player whose breath is the Divine, whose flute is the Heart of Man. Adoration to him who, as the Lover of the Milkmaids, is the Soul among the Five Senses, who, as the Lover of Radha, is the Divine that embraces the Soul. May he who ls ‘ “oncer, the Lord of Illusion, diffuse the attar of his presence throughout this story, and may the passion of his music be heard in its silences! QDORATION to Krishna the Beloved, to the Flute- Long ages ago a King of Jambudwipa desired a child, but, though he had three Queens, he was childless. Great sacrifices were performed by him and on his behalf by the Brahmans and ascetics, who received in reward gifts of exceeding value, and at last, on a certain day, an ascetic, emerging from the forest where he dwelt in deepest medi- tation, presented him with a fruit, which should be given to the most beautiful of his Queens, that she might bear his child. Now these three Queens were so beautiful that each separately resembled Lakshmi, that Sea-born who is the Lady of Beauty, and together they formed a constellation that even the Pleiads could not equal. So with the fruit concealed in his breast, the King entered the palace of his wives, that he might make his decision. This had become a matter of great anxiety to him; nor had he dared to speak of it to any person, lest it should reach the Queens and provoke discord be- tween them. Having ascended to the Hall of White Marble, where they sat with their attendants like roses fallen on the snows of Himalaya, the King commanded them to continue their occupations as though they were not in his presence, so saying that he might observe and compare them at his leisure, deciphering, as it were, the secrets of their beauty. And fixing his eyes upon them, he considered them earnestly. Now the first Queen, Urmila, was playing with a casket of jewels, and with these she adorned her beauty. In the small shells of her ears she fixed precious hoops of gold set with blood-rubies. In the delicate curve of either nostril she placed a jewel of rubies like a flower. She set on her head an ornament resembling the outspread tail of a peacock, glowing like the inmost essence of the heart of the rose, and about her neck she hung chain after chain of rubies, depending to the lowest dimple of her knee. Her slender fingers she loaded with rubies, and on each slim ankle she placed bangles of gold and rubies, and little rings on the great toe of each lovely foot. And thus, in the blood-red splendor, like a Queen of fire, or a sala- mander in the core of the flames, she came and stood before the King, laughing with pleasure and saying, “O Aryaputra [son of a noble father], am I not beautiful?” And in his heart he awarded her the prize; for her eyes were long and dark as a gazelle’s, and in either lake of darkness he could see a little picture of himself, seated like Vishnu upon those waters of beauty. And her mouth bewildered the senses, and the ruffled silk of her hair held the heart faster than chains of iron. So, being intoxicated with loveliness, he would have laid the fruit THE FLUTE OF KRISHNA By L. ADAMS BECK Illustrations by Beriram Hartman in her hand, but wisdom prevailed, and he said, “Sit you on the cushion at my right hand, that I may see your sisters.” So he fixed his eyes on the second Queen, Urvasi, and her person was of a pale gold color, like silver bronze, and shaped divinely as a cup shaped by a skilful craftsman for kings to drink from. Her lips were blood-red as with the blood of those who had lost their lives for the sake of her beauty, and the long lashes veiled her eyes like shadows in which the senses might wander and be entangled. But when she raised them, behold, a sunrise of light and laughter that banished darkness. And this most beautiful lady had decked herself with the greenest of emeralds from Lanka, and about her waist that a child might span she wore a girdle of emeralds, which hung about the curves of her swelling hips in long fringes like dripping waters from a fountain of green fire and tinkled as she went, and she also came before the King and said very softly, like a child, “Aryaputra, am I not beautiful?” And bewildered, he had almost given the fruit to Ur- vasi, but reason prevailed once again and he said, “Sit on the cushion on my left hand, that I may see your sister.” So he fixed his eyes upon the youngest Queen, and she, not knowing of his entrance, sat far off by the fretted marble of a window, weaving garlands of jasmine flowers. Her beauty resembled that of the Goddess Uma, when she did penance in the waters of Lake Maneswar for her passion that had disturbed the meditation of the God. For this lady was like a figure of ivory made by a mighty maker, and her eyes were cold as dawn, and she stood on the verge where girlhood melts into womanhood and none can say which it is. The heaviness of her black hair, black as kadumba boughs, almost bowed her head; her eyes were the dark blue of the midnight sky when the moon is full, and her beauty must have been pronounced the very triumph of perfection, were it not that, since she had entered the palace of the King, she had never smiledeno, not even when he had drawn her to his arms. And now she had made a crown of white stars for her head, and to each fine ear she had hung a cluster of jas- mine flowers, and about her neck a garland, and in her hand long stems of _these perfumed blossoms, so that in her white robe she appeared an image of ebony and ivory, and her eyelashes lay like dark crescents upon the pallor of her cheek. And her name was Malati. So the King watched her, and suddenly it seemed to him that he had never seen her face until that hour. And he called her, gently, and, starting as from a broken dream, she came and knelt silently before him, and he spoke, forgetting the others as if they had not been and she were alone with him alone. “O Lotus-eyed, what shall I say?—for surely you are ‘like the Queen Draupadi, of whom it was said thus: 28 ‘You might indeed be the mistress of all for your beauty. Your heels are not prominent, and your thighs touch one another. You have great intelligence and your words are well chosen. And the palms of your hands and the