zvlayfnir, May, 1927 71

i—IIII:. \ It;II II,‘ Ium|l« I. \\‘I«H\ HI‘ ' IIYLIHIIL ' , [Ihmt III I‘, Hrt H‘. hm] r I'H§‘.|I]"H I1,‘ F t I I lz.r'nI°, .II V L'\\ h V I V -nI:'LI II‘ It ‘Ix. 'I~ -II ‘ \ VI \ hI..~ 1 I‘ ‘ ' »» I pams n uen Ce In »_ "I \ mh hm I ‘ _ ‘ 1}HI,I The Spnnis1I ‘Inthxence 1§ s\V'eepIIIg Intf) fzujnr ht-I~IIuse nt it- I:I'eIIt sIIItIIhIhty In cunjunctlnn wILh I v HM I~ . I ‘ \ nmxlern l|!'t‘hitL‘(‘tlll‘E, Its 5tIIceue(l walls‘ and slmple H“ \‘ " ' effective hnex, Yuu have wen many hving rnmn-I N W '‘ IIIIII hulls we tre:Iterl—but have 3 I1 uIII;Il nuw ’ \'¥- -eulizerl the 10°-Sibt1IHt‘S for richness and l)l'lL{'il'It\1- HI I _ I _ ‘ , 7 K N‘; X It): In It hexlruem of Spnnwh deslgn. \ . "ml, X‘ t A Note of H1gh DIstmctIoI1 II -‘ W“ “‘ "' Now we have the Spanish bedroom. Indivi<lu;Ilit_v qpenks in its even‘ I I (7! VI - -h Iine I‘1IHtI\L! for lhe vivitlness of opulent fIIheI'e-3 ugmnst the IIII.'~'teI‘e | H‘, I , , , H‘ tIIH‘H“ \'Y't't\l\1 hIIekI:I‘uIIIItl, the accents of wruught Irnn.’ A nute nf hush Ills- ,] I tiIII‘tinn ‘I: struck in (he <1-ttivlg i]h.I-xtratetl. cIIn1eI1 out by the m:IIIII- “ L "Ix [’IIetIII-I- - of NH-i‘].’I!' furniture. The indiviIhIIIl pieces shown in (II-t:II1 “‘]"“‘h“‘ I I I1lII~tI-IItI- itn richness 01' the suite and its fidelity tn the period. AH I [\‘—‘~J[lh“,\l I The iIIeir1ent:I1 pIece<. such as these you find lvresentcll an thls puma ‘ I ‘ IIIIII the touch of Interest and Ihfferenee tn the COl\V4.‘I1Ll0l|£|l rm-III. “W” M, A little telephone eIIh'IIIL-t is II sIIg;:estimI for the hIIll\\'II_\'; II SpIIIIi.<)I Imnu t K (1L.;k_ with II depth of only II foot. to fit into the limited space: II Hp .' tH.\'IHI:|I mp tnhle to Fill the odd spzwe or to nerve as II setting I'nr [lmwI'= In pun IhmI I ;_v|eIIInIIu_r eIIIIvlIe%tiuk>'Tt1N{se are nll tlIefIIuttl=5 \\1=hie1h lend the Ir:-IIer:Il , .I I:' I - f 1'III-niLIII'e [I unnlmr, he Hit‘ u I'n:IviIIIn itv. M m,‘m_, tln Hit 0 . III hm‘ M‘ Onlx III .\'u—M:II‘ [lII‘HII\l1'(‘ may the exelusive NI»-Mur fini-=h he hml. flu-I Iv\\H V‘ I I * Un“ffL-ytofl hv he:It. euhl or nmisture. {l[’t\'l nI- [)(‘I'['llInP—HIL' fl1!'lIlhl|’|‘ ML. [mi I ('\'(‘l'~l1\\‘tIl’l,i,",>|t‘I£|t run he _p;I<seIl trmn ECllL‘I'1|h(In tn ;_veIIerIItInII~tlIe . lw;IIItIfII1 and mrIeel fIII'm1.IIre of t<I—(l.-Iy, the tIeiI'1I><-um III’ the future. e HUII‘ E'v ‘ M. vml meept II ~II1Mi|IIte for Nn~I\!III~. DemIInIl the Nu-\IzIr (III: IIIIII .,,,,,._ \\]1h‘\ |_V|l[|l':tl][L't’. \\'Iite II~ Ilireet ‘If _\'U\ll' (it-IIler l'IIllll(lL sIIpply yum I. ’[‘]u‘.I.‘ ’ ~ UH \\'I'~’ ‘ ‘A IrIIuuII~ N ‘ . ~ '~i~ Malcolm Er? H 111 )\t uh‘ ([r)l\|‘»“ ‘ , Il~ Lw “ "mu ]E[:;_7llI14' II I‘ KItchcncr, Ont. Ir III: PIIIIV " )rL‘\LHl -.I.I I‘ ‘ ~ A H.‘-IIIIIIM 1"“ |l)t‘l1l1““mh:, [(I\\'II HIA W‘ l mu Ic I “ ,