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Women's Writing and Reading in Canada from 1950
Critical Studies
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Spinach with Nutmeg: A Tribute to Timothy Findley
Spirits and Transformation in Dionne Brand's Sans Souci and Other Stories
Spiritual Ecology: Adele Wiseman's The Sacrifice
Spiritual Longing in Laurence's Manawaka Women
Staging 'North' in BC: Two Cariboo Gold Rush Plays
Staging Penelope: Margaret Atwood's Changing Audience
Staging a Woman Painter's Life: Six Versions of Emily Carr
Staging the Act of Writing: Postmodern Theater in Quebec
Staging the Intersections of Time in Sharon Pollock's Doc, Moving Pictures, and End Dream
Stealing the Language: An Interview with Mary di Michele
Stolen Life? Reading through Two I's in Postcolonial Collaborative Autobiography
Stories and Stlalakums: Christie Harris and the Supernatural World
Storytelling and Resistance: The Documentary Practice of Alanis Obomsawin
Storytelling in Alice Munro's Lives of Girls and Women and Patricia Grace's Potiki
Strange Terrain: Reproducing and Resisting Place-Myths in Two Contemporary Fictions of Newfoundland
Stranger in a Strange Land: The Grotesque in the Fiction of Margaret Laurence
Strangers to Ourselves: Judith Thompson's Sled
Strategic Abjection: Windigo Psychosis and the 'Postindian' Subject in Eden Robinson's 'Dogs in Winter'
Strategies du vertige, Trois poetes: Nicole Brossard, Madeleine Gagnon, France Theoret
1989
Strong Women in the Web: Women's Work and Community in Ethel Wilson's Fiction
Structural Patterns of Alienation & Disjunction: Mavis Gallant's Firmly-Structured Stories
Structure and Detail in Lives of Girls and Women
Structure in Ethel Wilson's The Innocent Traveller
Structure-in-Process: Identity as Fabrication in Bharati Mukherjee's Jasmine
Structures of Autobiographical Narrative: Lisa Appignanesi, Dan Jacobson, W. G. Sebald
Stylizing the Mundane: Bernice Morgan's Random Passage
Subject-Position as Victim-Position in The Handmaid's Tale
Subjective as Objective: The Lyric Poetry of Sharon Thesen
Subjects of Experience: Post-Cognitive Subjectivity in the Work of bpNichol and Daphne Marlatt
Subversion Is the Order of the Day
Subversion or Sub/Version: The Judith Myth in the Apocrypha and in Van Herk's Novel
Subversive Texts: Québec Women Writers
Subverting Normal: The Anti-Fairy Tale in Linda Holeman's 'Toxic Love' and Wendy A. Lewis's 'You Never Know'
Success Well-Earned: Adele Wiseman's The Sacrifice
Sufi Mysticism in Margaret Atwood's The Handmaid's Tale
Suggestive Voices from 'the Storeroom of the Past': Photography in Denise Chong's The Concubine's Children
Sun/Son Light/Light: Avison's Elemental Sunblue
Surfacing and Deliverance
Surviving the Colonialist Legacy of the Klondike Gold Rush: A Native Woman Elder's Liberatory and Integrative Storytelling Turn
Surviving the Paraphrase
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Critical Studies
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Critical Studies
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