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Women's Writing and Reading in Canada from 1950
Critical Studies
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'Close, Very Close, a B'gwus Howls': The Contingency of Execution in Eden Robinson's Monkey Beach
'Comment être dans un monde postmoderne?': Une Québécoise en Amérique dans Copies conformes
'Conversation with the Star Messenger': An Enquiry into Margaret Avison's Winter Sun
'Crossing Nature's Divide': Miscegenation and Lesbianism in Ann-Marie MacDonald's Fall on Your Knees
'Daringly Out in the Public Eye': Alice Munro and the Ethics of Writing Back
'Dazzling Hybrids': The Poetry of Anne Carson
'Dead Girl-Bag': The Janet Smith Case as Contaminant in Sky Lee's Disappearing Moon Café
'Death by Nature': Margaret Atwood and Wilderness Gothic
'Deeper into the Forest': Ecriture et peinture dans Klee Wyck
'Designed Anarchy' in Mavis Gallant's The Moslem Wife and Other Stories
'Dreaming Each Other's Dreams': An Introduction to the Work of Anne Simpson
'Dull, Simple, Amazing and Unfathomable': Paradox and Double Vision in Alice Munro's Fiction
'Each in His Prison/Thinking of the Key': Images of Confinement and Liberation in Margaret Avison
'Ecrire pour vivre': Marie Laberge, dramaturge
'Either Way, I Stand Condemned': A Woman's Place in Margaret Atwood's The Edible Woman and Margaret Drabble's The Waterfall
'Every Last Thing Everlasting': Alice Munro and the Limits of Narrative
'Excuse me while I turn this upside-down': three Canadian adaptations of Shakespeare
'First I Must Tell about Seeing': (De)Monstrations of Visuality and the Dynamics of Metaphor in Anne Carson's Autobiography of Red
'For of Such Is the Kingdom...': Margaret Atwood's Two-Headed Poems
'Free-Falling' and 'Serendipity': An Interview with Joy Kogawa
'From Twisted History': Reading Angélique
'Go, Be Brave': Changing Subjectivities in Bharati Mukherjee's Fiction
'God Keeps Disappearing': Anne Michaels's Fugitive Pieces: The Imperatives of Love and Beauty after the Holocaust
'God of the Whiteman! God of the Indian! God Al-Fucking-Mighty!': The Residential School Legacy in Two Canadian Plays
'Green Yet Free of Seasons': Gwendolyn MacEwen and the Mystical Tradition of Canadian Poetry
'Greening' Postcolonialism: Ecocritical Perspectives
'Gulfs' and 'Connections': The Fiction of Alice Munro
'Half War/Half Peace': Margaret Laurence and the Publishing of A Bird in the House
'Haunting Presence' and 'Broken Identities': The Immigrant Experience in Fiction
'Heirs of the Living Body': Alice Munro and the Question of a Female Aesthetic
'Her Words Are Like Fire': The Storytelling Magic of Dionne Brand
'Here I Am': Atwood, Paper Houses, and a Parodic Tradition
'How Did I Get So Anal?': Queer Self-Authorization at the Margins
'I Am Blackening in My Way': Identity and Place in Dionne Brand's No Language Is Neutral
'I Am Stateless Anyway': The Poetry of Dionne Brand
'I Don't Want to Be Split. I Want to Be Together': Intercultural Dialogue in The Diviners, by Margaret Laurence
'I Still Need the Revolution': Cultivating Ecofeminist Readers
'I Suck Coarse Salt': Caribbean Women Writers in Canada and the Politics of Transcendence
'I Was Unable to Identify with Topsy': Carrie M. Best's Struggle against Racial Segregation in Nova Scotia, 1942
'I'm Stuck': The Secret Sharers in The Edible Woman
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Critical Studies
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Critical Studies
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cwrc:29cd21a5-a821-49bd-84ac-ad973211da9e
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