Skip to main content
View sitemap
Collaboratory
Projects
News
About
Terms of Use
Login/Join
EN
EN
FR
Help and Bug Reporting
Help Documentation
Report a Bug
Search
Search terms
Search scope
This project
Collaboratory
Website content
Advanced search
You are here
CWRC
»
Collaboratory
»
Women's Writing and Reading in Canada from 1950
Critical Studies
Home
Collection
Genres
Primary tabs
View
Default view
PlotIt
PlotIt 2.0
Voyant
DToC
History
Share
(active tab)
Facebook
Twitter
Google Plus
Grid view
List view
Sort
Sort by
Title
Modified
'What I Have Done, What Was Done to Me': Confession and Testimony in Stolen Life: Journey of a Cree Woman
'What Is the Proper Word for People Like You?': The Question of Métis Identity in The Search of April Raintree
'What There Is Teasing beyond the Edges': Claire Harris's Liminal Autobiography
'What a Pathetic Old Tart': Alice Munro's Older Women
'What the Map Cuts Up, the Story Cuts Across': Translating Oral Traditions and Aboriginal Land Title
'What's the Story Here?': Narrative, Voice and Gender in Sara Barker's Penelope, The Impostor
'Whatever That Is': Hiromi Goto's Body Politic/s
'When You Admit You're a Thief, then You Can Be Honourable': Native/Non-Native Collaboration in The Book of Jessica
'Where I Have Never Been': Diasporic Narratives of Return by World Citizens of Chinese Descent
'Who Do You Think You Are?': Alice Munro and the Place of Origin
'Who Wants Pale, Thin, Pink Flesh?': Bharati Mukherjee, Whiteness, and South Asian American Writing
'Who Was It If It Wasn't Me?': The Problem of Orientation in Alice Munro's 'Trespasses': A Cognitive Ecological Analysis
'Woman on/against Snow': A Poem and Its Sources
'Woman's Truth' and the Native Tradition: Anne Cameron's Daughters of Copper Woman
'Words Are for Forgetting': Incest and Language in Betsy Warland's The Bat Had Blue Eyes
'Working through' and 'Awkward Poetics' in Second Generation Poetry: Lily Brett, Anne Michaels, Raymond Federman
'Writ in Rememberance': Willa Cather, Margaret Laurence, and the Prairie Past
'Writing Home': Claire Harris's 'Drawing Down a Daughter'
(Auto)Biographical Home Places in Carr, Laurence, and Munro
(Grand)Mothering 'Children of the Apocalypse': A Post-Postmodern Ecopoetic Reading of Margaret Laurence's The Diviners
(Mis)Speaking: Laurence Writes Africa
(Re)Appropriation as Translation
(Re)Writing Home: Daphne Marlatt's Ghost Works
(Un)Covering the Mirror: Performative Reflections in Linda Griffiths's Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill's The Occupation of Heather Rose
(Un-)Doing Gender: Alice Munro, 'Boys and Girls' (1964)
1837 On Stage: Three Rebellions
A Bibliography of English Canadian Drama Written by Women
A Broken Dialogue: History and Memory in Mavis Gallant's Short Fiction
A Case of Negative Mise en Abyme: Margaret Atwood and the Grimm Brothers
A Cat Among the Falcons: Reflections on the Writer's Craft
A Change of Heart: Neo-Protestant Conversion Experience in the Manawaka Novels of Margaret Laurence
A Commentary on the Poetry of Dionne Brand
A Comparative Study of the French and Italian Translations of Anne Michaels' Fugitive Pieces
A Complicated Contract: Young Rebels of Literature and Dance
A Conversation with Marian Engel
A Conversation with Miriam Libicki
A Conversation with P. K. Page
A Conversation with Sandra Birdsell
A Conversation with Sarah Ellis: On Fairies, Fiction, and Writing for Teenagers in Back of Beyond
A Core of Brilliance: Margaret Avison's Achievement
Pages
« first
‹ previous
…
2
3
4
5
6
7
8
9
10
11
…
next ›
last »
