Skip to main content
View sitemap
Collaboratory
Projects
News
About
Terms of Use
Login/Join
EN
EN
FR
Help and Bug Reporting
Help Documentation
Report a Bug
Search
Search terms
Search scope
This project
Collaboratory
Website content
Advanced search
You are here
CWRC
»
Collaboratory
»
Women's Writing and Reading in Canada from 1950
Critical Studies
Home
Collection
Genres
Primary tabs
View
(active tab)
Default view
PlotIt
PlotIt 2.0
Voyant
DToC
History
Share
Facebook
Twitter
Google Plus
Collapse sidebar
Grid view
List view
Sort
Sort by
Title
Modified
Archiving Self: Effacement, Erasure, Disappearance
Aritha van Herk's Places Far from Ellesmere: The Wild and Adventurous North?
Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa
1993
Articulating a World of Difference: Ecocriticism, Postcolonialism and Globalization
As Agents and as Perspective: Female Characters in Disappearing Moon Café
As for Me and Me Arse: Strategic Regionalism and the Home Place in Lynn Coady's Strange Heaven
Assembly Line Stories: Pastiche in Sylvia Fraser's The Candy Factory
At Odds in the World: Essays on Jewish Canadian Women Writers
2008
At the Full and Change of CanLit: An Interview with Dionne Brand
At the Membrane of Language and Silence: Metaphor and Memory in Fugitive Pieces
Atwood and Laurence: Poet and Novelist
Atwood's Adult Fairy Tale: Levi-Strauss, Bettelheim, and The Edible Woman
Atwood's Gorgon Touch
Atwood's Parable of Flesh
Atwood's Sacred Wells
Atwood's Surfacing
Atwood's The Robber Bride: The Vampire as Intersubjective Catalyst
Atwood: Conversations
1992
Audrey Thomas and Lewis Carroll: Two Sides of the Looking Glass
Audrey Thomas: Her Life and Work
1989
Aujourd'hui Schéhérazade a appris à écrire: Anne-Marie Alonzo et l'entreprise de vivre
Authorizing Her Text: Margaret Laurence's Shift to Third-Person Narration
Auto/Biographical Jurisdictions: Collaboration, Self-Representation, and the Law in Stolen Life: The Journey of a Cree Woman
Auto/Biography and Re/Vision: Betty Lambert's Under the Skin
Autobiographical Story Cycles as a Vehicle for Enlightenment: Fredelle Bruser Maynard's Raisins and Almonds and The Tree of Life
Autobiography as Collaboration: The Book of Jessica
Autobiography in the Contact Zone: Cross-Cultural Identity in Jane Tapsubei Creider's Two Lives
Avison and the Postmodern 1960s
Avison's Imitation of Christ the Artist
Away from Her
Away from Zero
BC Oddities: Interpellation and/in Joan MacLeod's The Hope Slide
Banuta Rubess: New Languages for Performance
Barbara Gowdy
Bearing Witness and Transmitting Memory in the Works of Marie-Célie Agnant
Beauty of an Author
Becoming Mother: Constructions of the Maternal in The Diviners
Beginnings and Endings: Adele Wiseman's Crackpot
Better Quick than Dead: Anne Wilkinson's Poetry
Between Continuity and Difference: An Interview with Daphne Marlatt
Pages
« first
‹ previous
…
7
8
9
10
11
12
13
14
15
16
…
next ›
last »
Metadata
Metadata to display
Indexed (Solr) Metadata
Basic (Dublin Core) Metadata
Details
mods_titleInfo_title_ms
Critical Studies
Details
Title
Critical Studies
Creator
Subject
Description
Publisher
Contributor
Date
Type
Format
Identifier
cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
Source
Language
eng
Relation
Coverage
Rights
