fiction
Rewriting Tradition in the Old and New World: The Holder of the World and The Tree Bride by Bharati Mukherjee
Laura Goodman Salverson's Confessions of a Divided Self
All My Sisters: Essays on the Works of Canadian Women Writers
Searching for the Doorway: Dionne Brand's Thirsty
Margaret Atwood: Feminism and Fiction
The Avison Collection at the University of Manitoba: Poems 1929-89
The Handmaid's Tale as Scrabble Game
Writing and Telling Hybridity: Autobiographical and Testimonial Narratives in Maria Campbell's Halfbreed
From the First 'Eve' to the New 'Eve': Anne Hébert's Rehabilitation of the Malevolent Female Archetype
Shirking the Imperial Shadow: Virginia Woolf and Alice Munro
The Book as (Anti)National Heroine: Trauma and Witnessing in Joy Kogawa's Obasan
Maps of Memory and the Sea in Dionne Brand's At the Full and Change of the Moon
Transcribing Nomadism: The Use of Collage and the Internet in the Autofictional Writing of Régine Robin
From Feminism to Nationalism: The Theater of Francoise Loranger, 1965-1970
Pratique des signes et fascination de l'informe dans les romans d'Anne Hébert
Collaborating with Carol
L'Esthétique du décalage dans Moral Disorder de Margaret Atwood
A Core of Brilliance: Margaret Avison's Achievement
The Politics of Body and Language in the Writing of Margaret Atwood
Prisonnieres amoureuses: Representations de la mere et la fille dans le theatre d'Anne-Marie Alonzo
New Canadian Drama
Ethel Wilson, Wary Mythologist
Une Stratégie descriptive dans La Sagouine d'Antonine Maillet: L'Enumération
Every Reader a Writer: Helen Weinzweig's Basic Black with Pearls
Blood and Soil in Anne Michaels's Fugitive Pieces: The Pastoral in Holocaust Literature
Judgment, Progression, and Ethics in Portrait Narrative: The Case of Alice Munro's 'Prue'
'The Sound the Wind Makes' on the Information Super Highway: An E-Mail Interview with Di Brandt
'Its Image on the Mirror': Canada, Canonicity, the Uncanny
'Death by Nature': Margaret Atwood and Wilderness Gothic
'The Small Moving Things of the World': An Interview with Kathleen Winter
An Interview with Alice Munro
Vous! Vous êtes quoi vous au juste? Méditations autobiographiques autour de la judéité
Post-National Arguments: The Politics of the Anglophone-Canadian Novel since 1967
A Literary Event? La Bonne femme by Jasmine Dubé/ Un Evénement littéraire? La Bonne femme de Jasmine Dubé
Graphic Scenes: In Conversation with Mariko Tamaki
The Real Material: An Interview with Alice Munro
Klee Wyck: Redefining Region through Marginal Realities
Collaborating with Ghosts: Dis/Possession in The Book of Jessica and The Mudrooroo/Muller Project
'To Keep the Memory of So Worthy a Friend': Ethel Wilson as an Elegist
Unravelling the Mystery of Reality: Typical Canadian Elements in the Short Stories of Alice Munro
'Every Last Thing Everlasting': Alice Munro and the Limits of Narrative
Depictions of East-Indian Immigrant Women in Bharati Mukherjee's Mid-Career Fiction
The Making of Margaret Laurence's Epic Voice
Image Juxtaposition in A Jest of God
The Rival Bards: Alice Munro's Lives of Girls and Women & Victorian Poetry
Women in the Wilderness
'In Cases of Emergency': The Political Writing
The McGarrigles: Heartbeats Forever
An Interview with Barbara Smucker
Don L'Orignal d'Antonine Maillet et le carnavalesque
In the Third Person: An Interview with Smaro Kamboureli
'There's Magic in the Web of It': Seeing beyond Tragedy in Harlem Duet
Memory and Desire in Alice Munro's Stories
Anti-Imperialism and Feminism in Margaret Laurence's African Writings
Shockable and Unshockable Methodists in The Innocent Traveller
The Flame-Lighter Woman: Catherine Anthony Clark's Fantasies
'For of Such Is the Kingdom...': Margaret Atwood's Two-Headed Poems
Postmodern Ekphrasis in the Poetry of Anne Compton, Anne Carson, and Anne Simpson
The Garden and the Cage: The Achievement of Gabrielle Roy
Margaret Laurence's Somali Translations
New-Old Critics
The 'Unicorn' Poems of Jay Macpherson
Time in Ethel Wilson's The Innocent Traveller and Swamp Angel
Munro's 'Walker Brothers Cowboy'
Commonwealth Critics
The Origins of The Hidden Mountain
Ann-Marie MacDonald en France: Un Parfum du Canada
Reading as an Animal: Ecocriticism and Darwinism in Margaret Atwood and Ian McEwan
Liminal Visions of Nicole Brossard
Avison and the Postmodern 1960s
Critical Approaches to the Fiction of Margaret Laurence
Crossings: An Interview with Erin Mouré
Saving Desdemona and/or Ourselves: Plays by Ann-Marie MacDonald and Paula Vogel
L'Homme-arbre de La Montagne secrète
Writing and Painting under the Gaze: Emily Carr's Growing Pains
Temples and Tabernacles: Alternative Religions in the Fictional Microcosms of Robertson Davies, Margaret Laurence, and Alice Munro
Retrieving Memory - Representations of Past and Present in Ashes and Miracles and Honey and Ashes
Margaret Atwood's Use of the Folk and Fairy Tales
The Question of Gender in Translation: Examples from Denise Boucher and Anne Hebert: A Corollary to Evelyne Voldeng's Trans lata latus
The Tale of a Narrative: Antonine Maillet's Don l'Orignal
The Spectre of Straight Shakespeare: New Ways of Looking at Old Texts in Goodnight Desdemona and Mad Boy Chronicle
Between the Flower and the Stone: The Novel as Biography/The Biography as Novel. Carol Shields's The Stone Diaries
Interview with Emily Pohl-Weary
Towards a Feminist Comedy
The Past Projected: Mavis Gallant and Joseph Roth
Anne Michaels
'Iam Writing This to Be as Wrong as Possible to You:' Anne Carson's Errancy
Risk and Resilience in Catherine Bush's Minus Time
The Emergence of A New Reality For Quebec Women Composers
Redemptive Restrooms: Moments of Utopic Possibility in Volker Schlöndorff's Film Version of The Handmaid's Tale
Something on Jean Little
Beyond the Canebrakes: Caribbean Women Writers in Canada
Claire Martin: son oeuvre; les réactions de la critique
Unreliable Views of the Feminine in Anne Hébert's Les Fous de Bassan
Panties and Roads: Woman, Fiction and Cartography in Aritha van Herk's No Fixed Address
Marie Clements's The Unnatural and Accidental Women: 'Denaturalizing' Genre
Bronwen Wallace and the Meditative Poem
'Let Me Begin Again': Women and Storytelling in the Poetry of Paulette Jiles
What Is Time Made Of? The Poetry of Anne Carson
Model Minorities, Models of Resistance: Native Figures in Asian Canadian Literature
Strong Women in the Web: Women's Work and Community in Ethel Wilson's Fiction
Wish Me Luck as You Wave Me Goodbye: Representations of War Brides in Canadian Fiction and Drama by Margaret Atwood, Mavis Gallant, Norah Harding, Margaret Hollingsworth, Joyce Marshall, Suzette Mayr, Aritha van Herk, and Rachel Wyatt
Talking to Bharati Mukherjee
Word and Fact: Laurence and the Problem of Language
Myth, Frye and Canadian Writers
Happily Ever After: Canadian Women in Fiction and Fact
Beauty of an Author
Working in Women's Archives: Researching Women's Private Literature and Archival Documents
Erin Mouré and the Spirit of Intersubjectivity
Woman as Everyman in Atwood's Surfacing: Some Observations on the End of the Novel
'Treacheries of the Heart': Memoir, Confession, and Meditation in the Stories of Alice Munro
'Cause you're the only one I want': The Anatomy of Love in the Plays of Judith Thompson
La Contrebande au pays des côtes
Laurence and the Use of Memory
Order from Chaos: Writing as Self-Defense in the Fiction of Alice Munro and Clark Blaise
The Canadian Experience as Textual Politics in Bharati Mukherjee's Darkness
Anne Michaels' Fugitive Pieces
Fictionalize This
The Scrap toward Knowing in Old Woman at Play: Adele Wiseman's Life Writing
Changing the Subject in Daphne Marlatt and Betsy Warland's Double Negative
Lesbianizing Authorship: Flesh and Paper
Ruptures in Carol Shields' The Stone Diaries
Dionne Brand's Winter Epigrams
Maillet et Proust: A la recherche de l'Acadie perdue
Divining Margaret Laurence: A Study of Her Complete Writings.
