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Women's Writing and Reading in Canada from 1950
Critical Studies
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When Editing Goes Write: The Correspondence of Erin Mouré and Bronwen Wallace
When Foreigness and Familiarity Become One: Defamiliarization in Some Canadian Stories
When Is a Book Not a Book? The Novels of Welwyn Wilton Katz
When They Were Young: Adolescent Representations in Les Fous de Bassan
When X Equals Zero: The Politics of Voice in First Peoples Poetry by Women
Where Are You, Mother? Alice Munro's 'Save the Reaper'
Where Do You Think You Are? Alice Munro's Open Houses
Where are the Voices Coming From?: Canadian Culture and the Legacies of History
2004
Whitey in the Woodpile: The Problem of European Ancestry in Métis Literature
Who Is He?: The Missing Persons behind the Pronoun in Atwood's Surfacing
Who Is the Stranger? The Role of the Monstrous in Judith Thompson's Capture Me
Who Shall Inherit the Earth? Ethel Wilson's Kinship with Wharton, Glasgow, Cather, and Ostenso
Who Were the Whiteoaks and Where Was Jalna?
2007
Wholehearted Poetry; Halfhearted Criticism
Whose Rhythm? Textualized Riddim in Lillian Allen's Women Do This Every Day
Why Does Alice Munro Write Short Stories?
Why Montreal? Régine Robin's Rewriting of the City in L'immense fatigue des pierres
Wilderness Stations: Peregrination and Homesickness in Alice Munro's Open Secrets
Wind in August: Les Fous de Bassan's Reply to Faulkner
Windows and Words: A Look at Canadian Children's Literature in English
2003
Wiseman's Old Woman at Play and the Structure of Enigma
Wish Me Luck as You Wave Me Goodbye: Representations of War Brides in Canadian Fiction and Drama by Margaret Atwood, Mavis Gallant, Norah Harding, Margaret Hollingsworth, Joyce Marshall, Suzette Mayr, Aritha van Herk, and Rachel Wyatt
Within the Realm of Plausibility: An Interview with Margaret Atwood
Witness to the Body Count: Planetary Ethics in Dionne Brand's Inventory
Woman and Nation: Epic Motifs in Margaret Laurence's The Diviners and Antonine Maillet's Pélagie-la-Charrette
Woman as Everyman in Atwood's Surfacing: Some Observations on the End of the Novel
Woman-Centered Myth in Anne Cameron's Daughters of Copper Woman and Dzelarhons
Woman/Body/Landscape: Imaginary Geographies in the Writing of Karen Connelly
Woman/Body/Landscape: Imaginary Geographies in the Writing of Karen Connelly
Women Dramatists: Sharon Pollock and Judy Thompson
Women Playing Women in Sharon Pollock's Blood Relations
Women and Madness: Sharon Pollock's Plays of the Early 1990s
Women in Canadian Literature
Women in Gendered Enclosure: Canadian and Indian Experience in the Poems of Claire Harris and Eunice de Souza
Women in Motion/Femmes en mouvement
Women in a Word: Anne Claire Poirier's Subversive Subjectivity
Women in the Wilderness
Women on Stage in the 1990s: Foregrounding the Body and Performance in Plays by Gina Moxley, Emma Donoghue and Marina Carr
Women's Auto/biographical Theatre: Affirmation, Preservation and Intercultural Communication
Women's Desire/Women's Power: The Moons of Jupiter
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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eng
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