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Women's Writing and Reading in Canada from 1950
Critical Studies
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The Anthropomorphic Ethic: Fiction and the Animal Mind in Virginia Woolf's Flush and Barbara Gowdy's The White Bone
The Archaeology of Memory: Exilic Bodies in Anne Michaels's Fugitive Pieces
The Art and Architecture of the Double Ending
The Art and Genius of Anne Hébert: Essays on Her Works
2001
The Art of Alice Munro: Memory, Identity, and the Aesthetics of Connection
The Art of Fiction No. 121: Margaret Atwood
The Art of Margaret Atwood: Essays in Criticism
1981
The Art of Poetry No. 88: Anne Carson
The Artist and the Witness: Jane Urquhart's The Underpainter and The Stone Carvers
The Artist as Picaro: The Revelation of Margaret Atwood's Lady Oracle
The Audrey Thomas Issue
The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson's Autobiography of Red
The Avison Collection at the University of Manitoba: Poems 1929-89
The Baby or the Violin? Ethics and Femininity in the Fiction of Alice Munro
The Bat Had Blue Eyes: An Interview with Betsy Warland
The Being Together of Strangers': Dionne Brand's Politics of Difference and the Limits of Multicultural Discourse
The Bible and Myth in Antonine Maillet's Pélagie-la-charrette
The Biggest Modern Woman of the World: Canada as the Absent Spouse
The Birds, the Bees, and Kristeva: An Examination of Sexual Desire in the Nature Poetry of Daphne Marlatt, Robert Kroetsch, and Tim Lilburn
The Black Female Body in Dionne Brand's Fiction
The Body as Audience and Performance in the Writing of Alice Munro
The Book as (Anti)National Heroine: Trauma and Witnessing in Joy Kogawa's Obasan
The Book of Jessica: The Healing Circle of a Woman's Autobiography
The Brand-Economics of Signs, Iconographics of Economy: About the Necessity of a Semiotic Criticism of the Concept 'Brand'
The Bridge or the Stokehold? Views of the Novelist's Art
The Brighter Side of Acculturation: Hollingsworth's Ever Loving and Mother Country
The Cambridge Companion to Canadian Literature
2004
The Cambridge Companion to Margaret Atwood
2006
The Cambridge Guide to Women's Writing in English
1999
The Cambridge Introduction to Margaret Atwood
2010
The Canadian Experience as Textual Politics in Bharati Mukherjee's Darkness
The Canadian Mosaic: Functional Ethnicity in Margaret Atwood's Life before Man
The Canadian Short Story: Interpretations
2007
The Carol Shields Issue
The Casual Measure of All Things: Age and Ageing in Alice Munro
The Circle Game
The Circle of Conversation in The Sacrifice
The City as a Site of Counter-Memory in Anne Michaels's Fugitive Pieces and Michael Ondaatje's In the Skin of a Lion
The Cityscape in a Few Caribbean-Canadian Short Stories
The Codification of Uncertainty: Modality in English-Canadian Fiction
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