Framing The Book of Jessica: Transformation and the Collaborative Process in Canadian Theatre
The Visual Artist and the Creative Process in Picture Books
La Pensée de la langue: Entretien de Lise Gauvin
Female and National Identities: Laurence, Atwood, and Engel, 1965-1980
Language in Her Eye: Views on Writing and Gender by Canadian Women Writing in English
Writing Lovers: Reading Canadian Love Poetry by Women
Elements of Jewish Culture in Adele Wiseman's Crackpot: A Subversive Ethnic Fiction Female Style
Infanticide, Suicide, Matricide, and Mother-Daughter Love: Suzanne Jacob's L'Obéissance and Ying Chen's L'Ingratitude
Le monologue quebecois
'Sensing Designs in History's Muddles': Global Feminism and the Postcolonial Novel
What's Difficult, and What Isn't: Two Books Published in the 1960's
La Haine de soi: Le Cas du roman féminin québécois
The Cambridge Guide to Women's Writing in English
Jan Zwicky: Lyric Philosophy Lyric
Real Plums in Imaginary Cakes
Désir, espace et régimes d'interactions dans l'oeuvre romanesque d'Anne Hébert: Les Défis de l'altérité
Drawn Out: Identity Politics and the Queer Comics of Leanne Franson and Ariel Schrag
Sibyls: Echoes of French Feminism in The Diviners and Lady Oracle
The Plains Truth: Indians and Metis in Recent Fiction
L'espace comme signe identitaire dans El Clavadista de Colleen Curran
Narrative Technique and the Central Female Character in the Novels of Audrey Thomas
Margaret Atwood's The Handmaid's Tale and the Dystopian Tradition
Antonine Maillet et l'intertextualité rabelaisienne: Les Paroles dégelées
Transformation and Puppetry in the Illustrations of Elizabeth Cleaver
Carol Shields and the Extra-Ordinary
In the Arms of Susan
Elisabeth-Sainte and Aurélie-Sorcière: The Mistress of Kamouraska and Her Double
'Aux difformes et aux légèrement dérangés': La Figure du grotesque comme moyen d'accès au désordre du refoulé dans trois nouvelles d'Alice Munro
The Sex-Cited Body in Margaret Atwood
Writing a Home for Prairie Blackness: Addena Sumter Freitag's Stay Black and Die and Cheryl Foggo's Pourin' Down Rain
Imagining Aphra: Reinventing a Female Subject
Boxed In: Alice Munro's 'Wenlock Edge' and Sir Gawain and the Green Knight
Ice Women, Earth Mothers, and Fairy Godmothers: Woman as Metaphor in Two Recent Canadian Children's Novels
Interview with Carol Shields
Alanis Obomsawin, Documentary Form and the Canadian Nation(s)
Writing Whiteness: Linda Griffiths's Raced Subjectivity in The Book of Jessica
Daughters and Mothers in Alice Munro's Later Stories
Voyage towards an Ending: Alice Munro's 'Goodness and Mercy'
The Dowser Character in the Plays of Gwen Pharis Ringwood
'Between One Cliche and Another': Language in The Double Hook
Reading In: Alice Munro's Archives
Constructing English Quebec Ethnicity: Colleen Curran's Something Drastic and Josée Legault's L'Invention d'une minorité: Les Anglo-Québécois
News and Gender in Gabrielle Roy
My Own Story: Plain and Coloured
L'Autre à Tu-tête: La Lettre de L'Immobile
Biography Matters: Carol Shields, Mary Swann, A. S. Byatt, Possession, Deborah Crombie, Dreaming of the Bones
Transatlantic Communities: The Joycean Influence in Alice Munro's Lives of Girls and Women
Feminist (Theatre) Historiography Canadian (Feminist) Theatre: A Reading of Some Practices and Theories
Sun/Son Light/Light: Avison's Elemental Sunblue
Femme(s) Focale(s): Gail Scott's Main Brides and the Post-Identity Narrative
Munro's Auden: Letters from Iceland
'More Honourable Rites of Passage': From Resistance to Consolidation in the Fiction of Joyce Cary, Margaret Laurence, and Chinua Achebe
Pandora and the State
Margaret Atwood's Visual Art
Global Cities/Urban Subjects: The Literary Rearticulation of Identity
Beyond Window-Dressing? Canadian Children's Fantasy at the Millennium
Nature and Art in the Dramatic Voyages of Jovette Marchessault and Emily Carr
Sharon Riis: 'The Reality is the Present Tense'
Ethel Wilson
Jeannette Armstrong & the Colonial Legacy
Afterword
Modalities of the Edge: Towards a Semiotics of Irony: The Case of Mavis Gallant
Cara Hedley Gives Can-Puck-Lit Its First Real Groove
'Our Foothold in Buried Worlds': Place in Holocaust Consciousness and Anne Michaels's Fugitive Pieces
Andrée Lacelle et la critique
Mennonites and Metis in the Never Never of Agassiz: Sandra Birdsell's Waste Land Territory
Le Monologue splénétique de La Sagouine
The Problem of Language in Margaret Atwood's Surfacing
Shakespeare with Difference: Genderbending and Genrebending in Goodnight Desdemona
Strangers to Ourselves: Judith Thompson's Sled
'I Suck Coarse Salt': Caribbean Women Writers in Canada and the Politics of Transcendence
Migratory Subjects in Shani Mootoo's Out on Main Street
Deux Héroïnes: L'une selon Audrey Thomas, l'autre selon Rudy Wiebe
Le Transcodage d'une parlure en texte: La Sagouine et le mythe du dialecte
Defensive Measures: The Poetry of Niedecker, Bishop, Glück, and Carson
Bridge Between Two Realities: An Interview with Christie Harris
Une Saison dans la vie d'Emmanuel: A Season in Hell
'A Landmark in Familiar Country': Alcohol in Bronwen Wallace's People You'd Trust Your Life To
Toward a Poetics of Dislocation: Elizabeth Bishop and P. K. Page Writing 'Brazil'
Femmage: Madeleine Gagnon
Two-Faced Propositions: Myths and Enigma in Anne Carson's The Beauty of the Husband
Avison's Imitation of Christ the Artist
In Defense of Hetty Dorval
Images of Women's Power in Contemporary Canadian Fiction by Women
Market Forces and Powerful Desires: Reading Evelyn Lau's Cultural Labour
Teaching Contemporary Female Gothic: Murdoch, Carter, Atwood
We're Using Up the Earth. It's Almost Gone: A Return to the Post-Apocalyptic Future in Margaret Atwood's The Year of the Flood
