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Women's Writing and Reading in Canada from 1950
Critical Studies
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Nancy Drew as Shaman: Atwood's Surfacing
Nancy Huston: Identité et dédoublement dans le texte
Narrative Community in Edna Alford's A Sleep Full of Dreams
Narrative Desconstructions of Gender in Works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich
2003
Narrative Strategies of Liberation in Alice Munro
Narrative Technique and the Central Female Character in the Novels of Audrey Thomas
National Photographic: Images of Sensibility and the Nation in Margaret Atwood's Surfacing and Nadine Gordimer's July's People
Nationalism and Gender: The Reception of Margaret Laurence's The Diviners
Native Canadian Gothic Refigured: Reading Eden Robinson's Monkey Beach
Natural Resistance: Margaret Atwood as Ecofeminist or Apocalyptic Visionary
Nature and Art in the Dramatic Voyages of Jovette Marchessault and Emily Carr
Necessary Illusions: Foucault's Author Function in Carol Shields's Swann
Negotiating Loss and Otherness in Margaret Laurence's 'The Loons'
Neopaganism, Feminism, and Children's Literature
New Canadian Drama
1980
New Contexts of Canadian Criticism
1997
New Forms of Subjectivity: Théoret's Entre raison et déraison
New Perspectives on Margaret Laurence: Poetic Narrative, Multiculturalism, and Feminism
1996
New Wave in Canadian Poetry
New-Old Critics
News and Gender in Gabrielle Roy
Next Time from a Different Country
Nightmare Vision: Anne Szumigalski
No Honey, I'm Home: Place over Love in Alice Munro's Short Story Cycle, Who Do You Think You Are?
No Princes Here: Male Characters in Margaret Atwood's Fiction
No-Man's Land: Mythic Crisis in Gwendolyn MacEwen's The T. E. Lawrence Poems
Noisy Brides, Suspicious Kisses: Revising Ravishment in Experimental Ekphrasis by Women
Not Fading into Another Landscape: Specters of American Empire in Margaret Atwood's Fiction
Not Remembering to Forget
Not a Love Story
Not a Love Story: The Film and the Debate
Notes on Border(land)s and Transculturation in the 'Damp and Hungry Interstices' of the Americas
Nothing Sacred: Nicole Brossard's Baroque at Dawn at the Limits of Lesbian Feminist Discourses of Sexuality
Notre Clémence: tout l'humour du vrai monde: chansons et monologues
1989
Of Renaissance and Solitude in Québec: A Recollection of the Sixties
Offred Reframed: The Adaptation from Novel to Opera
Offred's Complicity and Dystopian Tradition in Margaret Atwood's The Handmaid's Tale
On Blowing Figures ... and Bleeding: Poststructuralist Feminism and the 'Writing' of Audrey Thomas
On Looking into Rifts and Crannies: Alice Munro's Friend of My Youth
Once upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood's Writings
2008
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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eng
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