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Women's Writing and Reading in Canada from 1950
Critical Studies
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'What I Have Done, What Was Done to Me': Confession and Testimony in Stolen Life: Journey of a Cree Woman
'What Is the Proper Word for People Like You?': The Question of Métis Identity in The Search of April Raintree
'What There Is Teasing beyond the Edges': Claire Harris's Liminal Autobiography
'What a Pathetic Old Tart': Alice Munro's Older Women
'What the Map Cuts Up, the Story Cuts Across': Translating Oral Traditions and Aboriginal Land Title
'What's the Story Here?': Narrative, Voice and Gender in Sara Barker's Penelope, The Impostor
'Whatever That Is': Hiromi Goto's Body Politic/s
'When You Admit You're a Thief, then You Can Be Honourable': Native/Non-Native Collaboration in The Book of Jessica
'Where I Have Never Been': Diasporic Narratives of Return by World Citizens of Chinese Descent
'Who Do You Think You Are?': Alice Munro and the Place of Origin
'Who Wants Pale, Thin, Pink Flesh?': Bharati Mukherjee, Whiteness, and South Asian American Writing
'Who Was It If It Wasn't Me?': The Problem of Orientation in Alice Munro's 'Trespasses': A Cognitive Ecological Analysis
'Woman on/against Snow': A Poem and Its Sources
'Woman's Truth' and the Native Tradition: Anne Cameron's Daughters of Copper Woman
'Words Are for Forgetting': Incest and Language in Betsy Warland's The Bat Had Blue Eyes
'Working through' and 'Awkward Poetics' in Second Generation Poetry: Lily Brett, Anne Michaels, Raymond Federman
'Writ in Rememberance': Willa Cather, Margaret Laurence, and the Prairie Past
'Writing Home': Claire Harris's 'Drawing Down a Daughter'
(Auto)Biographical Home Places in Carr, Laurence, and Munro
(Grand)Mothering 'Children of the Apocalypse': A Post-Postmodern Ecopoetic Reading of Margaret Laurence's The Diviners
(Mis)Speaking: Laurence Writes Africa
(Re)Appropriation as Translation
(Re)Writing Home: Daphne Marlatt's Ghost Works
(Un)Covering the Mirror: Performative Reflections in Linda Griffiths's Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill's The Occupation of Heather Rose
(Un-)Doing Gender: Alice Munro, 'Boys and Girls' (1964)
1837 On Stage: Three Rebellions
A Bibliography of English Canadian Drama Written by Women
A Broken Dialogue: History and Memory in Mavis Gallant's Short Fiction
A Case of Negative Mise en Abyme: Margaret Atwood and the Grimm Brothers
A Cat Among the Falcons: Reflections on the Writer's Craft
A Change of Heart: Neo-Protestant Conversion Experience in the Manawaka Novels of Margaret Laurence
A Commentary on the Poetry of Dionne Brand
A Comparative Study of the French and Italian Translations of Anne Michaels' Fugitive Pieces
A Complicated Contract: Young Rebels of Literature and Dance
A Conversation with Marian Engel
A Conversation with Miriam Libicki
A Conversation with P. K. Page
A Conversation with Sandra Birdsell
A Conversation with Sarah Ellis: On Fairies, Fiction, and Writing for Teenagers in Back of Beyond
A Core of Brilliance: Margaret Avison's Achievement
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