Abducting Mary and Carol: Reading Carol Shields's Swann and the Representation of the Writer through Theories of Biographical Recognition
Intimate Kaffee Klatsch: Miriam Mandel
Freud and Frankenstein: The Monstered Language of Ana Historic
Border-Crossings: Connecting with the Colonized Mother in Maria Campbell's Life-Writings
An Interview with Carol Bolt
'The Simple Container of Our Existence': Narrative Ambiguity in Carol Shields's The Stone Diaries
Meddling with the Medium: Language and Identity in Audrey Thomas' Intertidal Life
'Let Me Get It Right': Adele Wiseman as Essayist
Rag Bags: Textile Crafts in Canadian Fiction since 1980
Interview with Constance Beresford-Howe
Photographic Memory, Undoing Documentary: Obasan's Selective Sight and the Politics of Visibility
Women's Desire/Women's Power: The Moons of Jupiter
What Nation? Whose Story? History, Myth, and Collaboration in the Making of Jessica
Klee Wyck: A Canadian Exploration amidst a Totem Pole Forest
Prairie Mosaic: The Immigrant Novel in the Canadian West
Question and Answer: A Conversation with Alison Pick, Recent Winner of the Bronwen Wallace Memorial Award for Poetry
Tales within Tales: Margaret Atwood's Folk Narratives
When Is a Book Not a Book? The Novels of Welwyn Wilton Katz
Perception, Memory, Irony: Mavis Gallant Greets Proust and Flaubert
Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play
'Who Was It If It Wasn't Me?': The Problem of Orientation in Alice Munro's 'Trespasses': A Cognitive Ecological Analysis
Women's Response to the Great Plains: Landscape as Spiritual Domain in Kathleen Norris and Sharon Butala
Anne Hebert's La Cage: A Masque of Liberation
'The End of Reality is the Beginning of Legend': Jewish Motifs in Contemporary Polish Fiction
'Among the Word Animals': A Conversation with Marilyn Dumont
Triadic Revelations of Exilic Identity: Claire Harris's Fables from the Women's Quarters, Dipped in Shadow, and She
L'Enfant du Torrent ou le sujet de l'oeuvre en puissance
Writing-Translating (from) the In-Between: An Interview with Gail Scott
i, a mother/i am other: L'Amèr and the Matter of Mater
The Narratee as Confessor in Margaret Laurence's The Fire-Dwellers
'What I Have Done, What Was Done to Me': Confession and Testimony in Stolen Life: Journey of a Cree Woman
Alice Munro and the White American South: The Quest
P.K. Page: Essays on Her Works
The Problem of Language and the Difficulty of Writing in the Literary Works of Gabrielle Roy
'The Ruthless Story and the Future Tense' in Margaret Atwood's 'Circe/Mud Poems'
The Experimental Spirit in Canadian Poetry: Margaret Atwood, Eli Mandel, George Bowering, and the Experimental Poets Thereafter
'Survivors of the Night': The Language and Politics of Epic in Antonine Maillet's Pélagie-la-charrette
'Woman on/against Snow': A Poem and Its Sources
Amour et haine sous un soleil eclatant
Machines, Readers, Gardens: Alice Munro's 'Carried Away'
The Myth of Demeter and Persephone in A Jest of God
The Motherhood of the Mother Superior: Anne Hébert's Marie Clotilde de la Croix
Recasting the Orpheus Myth: Alice Munro's 'The Children Stay' and Jean Anouilh's Euridice
Mapping Our Selves: Canadian Women's Autobiography in English
'Un Penchant pour la diagonale': An Interview with Marie-Louise Gay
Fugitive Pieces: Listening as a Holocaust Survivor's Child
Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others
The Plots of Life: The Realism of Alice Munro
Anne Hébert: Métamorphoses lutétiennes
Canadian Letters, Dead Referents: Reconsidering the Critical Construction of The Double Hook
Spaces in Between: Hester Prynne as the Salem Bibi in Bharati Mukherjee's The Holder of the World
'Gulfs' and 'Connections': The Fiction of Alice Munro
The Indignity of Speaking: The Poetics of Representation in Erin Mouré's 'Seebe'
Heuresis: The Mother-Daughter Theme in A Jest of God and Autumn Sonata
Critical Spaces: Margaret Laurence and Janet Frame
Remembrance and Celebration: Barbara Smucker's Days of Terror
Anne Hébert et Yolande Villemaire: Deux étapes dans la déconstruction du je(u) fictif
'One Small Medicine': An Interview with Maria Campbell
Composing a Book: Denise Levertov, Margaret Avison, and The Dumbfounding
The Manipulative Power of Word-Formation Devices in Margaret Atwood's Oryx and Crake
Women and Madness: Sharon Pollock's Plays of the Early 1990s
Entretien avec Antonine Maillet
Freeing the Creative Imagination: An Interview with Claire Mackay
The Brand-Economics of Signs, Iconographics of Economy: About the Necessity of a Semiotic Criticism of the Concept 'Brand'
The Construction and Deconstruction of Border Zones in Fronteras Americanas by Guillermo Verdecchia and Amigo's Blue Guitar by Joan Macleod
Metaphor and Metonymy, Language and Landscape in Ethel Wilson's Swamp Angel
Muses et musées: L'Effet 'tableau' de l'écriture
Teaching Margaret Laurence's The Diviners as a Postcolonial Text
Ongoingness and Nearer Farnesses: The Place of 'Too Towards Tomorrow': New Poems in Always Now: The Collected Poems
Daphne Marlatt's 'Rings': An Extension of the Proprioceptive
The Figure in the Linoleum: The Fictions of Alice Munro
Five Part Invention: A History of Literary History in Canada
Beyond Multiculturalism: Surviving the Nineties
Giving Voice to Childhood: Antonine Maillet's 'Radi'
Margaret Laurence and the Patterns of Pilgrimage
La Réaction contre les contraintes de l'histoire chez Claude LeBouthillier et Antonine Maillet
Auto/Biographical Jurisdictions: Collaboration, Self-Representation, and the Law in Stolen Life: The Journey of a Cree Woman
Le Secret de Manouche: Le Thèm de la fille-mère dans le Cycle du Survenant de Germaine Guèvremont
The Wilderness Plot, the Deep Map, and Sharon Butala's Changing Prairie
Why Does Alice Munro Write Short Stories?
