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Women's Writing and Reading in Canada from 1950
Critical Studies
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The Hieroglypics of Mrs. Blood
The Immigrant and the City in Dionne Brand's Thirsty
The Incurable Beauty of the Earth: An Interview with Roo Borson
The Indignity of Speaking: The Poetics of Representation in Erin Mouré's 'Seebe'
The Individual Is International: Discourses of the Personal in Catherine Bush's The Rules of Engagement and Canada's International Policy Statement
The Inscription of 'Feminine Jouissance' in Elizabeth Smart's By Grand Central Station I Sat Down and Wept
The Invention of Canada: Literary Text and the Immigrant Imaginary
1990
The Irish Female Presence in Jane Urquhart's Fiction
The Irony of Order: Ethel Wilson's The Innocent Traveller
The Jordans: Remembered and Invented Past in Christa Wolf's Kindheitsmuster and Alice Munro's Lives of Girls and Women
The Journey toward Individuation: Canadian Men and Boys in A Bird in the House by Margaret Laurence and Le Torrent by Anne Hébert
The Joyless Republic of Gilead: Reflections of a Political Scientist on the Operatic Production of Margaret Atwood's The Handmaid's Tale
The Land, History, and the Self in Fiction by Margaret Laurence and Frederick Manfred
The Latitudes of Romance: Representations of Chinese Canada in Bowering's To All Appearances A Lady and Lee's Disappearing Moon Café
The Letter and Its Gloss: A Reading of Mavis Gallant's A Fairly Good Time
The Life of Margaret Laurence
1996
The Local and the Transnational in Badami's The Hero's Walk
The Logo as Fetish: Marxist Themes in Naomi Klein's No Logo
The Love Poetry of Dorothy Livesay
The Lurianic Background: Myths of Fragmentation and Wholeness in Adele Wiseman's Crackpot
The Luxury of Excellence: Alice Munro in the New Yorker
The Making of Margaret Laurence's Epic Voice
The Manipulative Power of Word-Formation Devices in Margaret Atwood's Oryx and Crake
The Margin Speaks: A Study of Margaret Laurence and Robert Kroetsch from a Post-Colonial Point of View
1997
The Masculine Image in Lives of Girls and Women
The Maze of Life: The Work of Margaret Laurence
The McGarrigles: Heartbeats Forever
The Medium is the Monster? Global Aftermathematics in Canadian Articulations of Frankenstein
The Melancholic Structure of Memory in Dionne Brand's At the Full and Change of the Moon
The Most Terrific Place in the World: Lowry, Laurence, and the Redemptive Landscape of B. C.
The Mother as Archetype of Self: A Poetics of Matrilineage in the Poetry of Claire Harris and Lorna Goodison
The Motherhood of the Mother Superior: Anne Hébert's Marie Clotilde de la Croix
The Multiple Self in the Poetry of P. K. Page
The Muse of Indifference
The Myth of Demeter and Persephone in A Jest of God
The Myths We Live By in Alice Munro's 'Comfort'
The Narratee as Confessor in Margaret Laurence's The Fire-Dwellers
The Nature of Modernism in Deep Hollow Creek
The Novels of Elizabeth Smart: Biological Imperialism and the Trap of Language
The Novels of Ethel Wilson
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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eng
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