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Cultural Mapping and the Digital Sphere
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Side view of the Bloor Street Viaduct in 1920.
Excerpt from the opening sequence of Judith Thompson's White Biting Dog as performed by Soulpepper Theatre in 2011. (b)
Places related to Mary Ward's travels and influence in Europe
Section of the SET interface showing "the dog spoke!" annotated with a photographic image of M. Ross as Cape and M. Washburn
The dog speaking in the 2011 Soulpepper Theatre production of White Biting Dog.
Cover. Cultural Mapping and the Digital Sphere
Image of one page from Bluemouth Inc.'s archive of What the Thunder Said (24)
View from the stage of the Michael Young Theatre, where there was no architectural possibility of connecting audience to lobby.
Excerpt from the opening sequence of Judith Thompson's White Biting Dog as performed by Soulpepper Theatre in 2011. (c)
Places related to Mary Ward's travels and global influence
"Virginia," Frances Henshaw, 1823.
Image of one page from Bluemouth Inc.'s archive of What the Thunder Said (39)
Subsets of Orlando places: biographies of writers between 1800-1899
Cape turning to the audience at "the dog spoke!" in the 2011 Soulpepper Theatre production of White Biting Dog.
"Ohio," Frances Henshaw, 1823.
Places related to Mary Ward's travels and influence in England
Chapter 4 appendix
Excerpt from the opening sequence of Judith Thompson's White Biting Dog as performed by Soulpepper Theatre in 2011. (a)
"(Description of) Virginia," Frances Henshaw, 1823.
Places associated with the seventeenth-century Society of Friends in Orlando
Subsets of Orlando places: biographies of writers born between 1500—1599
A visualization of the cultural historical moments of a 2011 audience member who remembers the Bloor Street Viaduct of 1984.
Subsets of Orlando places: biographies of writers born between 1900—2000
A visualization of the 2011 Soulpepper production of White Biting dog annotated with publicity materials hyperlinked to original
Our model of Sue LePage's set for the 1984 Tarragon Theatre Production of White Biting Dog, annotated
Bloor Street Viaduct after the 2003 addition of a suicide barrier designed by D. Revington.
Side view of the Bloor Street Viaduct in 1984.
Retooling the Humanities
Not Drowning but Waving
"(Description of) Ohio," Frances Henshaw, 1823.
Subsets of Orlando places: biographies of writers born between 1600-1699
Image of one page from Bluemouth Inc.’s archive of What the Thunder Said (23)
Enlarged portion of map of Society of Friends
Sue Le'Page's set for the 1984 Tarragon Theatre production of White Biting Dog included a ramp through the audience.
A visualization of the cultural historical moments of a 2011 audience member who never visited the Bloor Street Viaduct of 1984.
Cape reporting his conversation with the dog to the audience in the 1984 Tarragon Theatre production of White Biting Dog.
Scotland as a literary setting
Regenerations / Régénérations
Places in London associated with writers of the eighteenth century in Orlando
Front cover map
The invisible off-stage dog speaking to Cape in 2011. The text cut from the 1984 version of White Biting Dog is shown
An excerpt from the opening sequence of Judith Thompson's White Biting Dog as performed by Soulpepper Theatre in 2011.
Places in London associated with writers of the nineteenth century in Orlando
Subsets of Orlando places: biographies of writers born between 1700—1799
Section of the SET interface showing bridge girders and ramp from S. LePage's 1984 design for White Biting Dog superimposed
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