Defying Categorization: The Work of Suzette Mayr
The Two Addies: Maternity and Language in William Faulkner's As I Lay Dying and Alice Munro's Lives of Girls and Women
Negotiating Loss and Otherness in Margaret Laurence's 'The Loons'
Scaffoldings of Weary Words: Jan Zwicky's Wittgenstein Elegies
In Tune With Co-Creation: The Musical Practice of Wende Bartley
God the Father or Mother Earth? Nouvelle France in Two Quebec Novels of the 1980s
The Personal Essay as Autobiography: A Gender and Genre Approach
The Speaking Landscape and Multicultural Memory in Haida Gwaii Fiction: A Bioregional Analysis
A Soap Bubble Hovering Over the Void: A Tribute to Carol Shields
A Conversation with Miriam Libicki
An Interview with Sarah Klassen
La Poesie quebecoise
'Let JAS Words Stand': Publishing John Addington Symonds's Desires
Structures of Autobiographical Narrative: Lisa Appignanesi, Dan Jacobson, W. G. Sebald
Gabrielle Roy and the Silken Noose
The Other Side of Silence: A Life of Ethel Wilson
Anne Carson: Poetry without Borders
Le Cycle médiéval d'Antonine Maillet
She Skin Black as Water: The Movement of Liquid Imagery in Dionne Brand's In Another Place, Not Here
'The Sleeping Giant': The Influence of African Literature on Margaret Laurence's Canadian Fiction, Illustrated by Long Drums and Cannons: Nigerian Dramatists and Novelists 1952-1966
The Romance of Penelope: Audrey Thomas's Isobel Carpenter Trilogy
Taking Pictures with Stephanie Bolster
From Housewife to Hermit: Fleeing the Feminine Mystique in Joan Barfoot's Gaining Ground
Sign and Symbol in Barbara Gowdy's The White Bone
Interview with Charlotte Gill
Freedom Reconsidered: Margaret Atwood's The Handmaid's Tale (1985)
Deux dames du précieux-sang: A propos des Enfants du sabbat d'Anne Hébert
Gabrielle Roy et Margaret Laurence: Deux Chemins, Une Recherche
Re-writing Pioneer Women in Anglo-Canadian Literature
Somewhere I've Been Meaning to Tell You: Alice Munro's Fiction of Distance
Language as Cultural Identity in Achebe, Ihimaera, Laurence and Atwood
Who Is He?: The Missing Persons behind the Pronoun in Atwood's Surfacing
Gabrielle Roy raconte Le Titanic
Portraits in Women's Literature
Toward a Photography of Love: The Tain of the Photograph in Anne Carson's Autobiography of Red
Myths and Mystery in The Shadow of the Wind by Anne Hébert
The Pocahontas Myth and Its Deconstruction in Monique Mojica's Play: Princess Pocahontas and the Blue Spots
Margaret Atwood's Oryx and Crake: The Terror of the Therapeutic
The Problem of Who One Really Is: The Functions of Sexual Fantasy in Stories of Atwood, Lispector, and Munro
Fractured Borders: Women's Cancer and Feminist Theatre
Carol Shields: The Arts of a Writing Life
Les Fous de Bassan and Le Torrent: At the Crossroads of Desire and Delusion
'Close, Very Close, a B'gwus Howls': The Contingency of Execution in Eden Robinson's Monkey Beach
La Critique française et le mythe canadien: Anne Hébert
At the Full and Change of CanLit: An Interview with Dionne Brand
Celebrations: Frye's The Double Vision and Laurence's Dance on the Earth
La Quete de la verite dans Oublier de Marie Laberge
Conversations with Seventeen Canadian Women Writers
Deconstructing Silence: The Mystery of Alice Munro
Subjects of Experience: Post-Cognitive Subjectivity in the Work of bpNichol and Daphne Marlatt
Politics into Art: Kogawa's Obasan and the Rhetoric of Fiction
Margaret Atwood: A Feminist Poetics
Feminist 'Memory Work' and the Production of REAL Womanhood
Shakespeare Re-Positioned: The Demystification of the Canon and the Subversive Strategies in Harlem Duet by Djanet Sears
'Free-Falling' and 'Serendipity': An Interview with Joy Kogawa
Sandra Birdsell: An Annotated Bibliography
Roberta's Raspberry Bombe and Critical Indifference in Alice Munro's 'Labor Day Dinner'
Paradigms of 1980's Québécois and Canadian Drama: Normand Chaurette's Provincetown Playhouse, Juillet 1919, J'avais 19 ans and Sharon Pollock's Blood Relations
Ecrire la ville multiculturelle: La Polyphonie torontoise excentrée de Dionne Brand
Reconstructing the Woman behind the Photograph: Denise Chong's The Girl in the Picture
Breaking the Silence: An Interview with Marie-Célie Agnant
After the Death of the Last: Performance as History in Monique Mojica's Princess Pocahontas and the Blue Spots
Notre Clémence: tout l'humour du vrai monde: chansons et monologues
Upsetting an Already Unquiet Bed: Contextualizing Dorothy Livesay's 'Zambia'
Not a Love Story
Screening Modernity: Cinema and Sexuality in Ann-Marie MacDonald's Fall on Your Knees
Penning in the Bodies: The Construction of Gendered Subjects in Alice Munro's 'Boys and Girls'
'Dead Girl-Bag': The Janet Smith Case as Contaminant in Sky Lee's Disappearing Moon Café
Gabrielle Roy ou l'etre partage
Afua Cooper: An Evolving Dub Poet with a Historical Foundation
Paths of Desire: Images of Exploration and Mapping in Canadian Women's Writing
Dividing Life into Manageable Parts; the Fiction of Diane Schoemperlen
Canadian Postwar Perspectives of Her-Story: Historiographic Metafiction by Laurence, Kogawa, Shields, and Atwood
'Daringly Out in the Public Eye': Alice Munro and the Ethics of Writing Back
Crossovers and Changeovers: Reading Lynn Johnston through Margaret Mahy
Coyote as Trickster in The Double Hook
Shaping Myths: The Manawaka Novels of Margaret Laurence
Deagelar Ma Comère: Dispersed Daughterhood and Queer Desire-A Blue Airmail Letter
Ethel Wilson As I Knew Her
Dorothy Livesay: The Love Poetry
Dionne Brand's Poetics of Recognition: Reframing Sexual Rights
Femme et nation: Les Ecrivaines féministes québécoises
