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Cultural Mapping and the Digital Sphere
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Modified
Subsets of Orlando places: biographies of writers born between 1900—2000
Susan Brown
Cultural Mapping: Mapping Tags and Tagging Maps, p. 11 - Figure 1.1e
Sue Le'Page's set for the 1984 Tarragon Theatre production of White Biting Dog included a ramp through the audience.
Sasha Kovacs
Cultural Mapping: An Interactive, Materialist-Semiotic Archive, p. 70 - Figure 3.8
The dog speaking in the 2011 Soulpepper Theatre production of White Biting Dog.
Sasha Kovacs
Cultural Mapping: An Interactive, Materialist-Semiotic Archive, p. 69 - Figure 3.7A
The invisible off-stage dog speaking to Cape in 2011. The text cut from the 1984 version of White Biting Dog is shown
Sasha Kovacs
Cultural Mapping: An Interactive, Materialist-Semiotic Archive, p. 80 - Figure 3.16
View from the stage of the Michael Young Theatre, where there was no architectural possibility of connecting audience to lobby.
Sasha Kovacs
Cultural Mapping: An Interactive, Materialist-Semiotic Archive, p. 71 - Figure 3.9
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Copyright © 2015 The University of Alberta Press