Critical Studies

Sort

'... to Give ... Death a Place': Rejecting the 'Ineffability' of the Holocaust: The Work of Gillian Rose and Anne Michaels
'A Different Kind of the Same Thing': Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood Relations
'A Double Assault': The Victimization of Aboriginal Women and Children in In Search of April Raintree
'A Field of Potentialities': Reading Erin Mouré
'A Landmark in Familiar Country': Alcohol in Bronwen Wallace's People You'd Trust Your Life To
'A Last Time for This Also': Margaret Atwood's Texts of Mourning
'A Life Has Only One Author': Twice-Told Aboriginal Life Narratives
'A Man's Journey': Masculinity, Maze, and Biography in Carol Shields's Larry's Party
'A Mystery at the Core of Life': Margaret Laurence and Women's Spirituality
'A Place on the Map of the World': Locating Hope in Shani Mootoo's He Drown She in the Sea and Dionne Brand's What We All Long For
'A Singing Spirit': Female Rites of Passage, in Klee Wyck, Surfacing, and The Diviners
'A Single Brushstroke': Writing through Translation: Anne Carson
'A Subtle Mourning': P. K. Page's 'The Permanent Tourists'
'A Tangle of Vegetation': Suffering in Margaret Avison's 'Jo Poems'
'A Thankful Music': Dorothy Livesay's Experiments with Feeling and Poetic Form
'A l'abri des vivants': L'Euphémisation dans Héloïse d'Anne Hébert
'Acts of Self-Exposure': Closeted Desire in Margaret Atwood's Cat's Eye
'Afterbirth of Earth': Messianic Materialism in Anne Michaels' Fugitive Pieces
'Against the Source': Daphne Marlatt's Revision of Charles Olson
'Among the Word Animals': A Conversation with Marilyn Dumont
'And Now Another Story Surfaced': Re-Emerging Voices, Stories and Secrets in Alice Munro's 'Family Furnishings'
'And Then-': Narrative Identity and Uncanny Aging in The Stone Angel
'And They Went to Bury Her': Margaret Atwood's The Blind Assassin and The Robber Bride
'And Use the Words That Were Hers': Constructions of Subjectivity in Beverly Hungry Wolf's The Ways of My Grandmothers
'And We Are Homesick Still': Home, the Unhomely, and the Everyday in Anne Wilkinson
'At Least Part Legend': The Fiction of Alice Munro
'Aussi canadienne que possible dans ces circonstances': Comment les jeunes filles sont élevée en Canadiennes dans La Voleuse d'hommes de Margaret Atwood/'As Canadian as Possible under the Circumstances': How Girls Grow Up Canadian in Margaret Atwoo
'Aux difformes et aux légèrement dérangés': La Figure du grotesque comme moyen d'accès au désordre du refoulé dans trois nouvelles d'Alice Munro
'Banished to This Other Place': Atwood's Lady Oracle
'Being a Half-Breed': Discourses of Race and Cultural Syncreticity in the Works of Three Metis Women Writers
'Being in a Memory but Present in Time': Re-Inscription of Multiple Memories in Marie Clements' The Unnatural and Accidental Women
'Between One Cliche and Another': Language in The Double Hook
'Blood Gashed and Running Like Rain': A Diasporic Poetics in Dionne Brand's In Another Place, Not Here and Simone Lazaroo's The Australian Fiancé
'Bones Made of Light': Nature in the Poetry of Lorna Crozier
'Brightly, Aggressively Golden': Verbal Agency in Budge Wilson's The Leaving
'But How Do You Write a Chagall?' Ekphrasis and the Brazilian Poetry of P. K. Page and Elizabeth Bishop
'Canada Via Africa': The Stone Angel as the Missing Link Between Margaret Laurence's African and Canadian Writing
'Cause you're the only one I want': The Anatomy of Love in the Plays of Judith Thompson
'Certain Vague Hopes of Disaster': A Psychosemiotic Reading of Alice Munro's 'The Found Boat' as the Flooding Text
'Changer la vie' ou 'changer le monde'?

Pages

Metadata

Metadata to display

Indexed (Solr) Metadata

Basic (Dublin Core) Metadata

Details

mods_titleInfo_title_ms: Critical Studies

Details

Title: Critical Studies
Creator
Subject
Description
Publisher
Contributor
Date
Type
Format
Identifier: cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
Source
Language: eng
Relation
Coverage
Rights