Dionne Brand: 'Photograph'. L'Apparentement de l'artiste dans une nouvelle des Caraïbes ou la poétique de la trace, entre image photographique et magie de l'empreinte
Speaking in Tongues: Margaret Laurence's A Jest of God as Gothic Narrative
'Leave the Dead Some Room to Dance!': Margaret Laurence and Africa
A Rhetoric of Indeterminacy: The Poetry of Margaret Atwood and Robert Bly
Through the Son: An Explication of Margaret Avison's 'Person'
National Photographic: Images of Sensibility and the Nation in Margaret Atwood's Surfacing and Nadine Gordimer's July's People
Rewriting Race and Ethnicity across the Border: Mairuth Sarsfield's No Crystal Stair and Nella Larsen's Quicksand and Passing
L'Auteur dramatique du laboratoire à l'espace public: Entretien avec Lise Vaillancourt
Power Impinging: Hearing Atwood's Vision
An Interview with Margaret Atwood
Bilingualism and Emotion in the Autobiographical Works of Nancy Huston
'It's Only by Our Lack of Ghosts/We're Haunted': Postcolonial Dynamics of the Fantastic in Canadian Women's Fiction
Duelling and Dwelling in Toronto and London: Transnational Urbanism in Catherine Bush's The Rules of Engagement
Anguished Human Relations and the Search for Love: Plays by Canadian Writers Brad Fraser, Judith Thompson and Dianne Warren
Wiseman's Old Woman at Play and the Structure of Enigma
The (In?)Compatibility of Gender and Nation in Canadian and Québécois Feminist Writing
The Poetry of Margaret Avison
Collaboration in the Feminine: Daphne Marlatt/Betsy Warland's 'Re-Versed Writing' in Double Negative
From Marichette to Rosealba and La Sagouine: A Genealogy au féminin for Acadian Theatre
'Changer la vie' ou 'changer le monde'?
Spinach with Nutmeg: A Tribute to Timothy Findley
Le Conte de la baleine blanche tiré de Pélagie-la-charrette d'Antonine Maillet
Staging the Intersections of Time in Sharon Pollock's Doc, Moving Pictures, and End Dream
Letting It Rip: An Interview with Joan Clark
Canadian Art According to Emily Carr: The Search for Indigenous Expression
The Scottish Ancestor: A Conversation with Alice Munro
Transgressive Bodies in the Work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: Towards a Theory of the 'AutobioBD'
Unbinding Isaac and God: Story as Promise in Adele Wiseman's The Sacrifice
Memory, Experience and Difference in the Works of Some Contemporary Canadian Women Writers
Aujourd'hui Schéhérazade a appris à écrire: Anne-Marie Alonzo et l'entreprise de vivre
Les Discours sociaux dans Les Nuits de l'underground de Marie-Claire Blais
Identification et thérapie: L'Emploi du journal intime dans le roman pour adolescents au Québec
He and She: Linda Griffiths' Gendered Family
Emily Carr's Tennyson
Caroline Adderson
Ein kanadisches Theaterstück in einer deutschen Schule: Lion in the Streets von Judith Thompson in deutscher Sprache aufgeführt
Reading Together and Apart: Feminism and/versus Ethnicity in Margaret Laurence and Margaret Atwood: A Conversation
La Chambre: Un Archétype intime dans la poésie québécoise des années 80
Flesh Wounds: Reading the Scar as Text in the Works of Sylvia Plath, Margaret Atwood and Toni Morrison
Getting in and out of the Dark Room: In Search of April Raintree as Neutral Ground for Conflict Resolution
Aki Shimazaki et le plaidoyer de la vérité
Turning Life into Popular Art: Bodily Harm's Life-Tourist
The Trick of Divining a Postcolonial Canadian Identity: Margaret Laurence between Race and Nation
Hybridity and Mimicry in Two Novels: The River Between and In Search of April Raintree
Une Lecture sociologique de Putain ou la démystification de la femme corps-sexe
Un Jeu d'enfants: L'Execution de Marie-Claire Blais
Feeling Around the Repressed: Performing Uncanny Space in Sally Clark's Jehanne of the Witches
Tweaking the Canon: Diana Wieler's Bad Boys
Skunk's Gall Bladders in Gin: Normalizing Chinatown in Denise Chong's The Concubine's Children
Atwood's Parable of Flesh
Language, Power, and Responsibility in The Handmaid's Tale: Toward a Discourse of Literary Gossip
'Quattrocento': On an Eclectic Poem by Margaret Atwood
L'Invention romanesque de noms réels: Kamouraska et la métaphore toponymique
Women in a Word: Anne Claire Poirier's Subversive Subjectivity
Offred Reframed: The Adaptation from Novel to Opera
Margaret Atwood and Environmentalism
Gynocritics/Gynocritiques: Feminist Approaches to Canadian and Quebec Women's Writing
Recent Maritime Fiction: Women and Words
Suggestive Voices from 'the Storeroom of the Past': Photography in Denise Chong's The Concubine's Children
Webb's Water and Light
Aldous Huxley's and Margaret Atwood's Visions of Future Societies in Foreign Language Teaching
'Signals across Boundaries': Non-Congruence and Erin Mouré's Sheepish Beauty, Civilian Love
The Being Together of Strangers': Dionne Brand's Politics of Difference and the Limits of Multicultural Discourse
Gwendolyn Macewen's The Nine Arcana of the Kings as Creative Myth and Paradigm
'And We Are Homesick Still': Home, the Unhomely, and the Everyday in Anne Wilkinson
Marketing the Mem: The Packaging and Selling of a First Novel
Les Lettres chinoises de Ying Chen: Le Mobile et l'immobile
'A Field of Potentialities': Reading Erin Mouré
Autobiography in the Contact Zone: Cross-Cultural Identity in Jane Tapsubei Creider's Two Lives
The Birds, the Bees, and Kristeva: An Examination of Sexual Desire in the Nature Poetry of Daphne Marlatt, Robert Kroetsch, and Tim Lilburn
Communication and History: Themes in Innis and Laurence
Bone Memory: Transcribing Voice in Louise Bernice Halfe's Blue Marrow
Nancy Drew as Shaman: Atwood's Surfacing
Thomas and Her Rag-Bag
Toronto, Capital of Ukraine: The Ends of Desire and the Beginning of History in Janice Kulyk Keefer's The Green Library
