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Women's Writing and Reading in Canada from 1950
Critical Studies
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Phyllis Webb: The Voice that Breaks
Picking the Deadlock of Legitimacy: Dionne Brand's 'Noise Like the World Cracking'
Picture Theory: On Photographic Intimacy in Nicole Brossard and Anne Carson
Piety, Propriety, and the Shaping of the Writer
Pillar, Speaker, Mother: The Character of Calla in A Jest of God
Place and Displacement in Djanet Sears's Harlem Duet and The Adventures of a Black Girl in Search of God
Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon
Plotting History: The Function of History in Native North American Literature
Poetic Structures in the Prose Fiction of Sheila Watson
Poetique et/ou politique: Le Theatre de Jovette Marchessault
Poetry, Photography, Painting: Stephanie Bolster's World
Poignant Pleasures: Feminist Ethics as Aesthetics in Jhumpa Lahiri and Anita Rau Badami
Point Counterpoint in Ethel Wilson's Swamp Angel
Political Animals and the Body of History
Politicizing the Private: Sylvia Fraser's Pandora
Politics into Art: Kogawa's Obasan and the Rhetoric of Fiction
Politics, Gender, and New Provinces: Dorothy Livesay and F. R. Scott
Politics, Poetry and Patriarchy: An Interview with Bronwen Wallace
Polyphonic Form and Effective Aesthetic in Obasan
Popular Culture and Political Consciousness in Mavis Gallant's 'My Heart Is Broken'
Portraits d'autochtones: (Auto)Biographies rapportees
Portraits in Women's Literature
Portraits littéraires à l'écran: Anne Hébert et Marie-Claire Blais
Post-Grenada, Post-Cuba, Postcolonial: Rethinking Revolutionary Discourse in Dionne Brand's In Another Place, Not Here
Post-National Arguments: The Politics of the Anglophone-Canadian Novel since 1967
1993
Postcolonial Gothic: Ghosts, Iron and Salt in Dionne Brand's At the Full and Change of the Moon
Postcolonial Literary History and Indian English Fiction
2008
Postcolonial Literatures: Expanding the Canon
1999
Postcolonial Romance, Ghostly Love Stories, and The Heart Does Not Bend
Postmodern Ekphrasis in the Poetry of Anne Compton, Anne Carson, and Anne Simpson
Pour une nouvelle lecture des Fous de Bassan d'Anne Hébert: L'Amérique et ses parcours discursifs
Power Impinging: Hearing Atwood's Vision
Power Politics in Bluebeard's Castle
Practical Magic: Empathy and Alienation in Harlem Duet
Prairie Mosaic: The Immigrant Novel in the Canadian West
Pratique des signes et fascination de l'informe dans les romans d'Anne Hébert
Prisonnieres amoureuses: Representations de la mere et la fille dans le theatre d'Anne-Marie Alonzo
Private Life and Collective Experience in Quebec: The Autobiographical Project of France Théoret
Private and Fictional Words: Canadian Women Novelists of the 1970s and 1980s
1987
Producing Visibility for Lesbians: Nicole Brossard's Quantum Poetics
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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