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Women's Writing and Reading in Canada from 1950
Critical Studies
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Heritage, Pseudo-Heritage and Survival in a Spurious Wor(l)d: Oryx and Crake by Margaret Atwood
Heuresis: The Mother-Daughter Theme in A Jest of God and Autumn Sonata
High Anxiety in the Bush Garden: Some Common Prejudices in Mainstream Canadian Criticism
Histiography of War and Suffering in Pollock's Walsh
Historical Figures and Paradoxical Pattern: The Quilting Metaphor in Margaret Atwood's Alias Grace
History Is Relatives: Educational Affordances of the Graphic Novel in The Magical Life of Long Tack Sam
History and Herstory in L'Ile de la Demoiselle
History and Nature: Representations of the Great Plains in the Work of Sharon Butala and Wallace Stegner
History and Place: An Interview with Daphne Marlatt
Holders of the Word: An Interview with Bharati Mukherjee
Holding onto the Core: An Interview with Althea Prince
Home on the Prairie? A Feminist and Postcolonial Reading of Sharon Butala, Di Brandt, and Joy Kogawa
Housebreaking the Human Animal: Humanism and the Problem of Sustainability in Margaret Atwood's Oryx and Crake and The Year of the Flood
Houses, Clothes, and Pregnant Women: Reconstruction of Memory and Identity in Margaret Atwood's Alias Grace
How Does Our Garden Grow?
How Should I Read These? Native Women Writers in Canada
2001
How They Write Us: Accepting and Excepting 'the Jew' in Canadian Fiction
How to Do Things with History: Researching Lives in Carol Shields' Swann and Margaret Atwood's Alias Grace
Human/Nature: Ecological Philosophy in Margaret Atwood's Oryx and Crake
Hybridity and Mimicry in Two Novels: The River Between and In Search of April Raintree
Hyphen and Hiatus: Women Cross-Dressing in Aritha Van Herk's The Tent-Peg (1981) and Audrey Thomas's Isobel Gunn (1999)
Hysteria and Traumatic Testimony: Margaret Atwood's Alias Grace
Hébert's 'Le Tombeau des rois' (1953): A Modernist Manifesto
Héloïse d'Anne Hébert: Une Nouvelle Eurydice?
I Am Telling This to No One But You: Private Voice, Passing, and the Private Sphere in Margaret Atwood's Alias Grace
Ice Women, Earth Mothers, and Fairy Godmothers: Woman as Metaphor in Two Recent Canadian Children's Novels
Iconic Mythopoeia in MacEwen's The T. E. Lawrence Poems
Iconicity, Space, and the Place of Sharon Butala's 'The Prize'
Identification et thérapie: L'Emploi du journal intime dans le roman pour adolescents au Québec
Identity Crisis
Identity Crisis in The Nowhere Man and Wife
Identity, Community, and Nation in Black Canadian Women's Autobiography
Ideology and Poetry: An Examination of Some Recent Trends in Canadian Criticism
Illustrations, Fiction, and the Autobiographical: A Writerly Reading of That Scatterbrain Booky
Image Juxtaposition in A Jest of God
Image, Music, Text: An Interview with Jeannette Armstrong
Image, Text, and Spirit: Kate Braid and the Paintings of Emily Carr
Images of Women's Power in Contemporary Canadian Fiction by Women
Imagining Aphra: Reinventing a Female Subject
Immigration, Assimilation and Acculturation Reflected by Modern Canadian Dramatists
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Critical Studies
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Critical Studies
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