Energie textuelle et production de sens: Images de l'énergie dans Les Fous de Bassan d'Anne Hébert
Mavis Gallant and the Angel of History
Hairball Speaks: Margaret Atwood and the Narrative Legacy of the Female Grotesque
The Writing of Future Revolt in Blais's Une Saison dans la vie d'Emmanuel and Aquin's Prochain Episode
Dionne Brand's Short Stories: Warring Forces and Narrative Poetics
Structural Patterns of Alienation & Disjunction: Mavis Gallant's Firmly-Structured Stories
New Perspectives on Margaret Laurence: Poetic Narrative, Multiculturalism, and Feminism
Front & Center: Ladies' Liberty
'Haunting Presence' and 'Broken Identities': The Immigrant Experience in Fiction
'Words Are for Forgetting': Incest and Language in Betsy Warland's The Bat Had Blue Eyes
Away from Zero
Un Recueil de récits brefs: Ces enfants de ma vie de Gabrielle Roy
Anne Hébert: Story and Poem
'Too Many Things': Reading Alice Munro's 'The Love of a Good Woman'
Looking at the Words of Our People: First Nations Analysis of Literature
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Women's Auto/biographical Theatre: Affirmation, Preservation and Intercultural Communication
Le Sujet en question: I Am Yours de Judith Thompson, version quebecoise
Rediscovering the Poet: Evelyn Lau
Susan Kerslake, at Home, Halifax, February 23, 2003
Telling It Over Again: Atwood's Art of Parody
Eating Identity: Food and the Construction of Region in The Cure for Death by Lightning and Fall on Your Knees
'Released Sorrows Long Held in Check': Quest for Self-Knowledge in Fredelle Bruser Maynard's Raisins and Almonds and The Tree of Life
(Re)Writing Home: Daphne Marlatt's Ghost Works
The Fairy Tale Affair
'Blood Gashed and Running Like Rain': A Diasporic Poetics in Dionne Brand's In Another Place, Not Here and Simone Lazaroo's The Australian Fiancé
'Sisters Under Their Skins': A Jest of God and The Fire Dwellers
New Contexts of Canadian Criticism
Children's Eyes
'And Then-': Narrative Identity and Uncanny Aging in The Stone Angel
Blending Time: Dramatic Conventions in Yvette Nolan's Annie Mae's Movement
Growing Up: The Novels of Alice Munro
'A Last Time for This Also': Margaret Atwood's Texts of Mourning
Re-Writing the Nativity in Alice Munro's 'The Turkey Season'
Anti-fleuves, corps morcelés, identités fracassées: Le Torrent d'Anne Hébert (1950) et The Whirlpool de Jane Urquhart (1986)
Women in Canadian Literature
Growing Up Black in Alberta
Antonine Maillet: Iconoclaste et briseuse de statue: Entretien
Orality and Literacy as Gender-Supporting Structures in Margaret Atwood's The Handmaid's Tale
Le Temps de la Conscience: Parcours d'un Ecrivain de Marie-Claire Blais
The Staircase Letters: An Extraordinary Friendship at the End of Life
Shifting Form: An Interview with Aritha van Herk
Detailed Record Title: Postcolonial Tragedy in the Crowsnest Pass: Two Rearview Reflections by Sharon Pollock and John Murrell
Life Without Instruction: Artemesia, and the Lessons of Perspective
The Anthropomorphic Ethic: Fiction and the Animal Mind in Virginia Woolf's Flush and Barbara Gowdy's The White Bone
Alice Munro: A Double Life
The Inscription of 'Feminine Jouissance' in Elizabeth Smart's By Grand Central Station I Sat Down and Wept
Ethel Wilson's First Novel
Crossings: An Interview with Aritha van Herk
The Circle of Conversation in The Sacrifice
Race and Conflict in Garner's 'One-Two-Three Little Indians' and Laurence's 'The Loons'
'Spaces' in Stolen Life: The Journey of a Cree Woman
An Interview with Carol Shields
Une Ecriture qui célèbre la tradition orale: Pélagie-la-charrette d'Antonine Maillet
The True and False Guide: Characterization in Katherine Govier's Between Men
Mon heritage du Manitoba
Room to Maneuver: The Transitional Space of Anne Hébert's Le Premier Jardin
The Scots Presbyterian Legacy
'Crossing Nature's Divide': Miscegenation and Lesbianism in Ann-Marie MacDonald's Fall on Your Knees
Profile: 'A Purple Sort of Girl': Sheree Fitch's Tales of Emergence
Interview with Anne Szumigalski
Seeing the World: Libby Creelman's Walking in Paradise
Sémantique de quelques poèmes de Cécile Cloutier
Not a Love Story: The Film and the Debate
Le Petit Prêtre d'Antonine Maillet
Dorothy Livesay's Poetics of Desire
Letting Go with the Mind: Dionysus and Medusa in Alice Munro's 'Meneseteung'
Lynn Johnston: The View at 60
Letters from Gabrielle Roy to Margaret Laurence
Spatial Patterns of Oppression in Mavis Gallant's Linnet Muir Sequence
L'Exilee et son double
Yves Simoneau's Rewriting of the Troubled Manhood Script in Anne Hébert's Les Fous de Bassan
Becoming Mother: Constructions of the Maternal in The Diviners
Rudy Wiebe and Yvonne Johnson's Stolen Life: The Journey of Cree Woman: A Peregrination through Gender and Genre
Unless: La Construction d'une identité dans un monde post-no-future
Re-Enchanting Nature: Some Magic Links between Margaret Atwood and J. R. R. Tolkien
Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand's Toronto and Mairuth Sarsfield's Montreal
Canadian Gothic and Anne Hébert's Kamouraska
'The Coded Dots of Life': Carol Shields' Diaries and Stones
Intersexions: Issues of Race and Gender in Canadian Women's Writing
On Blowing Figures ... and Bleeding: Poststructuralist Feminism and the 'Writing' of Audrey Thomas
Reality and Ordering: The Growth of a Young Artist in Lives of Girls & Women
Re-Membering the (W)holes: Counter-Memory, Collective Memory, and Bergsonian Time in Anne Michaels' Miner's Pond
Maggie's Lake: The Vision of Female Power in Swamp Angel
An Albatross of Words: An Interview with Judith Fitzgerald.
