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Women's Writing and Reading in Canada from 1950
Critical Studies
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'Iam Writing This to Be as Wrong as Possible to You:' Anne Carson's Errancy
'If One Green Bottle ...': Audrey Thomas Looks Back on the Cauldron of History
'If the Bard Were Still Jung': Reading for One('s)Self in Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet)
'Ikiru shirushi': Margaret Atwood, Oryx and Crake
'In Cases of Emergency': The Political Writing
'In the Middle of Becoming': Dionne Brand's Historical Vision
'Inventory Is Useless Now but Just to Say': The Politics of Ambivalence in Dionne Brand's Land to Light On
'It Seems So Much the Truth It Is the Truth': Persuasive Testimony in Alice Munro's 'A Wilderness Station'
'It Was about Vanishing': A Glimpse of Alice Munro's Stories
'It's Only by Our Lack of Ghosts We're Haunted': Margaret Laurence and the Spectral Process
'It's Only by Our Lack of Ghosts/We're Haunted': Postcolonial Dynamics of the Fantastic in Canadian Women's Fiction
'It's a howling wilderness': Forests and Mazes in Margaret Atwood's The Tent
'It's the Do-Gooders Burn My Ass': Modern Canadian Drama and the Crisis of Liberalism
'Its Image on the Mirror': Canada, Canonicity, the Uncanny
'Je suis la charnière': Entretien avec Antonine Maillet
'Just a Backlash': Margaret Atwood, Feminism, and The Handmaid's Tale
'L'Ange de Dominique' ou l'art poétique d'Anne Hébert
'Language Seemed to Split in Two': National Ambivalence(s) and Dionne Brand's No Language Is Neutral
'Le Madonne Feministe': Italian Canadian Women Playwrights
'Leave the Dead Some Room to Dance!': Margaret Laurence and Africa
'Les Folles du Québec': The Theme of Madness in Québec Women's Theater
'Let JAS Words Stand': Publishing John Addington Symonds's Desires
'Let Me Begin Again': Women and Storytelling in the Poetry of Paulette Jiles
'Let Me Get It Right': Adele Wiseman as Essayist
'Lizzie Borden Took an Ax': Enacting Blood Relations
'Meat Like You Like It': The Production of Identity in Atwood's Cat's Eye
'Meat and Bones Don't Matter': Mythology in The Tent Peg
'Mon cher grand fou...': Dialogue et/ou monologue amoureux dans les lettres de Gabrielle Roy à Marcel Carbotte (1947-1950)
'More Honourable Rites of Passage': From Resistance to Consolidation in the Fiction of Joyce Cary, Margaret Laurence, and Chinua Achebe
'My Books Are My Children': An Interview with Welwyn Wilton Katz
'N'être rien qu'un instant/de l'univers': L'Expérience du temps et de l'espace chez Hélène Dorion
'No Moon to Speak Of': Identity and Place in Dionne Brand's In Another Place, Not Here
'No Short Cuts': The Evolution of The Double Hook
'Nothing but the Truth' Discursive Transparecy in Beatrice Culleton
'Now That I Am Dead': P. K. Page and the Self-Elegy
'One Small Medicine': An Interview with Maria Campbell
'Orbiting': Bharati Mukherjee's Kaleidoscope Vision
'Our Foothold in Buried Worlds': Place in Holocaust Consciousness and Anne Michaels's Fugitive Pieces
'Our Own Little Rollicking Orb': Divinity, Ecology, and Otherness in Avison
'Painting the Background': Metadrama and the Fabric of History in Sharon Pollock's Blood Relations
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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