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Women's Writing and Reading in Canada from 1950
Critical Studies
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Title
Modified
Chenilles et papillons: La Métamorphose dans Lady Oracle (1976) de Margaret Atwood
Children's Eyes
Children's Literature in Canada
1992
Chop Suey Writing: Sui Sin Far, Wayson Choy, and Judy Fong Bates
Cinderella Revisioned: The Female Persona in Caterina Edwards, Genni Gunn, and Mary di Michele
Claiming Positive Semantic Space for Women: The Poetry of Dorothy Livesay
Claire Harris's 'Where the Sky Is a Pitiful Tent': How Two Women Respond after Witnessing Political Torture
Claire Harris's She: The MPD Metaphor and the Post-Colonial Caribbean Woman
Claire Martin Issue
Claire Martin et Marie-Claire Blais: vers la parole et la liberation
Claire Martin romanciere
Claire Martin, tous genres confondus
Claire Martin: Une Interview
Claire Martin: son oeuvre; les réactions de la critique
1975
Closed Circle
Clothes Reading: Sartorial Consciousness in Postmodern Fiction by Women
Co-Editing Atwood Juvenilia: The Student Experience
Codes as Identity: The Bilingual Representation of a Fragmented Literary Subject
Collaborating with Carol
Collaborating with Ghosts: Dis/Possession in The Book of Jessica and The Mudrooroo/Muller Project
Collaboration in the Feminine: Daphne Marlatt/Betsy Warland's 'Re-Versed Writing' in Double Negative
Collaboration in the Feminine: Writings on Women and Culture from Tessera
1994
Collective Memory and Personal Identity in the Prairie Town of Manawaka: Margaret Laurence, 'The Loons' (1966)
Colonial Metaphors: The Honeyman Festival and Lunatic Villas
Common Concerns in Marian Engel's Children's Stories and Her Adult Fiction
Common Ground: Feminist Collaboration in the Academy
1998
Commonwealth Critics
Communication and History: Themes in Innis and Laurence
Community and Class in Margaret Laurence's A Bird in the House
Companion in a Difficult Country
Composing a Book: Denise Levertov, Margaret Avison, and The Dumbfounding
Composing in the Scent of Wood and Roses: Nicole Brossard's Intertextual Encounters with Djuna Barnes and Gertrude Stein
Confession and Critique: The Work of Lynn Crosbie
Confessions of a Dispassionate Witness - Jane Urquhart's The Underpainter
Connie Kaldor
Constance Ledbelly's Birthday: Construction of the Feminist Archetype of the Self in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
Constellations of Identity in Canadian Young Adult Novels
Constructing English Quebec Ethnicity: Colleen Curran's Something Drastic and Josée Legault's L'Invention d'une minorité: Les Anglo-Québécois
Constructing Fictions of an Essential Reality or 'This Pickshur is Niiiice': Judith Thompson's Lion in the Streets
Constructing a Scots-Canadian Ground: Family History and Cultural Translation in Alice Munro
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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eng
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