Aller au contenu principal
View sitemap
Collaboratoire
A propos
Conditions d'utilisation
Actualités
Connecter/Se joindre
FR
EN
FR
Aide et rapport de bogue
Documentation d'aide
Signaler un bogue
Rechercher
Termes de la recherche
Portée de la recherche
Ce projet
Collaboratoire
Contenu du site Web
Recherche avancée
Vous êtes ici
Accueil
»
Collaboratoire
»
Women's Writing and Reading in Canada from 1950
Critical Studies
Home
Collection
Genres
Onglets principaux
Voir
(onglet actif)
Default view
PlotIt
PlotIt 2.0
Voyant
DToC
Historique
Partager
Facebook
Twitter
Google Plus
Afficher dans une grille
Afficher dans une liste
Trier
Trier par
Titre
Modifié
Chenilles et papillons: La Métamorphose dans Lady Oracle (1976) de Margaret Atwood
Children's Eyes
Children's Literature in Canada
1992
Chop Suey Writing: Sui Sin Far, Wayson Choy, and Judy Fong Bates
Cinderella Revisioned: The Female Persona in Caterina Edwards, Genni Gunn, and Mary di Michele
Claiming Positive Semantic Space for Women: The Poetry of Dorothy Livesay
Claire Harris's 'Where the Sky Is a Pitiful Tent': How Two Women Respond after Witnessing Political Torture
Claire Harris's She: The MPD Metaphor and the Post-Colonial Caribbean Woman
Claire Martin Issue
Claire Martin et Marie-Claire Blais: vers la parole et la liberation
Claire Martin romanciere
Claire Martin, tous genres confondus
Claire Martin: Une Interview
Claire Martin: son oeuvre; les réactions de la critique
1975
Closed Circle
Clothes Reading: Sartorial Consciousness in Postmodern Fiction by Women
Co-Editing Atwood Juvenilia: The Student Experience
Codes as Identity: The Bilingual Representation of a Fragmented Literary Subject
Collaborating with Carol
Collaborating with Ghosts: Dis/Possession in The Book of Jessica and The Mudrooroo/Muller Project
Collaboration in the Feminine: Daphne Marlatt/Betsy Warland's 'Re-Versed Writing' in Double Negative
Collaboration in the Feminine: Writings on Women and Culture from Tessera
1994
Collective Memory and Personal Identity in the Prairie Town of Manawaka: Margaret Laurence, 'The Loons' (1966)
Colonial Metaphors: The Honeyman Festival and Lunatic Villas
Common Concerns in Marian Engel's Children's Stories and Her Adult Fiction
Common Ground: Feminist Collaboration in the Academy
1998
Commonwealth Critics
Communication and History: Themes in Innis and Laurence
Community and Class in Margaret Laurence's A Bird in the House
Companion in a Difficult Country
Composing a Book: Denise Levertov, Margaret Avison, and The Dumbfounding
Composing in the Scent of Wood and Roses: Nicole Brossard's Intertextual Encounters with Djuna Barnes and Gertrude Stein
Confession and Critique: The Work of Lynn Crosbie
Confessions of a Dispassionate Witness - Jane Urquhart's The Underpainter
Connie Kaldor
Constance Ledbelly's Birthday: Construction of the Feminist Archetype of the Self in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
Constellations of Identity in Canadian Young Adult Novels
Constructing English Quebec Ethnicity: Colleen Curran's Something Drastic and Josée Legault's L'Invention d'une minorité: Les Anglo-Québécois
Constructing Fictions of an Essential Reality or 'This Pickshur is Niiiice': Judith Thompson's Lion in the Streets
Constructing a Scots-Canadian Ground: Family History and Cultural Translation in Alice Munro
Pages
« premier
‹ précédent
…
10
11
12
13
14
15
16
17
18
19
…
suivant ›
dernier »