Critical Studies

Trier

'The Hand of a Murderer, Hero, Artist, the Hand of a Man': Rereading Adele Wiseman's The Sacrifice
'The Ice Is Its Own Argument': A Canadian Critic Takes a Second Look at Bad Boy and Her Own Modest Ambitions
'The Messiness of Rebirth as an Immigrant': Bharati Mukherjee's Changing Language of Migration
'The Missionary Position': Feminism and Nationalism in Margaret Atwood's The Handmaid's Tale
'The Opposite of History Is Forgetfulness': Myth, History, and the New Dominion in Jane Urquhart's Away
'The Other Side of Dailiness': The Paradox of Photography in Alice Munro's Fiction
'The Place She Miss': Exile, Memory, and Resistance In Dionne Brand's Fiction
'The Profound Poverty of Knowledge': Sandra Birdsell's Narrative of Concealment
'The Ruthless Story and the Future Tense' in Margaret Atwood's 'Circe/Mud Poems'
'The Simple Container of Our Existence': Narrative Ambiguity in Carol Shields's The Stone Diaries
'The Sleeping Giant': The Influence of African Literature on Margaret Laurence's Canadian Fiction, Illustrated by Long Drums and Cannons: Nigerian Dramatists and Novelists 1952-1966
'The Small Moving Things of the World': An Interview with Kathleen Winter
'The Sound the Wind Makes' on the Information Super Highway: An E-Mail Interview with Di Brandt
'The Spirit in the Ascent': The African Writings of Margaret Laurence
'The Subjunctive Mode of One's Self': Carol Shield's Biography of Jane Austen
'The Translation of the World into Words' and the Female Tradition: Margaret Atwood, 'Significant Moments in the Life of My Mother' (1983)
'The Way the Stars Really Do Come Out at Night': The Trick of Representation in Alice Munro's The Moons of Jupiter
'The World Is Our Classroom': Developing Global Awareness in Adolescents by Teaching Deborah Ellis's Breadwinner Trilogy
'There's Magic in the Web of It': Seeing beyond Tragedy in Harlem Duet
'They Are Out of Reach Now': The Family Motif in Margaret Atwood's Surfacing
'Thinking Back Through Our Mothers': Reading the Autobiography of Margaret Laurence
'This Is Not Where We Live': The Production of National Citizenship and Borderlines in Sharon Pollock's The Komagata Maru Incident
'This Is the World as We Have Made It': Gwendolyn MacEwen's Poetics of History
'This Place Is Some Kind of a Garden': Clearings in the Bush in the Works of Susanna Moodie, Catharine Parr Traill, Margaret Atwood and Margaret Laurence
'Time present and time past': Life before Man
'To Be and Not to Be': The Politics of Parody in Toni Morrison, Margaret Atwood, and Doris Lessing
'To Keep the Memory of So Worthy a Friend': Ethel Wilson as an Elegist
'Too Many Things': Reading Alice Munro's 'The Love of a Good Woman'
'Towards the Uncanny Edge of Language': Gail Scott's Liminal Trajectories
'Transport Me ... into the Hearts of Men': Bharati Mukherjee's Darkness
'Treacheries of the Heart': Memoir, Confession, and Meditation in the Stories of Alice Munro
'True Lies': Photographs in the Short Stories of Alice Munro
'True Stories' in the Course of Time in Margaret Atwood's The Blind Assassin
'Un Penchant pour la diagonale': An Interview with Marie-Louise Gay
'Uncertain Flowering': An Overlooked Short Story by Margaret Laurence
'Undecipherable Signs': Margaret Laurence's 'To Set Our House in Order'
'Vexed by the Crassness of Commerce': Jane Rule's Struggle for Literary Integrity and Freedom of Expression
'Voice Is Everything': Reading Mavis Gallant's 'The Pegnitz Junction'
'We Murder Who We Were': Jasmine and the Violence of Identity
'What Happened to Marion?' Art and Reality in Lives of Girls and Women

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