Motherless Daughters: The Absent Mothers in Margaret Atwood
'Orbiting': Bharati Mukherjee's Kaleidoscope Vision
The Correspondence of Margaret Laurence and Al Purdy
Carol's Party and Larry's Shields: On Carol Shields' Novel Larry's Party (1997)
Mourir à tue-tête/Scream from Silence: Anne-Claire Poirier, 1979
Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa
Overview: Ethel Wilson, Providence, and the Vocabulary of Vision
Thiefing Sugar: Eroticism between Women in Caribbean Literature
Traduction littéraire et polyphonie dans 'Mrs. Turner Cutting the Grass' de Carol Shields
Speaking in Tongues: The Poetry of Erin Mouré
Le Premier Jardin d'Anne Hébert et La Maison Trestler de Madeleine Ouellette-Michalska: Deux exemples de réécriture historique qui renouvellent le concept d'Histoire
Du mot surgit l'écriture: Anne-Marie Alonzo, au pays des merveilles
The Mother as Archetype of Self: A Poetics of Matrilineage in the Poetry of Claire Harris and Lorna Goodison
The Creation of a Style: Carol Shields's Short Story 'A Wood' and the Creative Process
The Art of Poetry No. 88: Anne Carson
An Aesthetics of Breakage: A Mazing 'Controlled Chaos'
Caribbean Ghostwriting
Margaret Atwood: Power of Transformation, Power of Knowledge
Masks of Language, Culture, and Community: 'Sweet Revenge' in Marie Laberge's Le Night Cap Bar
'... to Give ... Death a Place': Rejecting the 'Ineffability' of the Holocaust: The Work of Gillian Rose and Anne Michaels
Upsetting Fake Ideas: Jeannette Armstrong's Slash and Beatrice Culleton's In Search of April Raintree
The Art of Fiction No. 121: Margaret Atwood
Jane's Angry Daughters: Anger in Anita Brookner's Hotel du Lac, Margaret Drabble's The Waterfall, Bharati Mukherjee's Jasmine and Jamaica Kincaid's Lucy
Atwood's Adult Fairy Tale: Levi-Strauss, Bettelheim, and The Edible Woman
From There to Here Vol. II: A Guide to English-Canadian Literature Since 1960
Deconstructing the Politics of Location: The Problem of Setting in Prairie Fiction and Non-Fiction
Livesay's Houses
Écriture au Trans-féminine: Trish Salah's Wanting in Arabic
Dark Journeys: Kamouraska and Deliverance
The Family in Exile, between Languages: Eva Hoffman's Lost in Translation, Lisa Appignanesi's Losing the Dead, Anca Vlasopolos's No Return Address
Deux scènes médianes où le discours prend corps
One Woman Leads to Another-Female Identity in the Works of Margaret Atwood
Constructing a Scots-Canadian Ground: Family History and Cultural Translation in Alice Munro
Alice Munro's 'Fits': Secrets, Mystery, and Marital Relations
R. K. Narayan and Margaret Laurence: A Comparison
Blown Figures and Blood: Toward a Feminist/Post-Structuralist Reading of Audrey Thomas' Writing
The 'Genius' of Place and Time: The Fiction of Ethel Wilson
Canadian Children's Books: A Bookseller's Point of View
Unforgetting Trauma: Dionne Brand's Haunted Histories
La Poétique de la mort: La Poésie italo-canadienne et italo-québécoise aujourd'hui
Anna Minerva Henderson: An Afro-New Brunswick Response to Canadian (Modernist) Poetry
Native Canadian Gothic Refigured: Reading Eden Robinson's Monkey Beach
Romancing the Epic: Forward to the Past with Antonine Maillet
Margaret Atwood's The Handmaid's Tale: Scheherazade in Dystopia
Riding a Rolling Wave: A Conversation with Joan Clark
The Future of Racial Memory: Forgiveness, Reconciliation, and Redress in Joy Kogawa's Obasan and Itsuka
La Dépossession chez Antonine Maillet
Confession and Critique: The Work of Lynn Crosbie
Postcolonial Literary History and Indian English Fiction
Broken Toys: The Destruction of the National Hero in the Early History Plays of Sharon Pollock
The Text and the Story: Levels of Blending in Fictional Narratives
(Auto)Biographical Home Places in Carr, Laurence, and Munro
Bearing Witness and Transmitting Memory in the Works of Marie-Célie Agnant
The Melancholic Structure of Memory in Dionne Brand's At the Full and Change of the Moon
Constellations of Identity in Canadian Young Adult Novels
The Novels of Elizabeth Smart: Biological Imperialism and the Trap of Language
Silent Rage in Marie Laberge's L'Homme gris: The Mutism of Cri-Cri
A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innovative Writing
Broken Generations in Obasan: Inner Conflict and the Destruction of Community
Social Trauma and Serial Autobiography: Healing and Beyond
Lyric Ethics: Ecocriticism, Material Metaphoricity, and the Poetics of Don McKay and Jan Zwicky
The City as a Site of Counter-Memory in Anne Michaels's Fugitive Pieces and Michael Ondaatje's In the Skin of a Lion
Journeys to the Interior: The Wilsons at Lac Le Jeune
The Bridge or the Stokehold? Views of the Novelist's Art
Constructing Fictions of an Essential Reality or 'This Pickshur is Niiiice': Judith Thompson's Lion in the Streets
Mavis Gallant's Apprenticeship Stories, 1944-1950: Breaking the Frame
Mingling and Unmingling Opposites: Bending Genre and Gender in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
Free-Dom, Telling, Dignidad: Margaret Laurence, 'A Gourdful of Glory,' Margaret Atwood, The Handmaid's Tale, Sarah Murphy, The Measure of Miranda
Serious Whimsy
Madness in Linda Bouchard's Black Burned Wood
The Trope of Doors in Margaret Atwood's The Handmaid's Tale
Masking Faces: Defiance and Humour in Campbell's Halfbreed and Welch's Winter in the Blood
The Cityscape in a Few Caribbean-Canadian Short Stories
'Being in a Memory but Present in Time': Re-Inscription of Multiple Memories in Marie Clements' The Unnatural and Accidental Women
The Right Word in the Right Place: Literary Techniques in the Fiction of Ethel Wilson
An Interview with Dorothy Livesay
Notes on Border(land)s and Transculturation in the 'Damp and Hungry Interstices' of the Americas
Technique and Awareness in Margaret Avison's Poetry: Diction, Sound, Impressionism, Syntax
Overhearing Dionne Brand: Genre and the Organic Intellectual Project
'God of the Whiteman! God of the Indian! God Al-Fucking-Mighty!': The Residential School Legacy in Two Canadian Plays
A Country Without a Canon? Canadian Literature and the Esthetics of Idealism
Moving beyond 'The Blank White Spaces': Atwood's Gilead, Postmodernism, and Strategic Resistance
Crackwalking: Judith Thompson's Marginal Characters
By Grand Central Station I Sat Down and Wept: The Novel as a Poem
The Elements Transcended
Two Faces of Eve: Victim and Victimizer in Alice Munro's 'Mischief' and 'Labour Day Dinner'
Moral-in Whose Sense? Joy Kogawa's Obasan and Julia Kristeva's Powers of Horror
Mobility and Identity Construction in Bharati Mukherjee's Desirable Daughters: The Tree Wife and Her Rootless Namesake
Writing 'in Sparkler Script': Incest and the Construction of Subjectivity in Contemporary Canadian Women's Autobiographical Texts
Ending in the Middle: Revisioning Adoption in Binjamin Wilkomirski's Fragments and Anne Michaels's Fugitive Pieces
The Passion of Alice Laidlaw
Naming Names: Identity and Identification in Margaret Atwood's The Handmaid's Tale
Here is Queer: Nationalisms, Sexualities, and the Literatures of Canada
Une Lecture pragmatique de Kamouraska: Un Roman de 'stream of consciousness'?
Literary Sisterhoods: Imagining Women Artists
Alice Munro and the Scottish Nostalgic Grotesque
Women in Gendered Enclosure: Canadian and Indian Experience in the Poems of Claire Harris and Eunice de Souza
'The Other Side of Dailiness': The Paradox of Photography in Alice Munro's Fiction
Re-Visioning Frankenstein: The Keeper of the Isis Light as Theodicy
Discourses of Female Criminality: Suzanne Jacob's L'Obéissance, a Novel of Infanticide/Filicide
Settling into 'Unhomliness': Displacement in Selected Caribbean and Caribbean Canadian Women's Writing
Aritha van Herk's Places Far from Ellesmere: The Wild and Adventurous North?
An Interview with Audrey Thomas
L'Influence de W. Faulkner sur Antonine Maillet
Every Man Is an Island: Isolation in A Jest of God
Natural Resistance: Margaret Atwood as Ecofeminist or Apocalyptic Visionary
Reading Black and White in Contemporary Quebecois Texts
Claire Martin, tous genres confondus
An Interview with Indigenous Filmmaker Alanis Obomsawin
Common Ground: Feminist Collaboration in the Academy
The Body as Audience and Performance in the Writing of Alice Munro
The Archaeology of Memory: Exilic Bodies in Anne Michaels's Fugitive Pieces
Cinderella Revisioned: The Female Persona in Caterina Edwards, Genni Gunn, and Mary di Michele
History and Herstory in L'Ile de la Demoiselle
Where Are You, Mother? Alice Munro's 'Save the Reaper'
Feminism and Contemporary Women Writers: Rethinking Subjectivity
'Undecipherable Signs': Margaret Laurence's 'To Set Our House in Order'
The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson's Autobiography of Red
Anne Michaels: Fugitive Pieces
'Routes of Identity': In Conversation with Bharati Mukherjee
Typewriter as Trickster: Revisions of Beatrice Culleton's In Search of April Raintree
Exploring the Dark Tunnels of Memory: Remembering and Forgetting in Jane Urquhart's The Stone Carvers
Canadian Poetry: Traditions/Counter-Traditions/Poésie canadienne: Traditions/contre-traditions
Dionne Brand: Writing the Margins
Literary Pluralities
Stylizing the Mundane: Bernice Morgan's Random Passage
Better Quick than Dead: Anne Wilkinson's Poetry
Elizabeth Cleaver: The Early Years
Post-Grenada, Post-Cuba, Postcolonial: Rethinking Revolutionary Discourse in Dionne Brand's In Another Place, Not Here
Other Subjects: Identity, Immigration, and Representations of Difference in Jasmine
Travelling with Saint Theresa: The Poetry of Paulette Jiles
Cordelia's 'Nothing': The Character of Cordelia and Margaret Atwood's Cat's Eye
Hearts of Stone: Quarrying the Canadian Shield in Recent Canadian Women's Writing
Margaret Atwood's Oryx and Crake: Canadian Post-9/11 Worries
'Green Yet Free of Seasons': Gwendolyn MacEwen and the Mystical Tradition of Canadian Poetry
Canadian Canons: Essays in Literary Value
Hysteria and Traumatic Testimony: Margaret Atwood's Alias Grace
History and Nature: Representations of the Great Plains in the Work of Sharon Butala and Wallace Stegner
A Mazing Space: Writing Canadian Women Writing
Unhomely States: Theorizing English-Canadian Postcolonialism
Feminist and Postcolonial Perspectives on Ecocriticism in a Canadian Context: Toward a 'Situated' Literary Theory and Practice of Ecofeminism and Environmental Justice
Daddy's Girl: Dorothy Livesay's Correspondence with Her Father
What I Really Think about Margaret Laurence, Michael Ondaatje, Margaret Atwood, Timothy Findley, and the Rest of the CanLit Crowd: A Critic Unburdens Himself
Cartographies of Be/Longing: Dionne Brand's In Another Place, Not Here
Adoption as National Fantasy in Barbara Kingsolver's Pigs in Heaven and Margaret Laurence's The Diviners
Written in the Scars: History, Genre, and Materiality in Dionne Brand's In Another Place, Not Here
De l'autobiographie a la fiction autobiographique dans la litterature feminine
In Others' Words: The Critical Difference Within
Antonine Maillet: Refus du monde des adultes ou résistance à l'extinction de la culture
Enlisting Children's Literature in the Goals of Multiculturalism
The Crisis of Communication in Betty Quan's Mother Tongue
Margaret Atwood's Alternative Space: 'Wilderness Tips' and 'Death by Landscape'
'A Thankful Music': Dorothy Livesay's Experiments with Feeling and Poetic Form
In the Subjunctive Mood: Carol Shields' 'Dressing Up for the Carnival'
Moral Adaptations: How Ann-Marie MacDonald's The Arab's Mouth Became Belle Moral
Once upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood's Writings
What Do We Really Want to Teach in Alice Munro's 'Walker Brothers Cowboy'?
Uncovering the Grotesque in Fiction by Alice Munro and Gabrielle Roy
The Woman out Back: Alice Munro's 'Meneseteung'
'Vexed by the Crassness of Commerce': Jane Rule's Struggle for Literary Integrity and Freedom of Expression
La Remise en question de la Corriveau dans La Cage d'Anne Hebert
Criticism and Other Arts
Janet Lunn's Time/Space Travellers
To Close or Not To Close: Alice Munro's The Love of a Good Woman
A Public and Private Voice: Essays on the Life and Work of Dorothy Livesay
'From Twisted History': Reading Angélique
Language to Light On: Dionne Brand and the Rebellious Word
Canada in Quest: Margaret Laurence's Journey Back Home
Orphan and Amputee: A Search for Ancestors in The Diviners and Wallace Stegner's Angle of Repose
'Rest Beyond The River': Mourning in A Bird in the House
Alternate Stories: The Short Fiction of Audrey Thomas and Margaret Atwood
Margaret Atwood, Margaret Laurence and Their Nineteenth-Century Forerunners
L'Acadie d'Evangéline Deusse et l'Irlande de Maria: Femmes et frontières chez Maillet et Joyce
Dialogue with Raven: Bakhtinian Theory and Lee Maracle's Ravensong
Reading, Learning, Teaching Margaret Atwood
Mazo de la Roche: The Hidden Life
Making the Sociological Promise: A Case Study of Rosemary Brown's Autobiography.
Oryx and Crake and the New Nostalgia for Meat
Atwood's Sacred Wells
In the Language of Schoemperlen
Par derrière chez mon père d'Antonine Maillet: La Valorisation de la parole par l'inversion historique
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